Fresh Single from Great American Canyon Band

12239231_10156232362360068_2759024979203893259_oThe last time we heard from Great American Canyon Band was a few years back when RayRay turned us all onto the act. But, the band have jumped back into the swing with a new single that will feature on their brand new album, coming out in early 2016. It’s the sort of drifting folk stylings that people seem gravitate towards, bringing warm harmonies and filling in the empty spaces with sliding guitar chords. It’s a return to simple structures and perfect execution, which makes the listen all the more enjoyable…so lets be on the lookout for the group in 2016.

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Have You Heard John Rusch

johnWell, I hadn’t heard of John Rusch either, that is until I got turned onto the songwriter last night. Perhaps he’s writing tunes in his bedroom right now as we speak, and I hope they’re all as good as the hits he recently put up on his Soundcloud. Sure, some of the songs take on too much, but when you listen to every moment, and I did, you find some really incredible songwriting lurking (besides, it’s gotta be hard being a one-man band!). I particularly love his Vanessa Williams cover (streaming below). When everything else just seems like another carbon copy, try out something a little different.

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The Best in Indiepop of 2015

indiepopTons of genres out there, but if you’ve been following our work, you know that I’m really partial to the indiepop scene. I scour the confines of the Internet for any and the best of the genre, and admittedly get tons of tips. So, I looked back through what had come out and wanted to throw a little bit your way…just another list of what I think was the best in indiepop in 2015. Still staying away from numbering. Also…some of this has made my other lists, but I wanted to expand on my favorite genre a little bit. Read more

More from Strange Faces

stoneStrange Faces seem to be band everyone is talking about at the moment, or at least in some circles. Their latest single before the release of their album next week hits on the lo-fidelity charm we’ve all been enjoying. Still, there’s a fluid bit of pop-centric guitar playing that keeps the interest of the listener; it seems like the song’s always circling back to offer you some hook you won’t be able to put down. If things shape up as the single leads us to believe, Stonerism, should be one hell of a way to end the year; it’s out next Friday via Autumn Tone Records.

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Announcing Summer Salt’s Going Native EP

DSC_5878A few weeks back we introduced you to the newest act to join our ATH Records roster, Summer Salt. Well, today we’re bringing you news that we’ve got the bands Going Native EP coming your way in late January. The three-o just finished up their much lauded residency over at the Blackheart, and now we’re here to offer you the first listen to “Manastra.” You’ll hear the band’s great harmonies at play, as well as their tendency to kick out smooth bossanova tunes that’ll keep you warm all year round. If you find a voice prettier than Matt’s, then I need to know. We’re so in love with this EP, and we hope you dig what you hear on this first offering. Sweet photo by our own B. Gray.

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Christmas Pop from Bill Botting + Two Drink Minimums

billYou know Christmas or Hanukkah (or just holiday season for pc purposes) is around the corner when you see a flood of lists hitting the Internet. With that, we also get the gift of great Christmas music from our favorites, like Bill Botting who plays with Allo’ Darlin. He’s rounded up a bunch of friends for a short little EP titled It’s Not Christmas Anymore, and the track they’ve got floating out is quite a joy. It’s got a little bit of stripped down folk, but still adheres to a pop sensibility that’s visible in the work of all the participants. Should make for a nice little holiday listen; it’s available via Fika Recordings.

What Moon Things Slow Vibing

spaceThere’s something brewing in this new single from What Moon Things. Starting off, it brings this bedroom electronic vibe,which in and of itself is pretty chilled out. But, what caught me is the the vocals; there’s something oddly familiar in their sound…almost like David Bazan. This track appears on the band’s Space Jams EP (not featuring Michael Jordan), but they are also back working hard on what should be a relaxed new album come 2016. It’s something relaxing to enjoy while the weather outside is chilly; warm sounds and smooth vocals…kick it.

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Gladiola Gets It

gladAmong all this new-age emo stuff, there’s lots to enjoy, and lots to ignore…if the genre even hits close to home. But, I’m really enjoying Gladiola and what they’re bringing up here. They seem to encapsulate the genre’s tendency to stretch out the vocal a la Superchunk, then turning it into a calmly backed pop moment like the Get Up Kids. Still, the opening moments even recall some parts of Drive Like Jehu…reaching out for the scratchier moments of it all. Mix that all together and looks like the band’s new album, This Year’s Storm, will be a hit come it’s release in February.

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High Highs Execute Pop Perfection

highsPeople should be clamoring for more work by band’s like the High Highs. Here, on their new single, they’re hoping you dive into the emotive quality that comes with carefully touching upon beautiful melodies. Here, nothing is forced, touched upon lightly, building and building. It’s a swelling sensation, and considering it’s the opening track for the group’s new LP, Cascades, we should all expect the album to move much the same. If they accomplish such feats, then we’re definitely in for a joy that should reveal itself slowly, then dwell in our souls for some time.

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More Music from The Black Watch

blog_blackwatchWe’re nearing the release of Highs and Lows by the Black Watch, which means it’s time to share a new single from the long-running act. This is our second taste of what’s to come, and I’ve  been really impressed with what’s coming out. There’s a juxtaposition from the guitar work, at point sounding bright whilst churning out a slight jangle, though it’s contrasted with a darker tone that also lurks throughout. This darkness is reemphasized by John Andrew Frederick’s voice, though he does take on a smooth croon during the chorus. You’re likely to hear slight hints of psychedelia, but that’s one of the great things to appreciate about the band…you’ll love them, but you’ll never be able to define them. Pop Culture Press will have the record out this weekend!

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