We have a little bonus show coverage today…
Wanting to run light, I grabbed the camera and mounted the smallest and lightest lens I have to go be amongst the EBM family the filled The Mohawk on a Tuesday night. That crowd was there to see Front 242, legends in the dark electro game, credited among the founders of the EBM scene. If you do not know of Front 242, shame on you.
I’ve had a good run of nostalgia lately. Perhaps I could keep the streak alive? Maybe not, but it wasn’t the band’s fault. Click through for a couple comments about the openers and the legends with pics from the crowd.
Our friends in Night Drive have covered Perfume Genius and Radiohead previously, tagged as summer covers. They also do “Psycho Killer” live, but if you haven’t heard it, that Radiohead is one of the best things to get you all swirly-eyed-lost-in-the-moment at any Night Drive show.
The latest release is a not-quite-summer cover has us reimagining The National’s “Anyone’s Ghost”. It goes slightly uptempo to disco levels and adds a pile of synthy harmony with more movement in the phrasing of the lyrical delivery versus the original. The song builds and diverts from the source material the further along you listen.
I mentioned that OMD was playing a sold out show at Emo’s in a Have A Nice Weekend post last Friday. I stressed that of all the bands that were formative to new wave that still influences so many bands today, the only one touring right now with the same level of love for their music, past and present, is Orchestral Manoeuvres In The Dark. They are touring in support of their recent release The Punishment of Luxury, which if you haven’t given a shot, you might want to.
In addition to their hit after hit set, OMD brought along GGOOLLDD, some fun indie pop stuff that you can dance to, with outfits and poppy fun.
Let’s get to a few random thoughts and plenty of pics.
So there are some things going on tonight. I’ll be in nostalgia land with OMD at Emos. It is sold out. They are bringing along GGOOLLDD to open. Should be a pleasant evening with the wife. I was telling a co-worker that the last time I saw OMD, you realize that there are bands still touring to make pay for their landscaping and others that still really love their songs. OMD is the latter and it doesn’t hurt that the new stuff is solid, too. There is also a fellow photographer’s belated birthday party at Cheer Up. Super lineup.
Little Boots has a new EP out. You can listen to a few tracks over at Soundcloud and on youtube. I added “Picture” to my Soundcloud bucket. The Bucket is my catch all, a little under four hours, full of my faves from ATH and some other randoms. Try it out, below.
Last weekend started off with a dance party. Friday may have been the single nicest day of the year; it was like nature was air conditioned. What better way to celebrate than with a show at Stubb’s? How about a little Cut Copy to add to that pleasantry? How about a solid opener like Kauf?
The show wasn’t a total sell out, but it got close which is not really surprising given they were at SxSW. Cut Copy was sharing some new jams surrounded by all the hits. This was the second date of the actual tour after a few small fest sets and aforementioned SxSW action.
Did you go? Did you miss it? Click through and let’s review while viewing all the photos together…
If you don’t know anything about me, know that I will go see Cut Copy any chance I get. Of non-Austin bands, I’d say they are the one band I have seen more times than any other. That kinda snuck up on me. Sure, they played one exclusive party during SxSW and did some DJ sets, but tonight, they play Stubb’s, the unofficial home of Cut Copy in America. I am curious if they are just hanging about, playing Dallas last night, but being almost two weeks removed from SxSW, you have to wonder if they were doing some recording here?
But they are the known here. How about I give some love to the opener? Kauf has been in and out of The Bucket playlist over on Soundcloud. I use that playlist to mix newer faves into other playlists when entertaining. The song featured below is called “Pacify”, a song with an understated elegance that builds, ebbs and peaks before release; Nicole shared it on ATH in late 2016. Maybe also check out “A Ruin”. Hopefully, it will push you over the edge to pick up a ticket, show up early and dance with us.
We’ve shared pics from the ATH vs SOTO party and a few in our SxSW 2018 Awards post, but I want to share a gallery of my faves from this year’s Conference. I also have a link to my photos website with the GIANT collection of photos from all days, every days I was at SxSW this year. I hope you enjoy reliving SxSW with us one last time.
Portraits, friends, lights, atmosphere and more than a few musicians.
Random “discovery” thanks to the big data that feeds tracks to the auto playlists on streaming services…
Dose is a band out of Newcastle. I didn’t know anything about them until I left a Soundcloud stream playing after setting my headphones down and returning to my desk twenty minutes later only place said headphones on at the start of this track. It seems our future robot overlords wanted me to hear this lush, guitar-driven haze that has motion and light despite a dark undercurrent.
Singles and things available. Check it.
We’ll be out and about the rest of the week to view the things during SxSW so remember to check out the twitter and our various instagram accounts.
Either you missed the big Austin Town Hall vs. Side One Track One party, or perhaps you were there and want to relive it. Check out the gallery after the break that features faces, bands, instruments, lights, beverages, scenes and moods from the day and night at Hotel Vegas. Highlights for me were Glaze, Nite, El Lago, BLXPLTN, Tres Oui, Daphne Tunes and Marmalakes. Find these bands during SxSW. You’ll be happy if you do.
Good timing, some easy promo for the big party on Sunday. #ATHvsSOTO
This isn’t so much a music video as it is a short film that tries to capture everything ’80s. Obviously Stranger Things stoked nostalgia for my formative years with music. I lived through Beta vs. VHS, crimped hair, the dawn of synth and Saint Reagan’s reign. I also lived through The Cure’s first records, the greatest year in pop music which we all know is 1984 and all of those new genres that haven’t disappeared.
Nite certainly presses my nostalgia buttons, but their is great songcraft lurking. You can listen to this jam below for your convenience, but by all means, click through for the short film that features Family Ties, mutants, teen mags and so-that-is-what-the-kids-are-listening-to jokes.