I don’t really no too much about Hierophants, other than they’re based in Australia and on Goner Records. Both things are pretty much a guarantee of my own personal enjoyment but I want you to be the judge on your own. The song opens up in a stutter of garage rock, but it doesn’t stay there for too long, instead blasting off into a spastic land where few bands dare to go. The end of the track is something all together different from the opening moments, closing in this oddball bounce then moving to a crunchy outro; it all makes for a listen that you don’t get every day, which is well enough in my book. Parallax Error, the album, will be out in September.
It’s been some time since I’ve heard from London’s It Hugs Back, but perhaps that’s my own ignorance. The group was one of the first acts that I caught on to when shoegaze came back into the spotlight, but for their new album, it seems like they’re stretching the sound quite a bit. Personally, I was drawn immediately to their lead single, “Somnolence,” which stretches out into five minutes of really elegant, yet soft, pop music. I love the way the vocal carefully sits atop the entire track, as if its just resting there. If you’re into it, you can grab Slow Wave now.
Lush male/female harmonies and retro surfy guitar? Sign me up. Jack + Eliza may have already grabbed your attention with their single “Oh No,” that Ray shared with you a little while back, but if not, now is the time to discover these two and get on board. I’m loving really everything about this track; the way the vocals seem to dominate the whole track with one harmony crashing into the next effortlessly while the guitar riffs give you that ‘boat dock at sunset’ vibe. I can’t stop spinning this song and now I’m properly excited for the band’s debut full length release of Gentle Warnings, which is out August 7th.
Los Colognes are a group of gentleman from Nashville who have been around for quite some time, but in recent years redirected their focus on to refining their sound. They’ve got a new album on the horizon called Dos which is due out September 4th via Theory 8. From the sound of this single below, “Backseat Driver” it sounds like we can expect the band to walk the fine line between jangly indie rock and bluesy alt country. The vocals are slightly Dylan-esque while the honky tonk piano blazes through and trades off with the electric guitar.
I am getting behind this new Painted Palms record in a big way. The previously released track had a slower groove to it, quite reminiscent of Jagwar Ma. “Tracers” brings more of the dance party using beachy vocals and digital pop goodness, quite reminiscent of Cut Copy with Yaz‘s synth punctuations.
Horizons was recorded with some former-DFA wizardry from Eric Broucek and will land on September 4th via Polyvinyl
For the last several years I’ve had a penchant for bedroom pop, wrapped in warped tape sounds, mixed with oddity a la Coma Cinema. This project from Philly’s Shelf Life reminds me of that, though the recording is a bit stronger, relying more upon the craftsmanship of the songwriting than on the process of lo-fidelity. The project is set to have its debut, Everyone Make Happy, released in September via Lefse, and this first single indicates a pretty remarkable start. Tracks like this don’t just spring up every day, which is why I’m going to fawn on this all day long. You with me?
I‘ve followed NYC outfit The Dig for several years now and have always appreciated the band’s ability to ever evolve their sounds and styles. Today I’m pleased to share with you even further evolution from the group with this impressive new pop track called “Fourth of July”. Pardon the irony of the timing in the song title, hit play and imagine this as a great addition to your party playlist for the weekend. It’s a little bit of psych rock mixed in with some really intriguing pieces of quirky pop music. Stay tuned for more information about an upcoming full length release.
The Walters come out of Chicago with their sea-breeze indie rock and in they come off the release of their debut EP last year with this new single, “Hunk Beach.” At first, the song sounds pretty mild: while the guitar licks hint at a little fire from the band, the vocals are soft. They remain this way as the gentlemen serenade you with their harmonies, but don’t be too fooled, the track really kicks up towards its close and blossoms into a full on beach rock jam.
A lot of talk this week will be about Blonde Redhead and Mono, but I think there’s a show that you don’t want to overlook, which will be a smaller scale show, but equally as good. We’ve been on the path of Heathers since they first started popping up in the small world of indiepop blogs, and I’m excited to see them play live…not to mention that they just released a new single; it’s like an indiepop version of the Replacements. They’ll be joined by Baby Bleu, Popper Burns and Good Talk, so you’ll get a nice dosage of great local acts too…plus it’s cheap, so save your money for beers at the Holy Mountain bar. Take a listen to this great new single.
You ready for the new La Luz to hit? If not, this song should pretty much seal the deal on the fact that the band have solidified their sound, leaving them as one of the bands you’ll fall in love with this year. The latest single opens with this semi-Spaghetti Western psych maneuver, but quickly settles into this dreamy bit of soulful pop. Touches on guitar and keys are really light, creating this effect of that’s almost like floating; it’s very light, accentuated by the vocals being carefully placed atop it all. On August 7th you’ll be able to get your hands on Weirdo Shrine courtesy of Hardly Art.