Resonars seem to have been around since forever, consistently putting out releases for nearly 30 years. Well, there’s good news, as the band have a new LP coming your way via Trouble In Mind Records. Much of the record has the group working in familiar power-pop territory, but that’s not the case in the tune below…which closes out the album. It opens with this huge circling guitar chord, ringing out whilst the vocals let us softly slide into the track. Drum beats drop in, harmonies soar and you’re transported to the highest levels of guitar-pop, where few deign to go. It almost feels like the closing number to some incredible medieval soundtrack where the hero gets carried off into the sunset. No Exit will be out on April 19th!
It’s getting to be spring festival season, and with warmer temperatures and longer days on the horizon, one of the leaders of the pack in terms of quirky, yet cool lineups is none other than Marfa Myths. This year’s fest will be taking place April 25-28, and while they’ve already shared a slew of great bands well worthy of the trip out to nowhere, Texas, they’ve given you yet another list of reasons to get the heck outta town for a weekend at the end of April. In addition to giants like Deerhunter, Khruangbin, Cass McCombs, Tim Hecker, Jess Williamson(amongst many more), they’ve also added Jerry Paper, Makaya McCraven,Josey Rebelle,Jess Sah Bi and Pete One to the bill. Head over to their website to scoop your tickets, plan your schedules and start making arrangements to get out to Marfa, Texas come end of April. It’s bound to be a culturally rich and weird festival that will make you hate going to other festivals…did we mention the art exhibitions that will also be there?
As I sit here writing, I think I constantly search for music I can take back to my mom and dad, something that represents the music I love. I think the blend of nostalgic songwriting and the penchant for pop that Bill Pritchard is offering up would be just the perfect musical conversation starter. Natural harmonies hang in the way Pritchard delivers his words, and the song seems to have this casual feel that doesn’t overwhelm listeners, like my aged parents. There’s just something so purposeful and everlasting in Bill’s work, and I hope that Midland Lullabies continues to bring him a bit more popularity; it’s being released March 8th via Tapete Records.
A few years back, we here at ATH Records were fortunate enough to help Mean Jolene release Salty, their debut LP (you can listen to it after the jump!). The band went through some personnel changes, but have recently wrapped up their 2nd album. I reached out to Jolie Flink to see if she wanted to share her story about all the work that went into the 2nd album; she shares that story with us below. Read more
Every year we get super-excited about SXSW, and it’s hard to cover everything we want. So, we’ve come up with our annual SXSW questionnaire, and each year we change the questions just a bit, then throw ’em out to everyone we know. Today, we’re happy to share the responses from Whitney Ballen, who released her latest with Father/Daughter Records last year. Read more
Indigo Bunting sprang onto the Austin music scene, destined to work on their own terms; they released the ATH approved Clip Show. Now, without a care in the world, they’re back sharing new music, which, for all we know, could mean that there’s another album lurking right around the corner. While they obviously have musical notes they hit upon, they seem to occupy a space entirely on their own; you’ll likely hear things that musically reference Beach Boys, or more recently Panda Bear, though it’s all spun in this grandiose collage work of pop. No one’s writing pop songs like these at the moment…in Austin or anywhere else.
AllegrA should already be on your radar, and if you haven’t listened then perhaps go spend some time on their bandcamp page, browsing everything you’ve been missing. There’s now news of the Yet, Not Enough EP, which will be released by Citrus City on March 12th. My favorite thing is how the track slowly builds; it opens softly, mostly working muted guitar riffs behind the vocals. The chords begin to expand from there, drums and keys join in, adding depth to the track that certainly elevates the band’s brand of basement pop. I’m really stuck on this song today, so if you’re looking for the feels, look no further.
While it may seem like NOV3L are a few years behind the rehash of post-punk angular antics, it’s fair to say at least they do it right…all the way down to the ethos of the genre. They operate as a collective, crafting music crafting clothes crafting art on their own terms from within the confines of a singular house. That all makes sense when you listen to their new single, which is a foot-stomping nostaglic punk nod with social awareness; they seem to be taking on the corporate structures that make us all wage-slaves. They release their new EP this Friday via Flemish Eye Records.
We alluded yesterday to new music from Monnone Alone, the latest project of Mark Monnone of Lucksmiths fame; today we have one of those new tracks to share with you. Surprisingly, it’s a pretty rocking number, almost like a barroom brawl with fuzzy guitar chords. But, it is Mark Monnone, so he’s going to spin everything he does with the best pop sensibility around. Just listen to the breakdown around 1:22 mark, building this swelling roll of poppy guitars that bring the song right back home to a sense of exuberance that seeps through your speakers. This track appears on the very limited lathe-cut 7″ being released by Emotional Response/Lost and Lonesome/Meritorio on February 22nd.
Julia Rakel is fairly new on our radar, but we’re huge fans of what’s going on over at Rama Lama Records, so we’re paying close attention as her debut EP nears. The outskirts of the song definitely meet at the apex of ethereal and dreamy, but it’s the core that really drives home Rakel’s songwriting. The first 2 minutes have her working with this minimal beat, synths hanging in the shadows while her production prowess allows her to work another vocal line atop her own voice; guitar lines dance loosely, but ever so briefly. Then at the 3 minute mark Rakel takes the song on her own, speaking in step with each line, floating the listener into outer space. Look for the indie fEElz EP on March 15th via Rama Lama Records.