Another Denney and the Jets Jam

denneyIt makes perfect sense that Seth Murray of Natural Child would team up with Denney and the Jets for this tune.  The Nashville band seems to embody the same approach, at least as of late, to writing songs that bridge the gap between garage rock and classic rock n’ roll.  This tune will be featured on the band’s forthcoming record, Mexican Coke, which is being released by Burger Records on April 8th. The record explores themes of substances use, family, rodeo clowns and loads more, tying it all into the iconic history of Tennessee songwriting.  Take a little listen.

[audio:https://austintownhall.com/wp-content/uploads/2014/03/07-Mamas-Got-The-Blues.mp3]

 

New Dark Wave from Moses Gold

phillThose of you paying attention to the electronic scene might recognize Moses Gold, at least when you hear it’s the project of Phill Young; he’s one of the men behind Christian AIDS/Stay +.  He’s going it on his own these days, and he’s crafted this wonderfully dark bit of electronic pop music, featuring a vocal that’s both beautiful and haunting.  I don’t want to say that it wholly resembles Majical Cloudz, but it has the same sort of emotional effect, using electronics as a background from which Young can paint his songs. You can pick up his limited 12″ vinyl now from Bleeding Gold.

[soundcloud url=”https://api.soundcloud.com/tracks/130985703″ params=”color=ff9900&auto_play=false&hide_related=false&show_artwork=true” width=”100%” height=”166″ iframe=”true” /]

The Coathangers – Suck My Shirt

The-Coathangers-Suck-My-Shirt-608x608Rating: ★★★★★

Honestly, I didn’t expect this from the Coathangers.  The group’s always been a blast to jam to, but in no way did I expect these ladies to offer up such a complete record as Suck My Shirt.  Four albums into their career and this is far away their best record, and for what it’s worth, the best thing I’ve wrapped my ears around.

From the opening moments of Suck My Shirt, the album offers a bit of gritty rock n’ roll that’s juxtaposed perfectly with tiny bits of pop.  “Follow Me” features drummer Stephanie on vocal duties, offering her gruff rasp over a precision drum beat.  But, the simple entrance of “whoas” in support give that catchy touch that makes the group so endearing at the moment. Personally, I love the way Stephanie’s vocals battle back and forth with her counterpart, Julia Kugel.  Take, for instance, “Adderall,” which pops up later on in the album.  The vocals are strained while the guitar work slides up and down the scales.  It would seem like the drummer has the key with her performance, but then Kugel slides in with just a the slightest yelp of “yeah” or “what” during the chorus; it completely takes a good song to the next level.

But, one thing remains the same with this modern version of The Coathangers: the ladies still bring bubbly fun to their tunes.  Sure, there’s a dark edged propulsive rhythm on “Springfield Cannonball,” but as the cymbal crashes and the guitar knifes through like a siren there’s still an element of frivolity to what they’re doing.  They’ll even get you bouncing and moving when you go ahead to the next track, “Merry Go Round.”  High-hat work coordinating with the way the guitar’s played would be enough to get you tapping your toes, but the vocals are both bratty and driven by an inherent hook.  Just imagine yourself rocking to a surf-pop act, only this time it’s fueled by ladies with a sinister sense of humor and fun.

Still, it’s not all pop spun on a knife’s tip; there are some generally sweet songs lurking throughout.  For one, you can take the quieted effort on “Zombie,” which has one of the most gentle vocal displays the band has to offer.  Even when they jump the pace up a bit, there’s an element of enchantment coming through your speakers. It works well with a song like “I Wait,” that offers almost a jazzy crooner feel to it, though done in the vein of an evil temptress.  It’s just a sign that the group has it all at the moment.

I’m not generally one to fawn too much over a record, but I don’t know why anyone would have anything negative to say about Suck My Shirt.  It’s playful in all the right spots, yet filled with ballsy rock n’ roll moments that will please any listener. For what it’s worth, The Coathangers have been building toward this for a long time, but it feels like this is the culmination of all their hard work coming together perfectly. I dare you to disagree.

Low Key Pop from Firestations

watlsLondon’s Firestations are quietly building steam overseas; I can tell why after listening to this number.  The song opens with this quiet piece of pop via a male voice, but then it moves forward with a nice little duet that completely changes the feeling of the song.  It’s darkness evaporates, allowing for an emotional light to push its way inside. I love how the track closes on a brighter note after returning to the solitude of the lone male singer, briefly.  No word on when they’ll have an album out, but it should come soon via Waltz Time Records.

[soundcloud url=”https://api.soundcloud.com/tracks/138534287″ params=”color=ff9900&auto_play=false&hide_related=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

More Tunes from School of Language

davidIt’s interesting to hear the musical progression of School of Language since David Brewis first stepped out from behind Field Music so many years ago.  What seemed like a B-Side Project has evolved into something that has a soul all its own, while still harnessing the sound Brewis has come to embody.  There’s still elements of that jagged guitar playing, yet you’ll likely find a lighter feel to it all, providing an almost rhythmic dance propulsion.  His new album, Old Fears, will be out on April 8th via Memphis Industries.

[soundcloud url=”https://api.soundcloud.com/tracks/125240749″ params=”color=ff9900&auto_play=false&hide_related=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

Warm Soda – Young Reckless Hearts

warmsodaRating: ★★★★½

When a musician steps away from a well-followed act, it’s difficult to say where things will end up.  But, in the case of ex-Bare Wires member, Matthew Melton, his move to form Warm Soda seems to be paying off immensely.  The band’s first album, Someone for You was spot-on power-pop, and Young Reckless Hearts picks up where that album left off, smoothing out the edges towards perfection.

“Going in Circles” starts the album off, indicating that while the riffs still maintain their crunchy edge, they might be polished up just a bit. The track offers a smoother delivery than previous Warm Soda tunes, though it still has that powerful driving rhythm prompted by the pounding drums.  Then you’ll move right into “Postcards,” which employs more of an angular guitar cut.  Personally, I love the way that Melton moves in and out of different vocal ranges within this number. You can then push forward to the record’s title track, “Young Reckless Hearts,” featuring a guitar part that our parents would have happily air-strummed at their favorite arena-rock show. However, there’s still an intimacy with what Melton and his cohorts are crafting; there’s an inherent warmth to the way vocals are delivered and how the pieces all fit together.

Honestly, the greatest thing about listening to Young Reckless Hearts is that you’re not going to find a single track that you’ll want to skip over, even though we’re all guaranteed to find our own favorites.  My last few rounds I’ve really been enjoying “When Your Eyes Meet Mine.”  It has a call-and-response backing vocal that really adds some pop-sensibility (as if much more was needed) to the song; it also has Melton working with my favorite vocal inflection. “Things That We Said” is also another winner, in my book.  If you jumped into the track just prior to the 1 minute mark, you’ll hear exactly why I love this tune; there’s this swirling pop sensation that’s crafted by multi-part vocal harmonizing backed by a twangy guitar sound.  Just don’t think that the group can’t still deliver a killer punch amidst all this shimmering pop.

The closing tune, “Stranger to Me,” is one of the songs on the record that’s most reminiscent of the band’s earlier works.  The sound of the guitars is much more forceful, providing a nice discordant ring through your speakers. You’ll also find it filled with lots of guitar solos allowing for the band to demonstrate some of their fine musicianship; it even includes a nice little jam session before pushing forward to wrap up the track with a final explosion of glittery garage goodness.

You’re going to find it hard to dismiss Warm Soda nowadays.  There lives shows have garnered huge responses, and it seems like the hits from this group just keep on coming.  Young Reckless Hearts is a record you’ll enjoy at full volume, making it perfect for your entrance into Spring…or you’ll just be glad these guys released another batch of kick ass songs.  Either way, I’m happy.

[audio:https://austintownhall.com/wp-content/uploads/2014/03/07-When-Your-Eyes-Meet-Mine.mp3]

 

 

New Jam from Rodents

piizaEveryone knows how much I appreciate the hard work of the folks over at Art Is Hard Records, especially when it comes to their unique singles series, like this latest from the label’s Pizza Club Series. It’s an upbeat jam from Rodents, with similarities to other acts kicking out slacker surf jams.  The vocals and drums sort of create the sensation of riding a wave, fitting the band perfectly into the aformentioned genre.  Just figured it was a sweet jam to help you kick start your energy after lunch-induced coma.

[audio:https://austintownhall.com/wp-content/uploads/2014/03/Rodents-Do-Nothing.mp3]

Download: Rodents – Do Nothing [MP3]

SXSW 2014 Intervew: Panama

panamaIn the whirlwind that was SXSW we weren’t able to fit in all the great SXSW interviews that we had scheduled; we were out and about trying to check out music.  But, that being said, I wanted to share this interview with Panama…as the information presented clearly goes beyond just SXSW.  Please excuse my folly, and enjoy getting to know a bit about the rising band via Jarrah. And if you like the track at the bottom, their Always EP is available now. Read more

Darren Hayman Joins Up with Emma Kupa

darrenI love a good joint venture between artists, especially when it’s two people who create music that I absolutely adore.  You take the lead man of Hefner, toss him in with the always enchanting Emma Kupa of Standard Fare fame, and you’re sure to have hits, right? Yes, that’s right.  I love how Darren‘s voice is perfectly complimented by Emma’s on this tune; they seem like the perfect fit, to me anyways.  They’ve released this tune as a 7″ on Fortuna Pop, and it is also accompanied by this great video so you can get to know our songwriters and their string game skills.  Hope you dig this track as much as I do.

Beautifully Subdued Track from Prince of Assyria

princeAs we here at ATH aim to recover from extensive debauchery, I figured I’d offer you this mellow tune to help us all ease back into our daily lives.  This tune comes to you from Prince of Assyria, who has been quietly making waves in Sweden.  On this track, there’s a light guitar strum, accompanied by a faint violin accent and female vocals.  You’ll be able to hear more tracks of this sort from the artist on April 11th when he releases Changing Places, his second album, on Soliti Music.  Seems like a perfectly way to start out what will surely be a dragging Monday morning.

[soundcloud url=”https://api.soundcloud.com/tracks/138042857″ params=”color=ff9900&auto_play=false&hide_related=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

1 945 946 947 948 949 1,316