Let this sink in:
“Singer-guitarist Daniel Ash and drummer Kevin Haskins, who spent large swaths of the 80s and 90s performing in the seminal acts Bauhaus, Tones on Tail and Love and Rockets have reunited to form a new band called Poptone with Haskins daughter Diva from BlackBlack.”
Look, I never had the stars align to let me see Love and Rockets, let alone Tones on Tail. Of the half band revival tours going, this may be the best. I peaked at the setlist from previous shows and it makes me so happy, covers the bands covered back then, the best of Ash led songs from Love and Rockets and a Tones on Tail best-of.
If you weren’t affected by the Bauhaus, Love and Rockets or Tones on Tail, pretty sure one of the bands you love was.
TR/ST, Trust, TRUST…
Nowness is presenting this video for the latest track to hit the internet for the forthcoming release by TR/ST. The video is a collaboration project, taking the track called “Destroyer” and setting it to choreography and direction by Ryan Heffington, assisted by Justin Tyler Close to create a simple, but awkward visual that becomes more engaging and emotional as you are drawn into the music and the motion. This song is also a bit of a departure for Mr. Alfons in my opinion, a piano melody rolling on and on with more present vocals instead of the cavernous synth. Even more excited about he still-unnamed LP due early next year, which is soon, so I’m even more excited.
Sometimes you just need some solid UK based Indie Rock.
For fans of: Elbow, The National
Cavalry is a band from Liverpool that takes in a ton of what I like about a well-crafted indie tune. They have an EP out today available to preview in the streaming world to listen to, use this thing called a hyperlink, via Fierce Panda called See The Night Perform. The EP was produced by Darren Jones how previously worked with The Last Shadow Puppets and you can pick that out in this track called “Heresy”.
According to the band profile, Document is a post punk band out of Tel Aviv, hence the title. But upon first listen, I got tinges pop jammy fun lying just beneath the surface. I like these kinds of fusion. I also like highlighting music that is being created all over the place, an ATH specialty (I think we all may need to move to Australia or Scandinavia soon based on our current penchant for jams/electronics from both locales).
Back to Document, they are self-releasing an LP on 12/8 called The Void Repeats, as independent as it gets, which you can stream here. Preview the opening track track below…
We have a little bonus show coverage today.
While I was eating tacos and getting melt-faced over at Emo’s, we had an opportunity to send in a photographer to take in the magic of Courtney Barnett and Kurt Vile performing at ACL Live. I was a little bummed to miss this one, but my priority was with the Sound On Sound team. I was supposed to be out standing in the field, after all.
Anyway, click through. You’ll get to experience the show via the lens of Rick Kern, bearded dude and all-around good human.
The other Sound on Sound makeup show we ventured out for was to catch Japandroids and Cloud Nothings at Emo’s.
We interviewed Cloud Nothings several years back during Fun Fun Fun Fest, six whole years back, and several albums ago. They were a highlight, winning best drummer award, as I recall.
I last saw Japandroids open for Iggy Pop. That was pretty nuts. They even knew they were speed-bump on the way to the spectacle.
Click through for a few thoughts and the photos.
We all shed a tear when we learned that Sound On Sound was cancelled. We have a lot of good friends that put so much effort into making this year’s festival amazing, a quantum leap over last year.nnWe will not debate the valor of their efforts to save the festival or lament the missed opportunity of seeing Iggy Pop surrounded by a Ren Fair here.
The thing we may not understand about the festival circuit is that bands are on tour and need to use the festivals to home base around a few stops nearby before and after. Knowing this, the SoS team was able to schedule a few makeup shows to accommodate the travelers. One such show was for Lindstrom, a guy from Norway that was travelling a long way to hang with us. This set was high on my list for standing in a field with friends vibing. We replace the open spaces and axe-throwing for the friendly confines of Cheer Up Charlie’s.
Head past the break for more details and notes on DJ sets from Cap’n Tits and The Juan Maclean.
It has been a pretty good week of electronic jams. From the new Fever Ray today to Bayonne’s latest to the Korine track. All solid offerings. Maybe you should just resolve to shimmy all weekend with this cooler weather. It is finally fall. LCD Soundsystem out at COTA seems a good way to spend Halloween. I am hoping my skwuad can rock our onesies. If you see a platypus, perhaps with a camera, say hi.
I will leave everyone with one last bit of electro-pop goodness. It is from French-born, part-time local Lou Rebecca, who with Josh Mills on programming and keys, has been turning out wonderfully crafted French disco. Holodeck picked up the pending release and we now have a full shimmy-inducing slice of heaven following the more thoughtfully subdued and bilingual lead single from the S/T EP.
Almost forgot. Our friends Night Drive have a video out for “Trapeze Artist Regrets”. Check it.
This is brlliant. The new record from Fever Ray, Plunge, is available to stream on the youtube here. Going to share one track to stream below. So good. Go get it, go stream it, add to playlists, whatever, just do it.
It is ACL again. I am going sans long lens and will be actually listening to bands with Nathan and an entire squad of randoms that come in town from round this great country. Get of my blanket, football in the beer tent, occasional runs to the front of the crowd to get sweaty and be dumb – festival things. We do get Day Wave.
UT/OU ManU/Liverpool #COYS
On to a shareable jam. Here is a lovingly crafted piece of synth pop by Empathy Test that has that darker vibe followed by that last-song-on-the-Depeche-Mode-record that had just a slightly uplifting message. The full length, Safe From Harm, is due November 17th.