It’s kind of always a challenge these days to figure out what you’re going to do with your Saturday nights in Austin. Normally my issue is figuring out which show I want to hit up, as there’s always more than one great option. This Saturday, you need to be sure to catch a non-local, but still rad, Kevin Morby and company at The Mohawk. K. Morby has been wowing us for years, but on his latest release, City Music, he really knocked it out of the park. The perfect balance of blues and rock, the gentleman is sure to put on a great night of hazy jams that’ll have you swaying through the weekend. Get there early to check out Pitchfork approved, and fellow Woodsist artist,Shannon Lay,and her balancing act of quiet/loud folk gems.
There are still tickets available for real cheap–get yours here and make a great decision for your Saturday in Austin.
Oh and when you’re done getting groovy with Kevin Morby at The Mohawk, make sure you keep the party rolling and pop over to Cheer Up’s to catch ATH bands Shivery Shakes AND Big Bill as well as the other great bands on that lineup. There’s no excuses people– you really CAN have it all.
Amy O has released a new video for her track, “Lavender Night,” which is just the right level of high energy to push you through your Thursday. The song is a brief burst of twee vibes with an undercurrent of grittier lo-fi that pushes through in the electric guitar. The vocals are super sweet and honeyed, riding high in the mix, but the rest of the two minute track is rock and roll. Check out the dancing in the woods/party time video below.
The LP this video/track is taken from,Elastic, is out and available for purchase here.
Alex Cameron, the man, the legend, is on his way to his sophomore album release. After his killer duet and neat video for “Stranger’s Kiss” featuring Angel Olsen, he’s trying to keep the momentum going for that upcoming record. “Runnin’ Outta Luck” shows the artist dancing about in several different locations along a coast with his signature silly dance moves, high waist jeans, and slicked back cool-boy hair. The track is a bouncy pop tune, with 80s synth influence and the help of Brandon Flowers on backing vocals/guitars/keys. You can definitely hear Flowers’ presence through the whole song, and the chorus is pretty damn catchy, leaning hard into the bad-boy persona that Cameron has fashioned. Take a peek below and get ready for the release of Forced Witness, which will be out next week on September 8 via Secretly Canadian.
A. Savage, of Parquet Courts, will be releasing his new album,Thawing Dawn, in a little over a month on October 13. He’s shared another single from that release called “Wild, Wild, Wild Horses” and it’s an interesting take on indie rock. It’s got a cinematic feel to it– minimalist in instrumentation, the song sounds like it’s going to launch into full sound at any moment, but it sort of lingers off stage for the most part. The vocals are in the spotlight, and with in-depth lyrics like A. Savage has spun, you’re pretty glad you can make out every word. Take a listen below and then go pre-order the new record here.
Alex Lahey, out of Melbourne, is coming up in the scene with some pretty great indie rock that fans of Courtney Barnett will enjoy. The new track she released this morning, “Lotto in Reverse” is a prime example of her sleek yet fuzzed out rock and roll. The guitars are heavy in the mix, grounding the whole thing in a layer of garage sound, while the vocals demand the power of the track, Lahey’s range shining through the choruses. Take a listen, immerse yourself in the lyric video below, and get stoked for her new album,I Love You Like a Brother, which will be out October 6. Pre-order it here.
Midnight Sister first got our attention with this zany video, and with the release of this new video they’re pulling us in a little closer in anticipation of the debut of their full length album. “Clown” is no exception to this excitement. The song is a nostalgic orchestral pop lullaby, complete with sweeping string arrangements that will leave you swooning. The whole number feels like a blast from the past, with cutting melancholy that’s doubled down by the pristine vocals from Juliana Giraffe and the visual accompaniment of two figures slow dancing in the middle of an empty street. Take a peek below and get ready for the release ofSaturn Over Sunset, which will be out September 28 via Jagjaguwar. Pre-order it here.
Another week, another trip to the Moody Theater for me. Honestly, I wouldn’t have it any other way– when it comes to touring acts, there really is no better venue in this town to catch a big name. Tuesday night, a rather large name, or perhaps a man with a rather large mouth, came to our city to tape an episode of Austin City Limits. With all the buzz around Father John Misty and his latest album, Pure Comedy, I was interested to see what the character that Josh Tillman plays would have in store for a taping. What we got was a dialed in performance from a personae.
Read past the jump to get my full thoughts on the show.
Wednesday and Thursday nights, The Moody Theater played host to one of the biggest acts in the indie world, Fleet Foxes. The band was coming in hot after the release of their triumphant third studio full-length,Crack-Up,and droves of excited fans poured into the venue to catch a performance for the first time in a long time. What they got was musicianship at its finest– two nights of precise and profound music that fed the excitement of the crowd as the band seamlessly wove together new and old tracks from their catalogue of folk rock.
Read on for my thoughts on the show, as well as some pics from the ever-awesome B. Gray.
Indie folk gods, Fleet Foxes, are coming to our city tomorrow and Thursday and if you don’t have tickets yet you best get to stepping and try to find some, as these two evenings are bound to be nights to remember. The last time Austin played host to Robin Pecknold and company was the 2011 ACL festival, so it will be nice to see the band again with full and proper sets in an intimate setting–the Moody Theater seems like the perfect venue for such a group. A lot of time has passed since then, and with the release of their phenomenal third full-length,Crack-Up,earlier this year, we are on course for two transfixing evenings of orchestral beauties new and old. Personally, I’m stoked to see how the band weaves together the introspective new material with the sweeping folk of the past. With their now expansive catalogue of gems, there really isn’t any way they could go wrong.
To top things off, the band is bringing along the quiet bedroom folk of Bedouine. If you haven’t checked them out yet, take a listen below and get excited for this complimenting opener.
If you don’t already own it and you’re not into holding a 2xLP through the whole show, go buy it on the Nonesuch Records page. Trust me–Crack-Upis one of those records you need to hold in your hands.
- Grizzly Bear, who will be joining us a little later in the year at Sound On Sound Festival, are releasing their new album,Painted Ruins, this week and they’ve just dropped a new video for the single “Mourning Sound.” On the off chance you’ve yet to hear some of the new material from this forthcoming release, I suggest you take a peek at the star-studded surreal video below and fall in love.
Did I mention Grizzly Bear will be at Sound on Sound in November? They’re one of the reasons I’m so stoked on the lineup–have you picked up your three day pass yet?
Painted Ruins is out this Friday. Pre-order your copy here.