Allo Darlin’ – We Come From The Same Place

HIRES

Rating: ★★★★ ·

Allo Darlin‘ first hit my radar back in 2012 when they released their sophomore record, Europe, and let the world know they have some serious skills when it comes to sunny indie pop. We Come From the Same Place offers a further trek down this road of well crafted glistening pop tunes as well as a beautiful transitional record for a shift to autumn days.

The band opens with “Heartbeat–” a bouncy and ukelele filled little warming up number, which gets you excited for this album by reminding you just what made you fall in love with Allo Darlin’. The real goodness is yet to come, but don’t worry it’s coming soon. Second up is “Kings And Queens,” in which the band picks up the pace and starts to hit their stride. Following that, you get the simply swoon-worthy title track, whose choral hook, complete with backing guitar riff is enough to make anyone tap their toes and jam along with this group. When Elizabeth Morris belts earnestly, “Please believe me, I’ve never said this before,” as the guitar delicately jams along with that jangle in the background, I was jolted from passive to active listener as that sensation of excitement swept over me. Here is where this album hooked me—from here on out I was pretty much on board with anything this band wanted to throw out.

This track isn’t, of course, the only stand out number on the record, as later on you get numbers like “Bright Eyes” and “Crickets In The Rain.” The first of these two songs turns out to be one of the more rock-laden tracks on the record and begins with a little stripped down electric guitar. What makes this track so special is the duet between male and female vocals that you don’t really find anywhere else on the album. Combined with that squalling electric guitar that takes off on its own at the end of the track, this number is infectious. “Crickets In The Rain” gives that perfect for autumn combination of sunny sounding instrumentation with a melancholy twist—be it in the lyrics or Morris’ vocal quality. It’s the perfect mirror to falling leaves or rainy days mixed with the still stagnantly hot Texas sun.

My small issue with this record is that it seems to be lacking a little power punch to push it through to the end. The songwriting is brilliant, the tracks are all pretty good, but I needed one more spectacular, knock-it-out-of-the-park song towards the end of the record to push me head-over-heels in love. That being said, since the songs are slow-burners at the end of the record, perhaps I’ve just missed the needle in the haystack and that missing piece will become evident with repeated listening. You have a listen and hear for yourself.

 

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