Listen up, you whipper snappers. Midge Ure is an important figure in music. His work in Silk and Thin Lizzy shaped rock and roll while Visage and Ultravox still heavily influence the current flood of excellent synth pop. He co-wrote and played all instruments on “Do They know It’s Christmas”.
I last caught up with Midge almost exactly two years ago. He played an intimate acoustic show at The Cactus, one of the best things I have ever seen on stage. Midge, with band in tow, is back to play all those synth-laden jams he couldn’t play that night. His vocal is still outstanding, his stories endearing. Dallas-based Nite will kick things off a little after doors open at 8pm. Please join us.
Tickets available here.
|PSA: Austinites and friends of Austinites willing to buy things using their credit card in an Austin zip code and hang out with you during Spring Break, SxSW wristbands are on sale at $169.
Thank you for your attention.
I still love Free Week. Went out and about again and saw a whole different set of random people. I learned a friend’s girlfriend’s dad goes by the name Bush Pounder. I learned a kind soul was leaving us for Puerto Rico, but would be returning for fests and touring gigs. Little known fact, flights to cities in the US from Austin are about the same as flights from Puerto Rico.
It was a whole different set of bands and a different chunk of venues. Here is the rundown: Empire to see out friends in Bali Yaaah and Hours Quiet, Barracuda for Midriff, ATH Records’ Pollen RX, Stiletto Feels, Otis The Destroyer and Flesh Lights with a quick jaunt to Swan Dive to see what Casey Beans was all about as a solo thing.
Click through for all the pics.
“Please” is a slow burn single from the upcoming record by Blanck Mass. Undercurrents of aggression in silken tones…
Check this press blurb.
As humans, we are aware of our inner beast and should therefore be able to control it. We understand our hard-wired primal urges and why they exist in an evolutional sense. We understand the relationship between mind and body. Highly evolved and intelligent, we should be able to recognize these genetic hangovers and control them as a means to act positively and move forward as a compassionate species. Unfortunately, this is not the case. Recent global events have proven this. The human race is consuming itself.
World Eater, the new album by Benjamin John Powers Blanck Mass project, is a reaction to this. There is an underlying violence and anger throughout the record, even though some of these tracks are the closest Power has ever come to writing, in his words, actual love songs.
Preorder World Eater.
I have a Have A Nice Weekend track for today from a group called Stereo Off. They are a collective under the guidance of Sebastian Marciano doing dance pop electro stuff that I can get behind. This track is called “Venir” and is a single from their self-released upcoming EP III.
Have you gone to see Louis CK?
Have you seen bands during Free Week?
What’s up with this weather, right?
Turn that Stereo Off #seewhatidid and go see some music.
I do love Free Week. The day job keeps me from going every night, but ANY night of Free Week means seeing tons of friends on stage and off. This edition of Free Week photos features photos of Light Wheel, Big Bill, Night Drive, Rose Selavy, Letting Up Despite Great Faults, a tiny cupcake fail, ladder climbing, toasts, staples and so much more. Venues visited were The Mohawk, Cheer Up and Barracuda.
I’m going to post a few thoughts on the backside of the break. The short story is that Big Bill can’t lose, Night Drive is still my favorite dance party, Rose Selavy is rad as a three-piece, Letting Up can do the same and Barracuda was surprisingly packed.
TIP YOUR BARTENDERS. BUY MERCH.
We’ve been recovering over the holidays as it has been a strange year to say the least with more rain outs, a storm of discontent and quite a bit of loss.
The fall festival season was one of the strongest in a while with newcomers Sound on Sound anchoring the weird; the best things are often not easy. ACL had one of its best headliner lineups in years. #RadioheadplayedLetDown I have a reason to go to Houston in Day For Night. Austin Town Hall Records had several releases hit the store, great stuff. I hung out with a lot of people I love. We had a lot of great records to listen to.
Maybe 2016 wasn’t all that bad, but I’m cool with saying the final goodnight. I’ll leave you with some really random photos.
Second big gallery, this one is nuts cause we had a full day of festing planned out.
First of all, you can’t plan the weather, but you can plan for it. It was frrrreaky cold. I was sporting my fluffy socks, gloves, the wind proof jacket and the X-Men scarf (thanks, Beth). The suffering was worth it as once again, the fest proved to be a fantastic place to have a camera.
The Sunday gallery from Day for Night features Nothing, S U R V I V E, Ariel Pink, Uncle Acid & The Deadbeats, Matmos, Lightning Bolts, Liars, Night Drive, Unknown Mortal Orchestra, Little Dragon and Butthole Surfers. Wow.
Please click through…
Nathan has our summary post duties. Nailed it.
Day for Night is a very ambitious festival; it over-reached a couple times this year, but all in all, it was a success. We’ll be giving the organizers some real talk feedback, but hot damn, last weekend was photogenic AF. The giant LED backgrounds used either for artists synchronized art or for excellent festival graphic design or complimentary colors to appease the lighting directors whims, all with a Houston skyline looming.
Aside from tons of environment pics, Saturday’s gallery features Lower Dens, Jesus and Mary Chain, Blood Orange, Tycho and Aphex Twin. I mean, look at that list. And this was the easy and chill day.
Click through y’all. Please?
Teen Daze‘s All of Us, Together has been a go to record for when I need to decompress. It has beautiful textures and layers that let you get lost.
I have enjoyed his records since and his latest effort, Themes For Dying Earth is due February 10th on FLORA, his new record label. Teen Daze uses a short doc to introduce the record. In it, Jamison Isaak reviews the stress and anxiety of recording and performing and the realization that nature around him allows him to find balance. With that comes the reality that climate change could take that away. Shot and recorded by Casey Kowalchuk, you get some tour footage and scenery from in and out of the studio, but it is all about that soundtrack that acts as a preview for the record. Take a gander and a listen.