Interesting New Track From Samuel Cooper

MH291_DMr. Samuel Cooper is a man who has become well known for his work in the indie-pop group Sunglasses.  New is hitting the streets today that the man is going solo for a spell and already has a full album of material ready for our ears.  Previewing that new material is this delightful new tune called “Treehouse”.  I love the bright and sunny feel you get from the song and can’t help but smile throughout.  Enjoy.

Pick up new album, Treehouse, on April 8th via Mush Records.

[soundcloud url=”https://api.soundcloud.com/tracks/135294310″ params=”color=ff9900&auto_play=false&hide_related=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

Nice Bit of Americana from Charlie and the Foxtrots

charlieIt seems like Nashville is becoming the hot scene of the moment, especially for music that bares the soul of America’s musical history.  Charlie and the Foxtrots is another one of those bands building a name for themselves both within and outside of the city.  They blend elements of pop with that classic Americana sound, though I’ll admit that the vocals of Chas Wilson are definitely one of the shining highlights of this tune.  The band will be releasing their album on Golden this summer, July 8th.

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Another New Track from Amen Dunes

amenFeels like Thursdays always end up dragging on, and I guess I’ll help contribute to that by adding another mellow track to our list.  This time it’s another new tune from Amen Dunes, who are preparing to release their album, Love.  This tune hear has a really soft bit of instrumentation, with a vocal that is drawn out in a semi-drawl.  Honestly, it’s a voice you might have to grow accustomed to, though I can similarities between it and the likes of Cave Singers and Devandra Banhart…both artists we adore.  The album will be released on May 13th via Sacred Bones Records, and you’ll also be able to enjoy the video that accompanies this song HERE.

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New Music from Klaus Johann Grobe

LP.jkt.templateTrouble In Mind Records are really pumping out some interesting stuff these days.  They won me over already with the release of the Greg Ashley LP, and now they’ve got this new LP lined up from Swiss duo Klaus Johann Grobe.  Honestly, I don’t understand much of the lyrics, as they’re in another language, but the pulsating rhythm that’s being put forth is enticing for sure.  They even offer a nice bit of catchy hooks that come from those vocals, which also seem to be pushing the larger picture presented by the band.  You can grab their album Im Sinne der Zeit from the label on April 29th.

[audio:https://austintownhall.com/wp-content/uploads/2014/03/01-Between-the-Buttons.mp3]

 

David Novick – Your Sister’s Hand

David-Novick-Your-Sisters-HandRating: ★★★½☆

David Novick is only a few years into his solo career, yet he’s already claimed a great deal of acclaim in that brief span.  His latest LP, Your Sister’s Hand, offers listeners more strong songs from start to finish, though I’ll be the first to admit that I’m more attached to the lyrical numbers that are present.

Your Sister’s Hand starts off with “Gate.”  If you’re one to read into the title of the track, then perhaps this tune is your careful entrance into the world of Novick. The careful guitar work demonstrates just how talented he is; I particularly enjoy the buzz of the strings as they echo through my speakers.  It serves as the perfect opening to the record, leading you right into what many might consider the best tune on the album, “Beneath the Line.”  Musically, the song’s filled with quiet guitar balanced against a discordant solo, at least during the opening moments.  You’ll probably find this track pretty good, but you’ve got to wait until about 2.5 minutes for the song to truly blow you away. Claire Plumb enters here, giving you a gentle whisper of a vocal performance that elevates the song to perfect balladry. These are the sorts of songs where David Novick finds his groove.  For instance, the following track, “Inside the Eye,” brings with it this forlorn vocal that rides along the music.  My favorite bit is how the guitar strumming is accentuated by the careful percussive work at each turn; it’s a special touch for sure.

For me, there are some missteps, but that’s just my personal taste.  I think on “Until You Show” that there are great gifts, but I felt like David put too much on this number, perhaps cramming a touch more than he needed to into this one.  However, it’s a stark contrast to “Ash,” which follows.  This tune has a stark nakedness to it, in both the style of recording and the composition itself.  I imagine the musicians carefully sitting around a campfire quietly singing atop one another.  In doing so, the song is both powerful and subtle.  It’s not going out there to blow you away, yet it does, perfectly.  It helps lead to the bookend of the record, closing in a fashion that reminds you what a unique talent we’ve got here.  Put side by side, “Carry Home the Light” and “Memory” are perhaps the strongest ten minutes of Your Sister’s Hand. The former is one of those tracks that seems so simple and obvious you can’t understand how a track wasn’t written exactly like this before, but further listens allow you to see beneath the surface to the careful touches that make the song mesmerizing. The latter is a 7 minute opus that you’ll have to listen to fully in order for you to really grasp what has been accomplished here.  Rather than rush everything into the first few minutes, the song unfolds effortlessly, taking its time to warm you over. Together, these two tracks close out a wonderful collection of songs from David Novick that only careful listeners will truly appreciate.

[audio:https://austintownhall.com/wp-content/uploads/2014/02/DavidNovick_BeneathTheLine.mp3]

Download: David Novick – Beneath The Line [MP3]

New Music from Proto Idiot

protoidiotThis tune has me so excited I can’t even tell you; I’m nerding out over here.  I first discovered Proto Idiot via his 7″ that he did with the hardworking folks over at Trouble In Mind Records; I even wrote about it on this here site. There’s now a new record out from the act, though no word yet on a physical release date. For those of you that like old school rock n’ roll, then you’re going to want to spend some of your time jamming out to this piece all afternoon…if not longer. It’s called & His Colony Boys, and it’s filled with hits.

Noisy Noise Rocker from Odonis Odonis

odonisThe last few months we’ve tried to illustrate the musical growth of Odonis Odonis, a band who’ve grown since their inception.  But, let’s not pretend like we didn’t love the noise that the band brought forth from the get-go.  The song is in your face from the moment you press play, filled with discordant sounds and screeching vocals that require adequate earplugs.  They’re only a few short weeks away from the release of their newest LP, Hard Boiled Soft Boiled, which is out on April 15th via Buzz Records. You can check out a video of the track HERE.

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Show Preview: RF Shannon @ Cheer Up Charlies (3.27) – FREE!!!

rfshannon

Date Thursday, March 27th
Location Cheer Up Charlies
Doors 9:00 PM
Tickets FREE


Traveling acts are rather sparse this week, as the bands wait for us to clean the streets of SXSW, so you’re best bet is to catch one of the great local acts playing about town.  My suggestion is to catch RF Shannon this Thursday evening over at Cheer Up Charlies.  The show is FREE, for one, but the group is also one of the acts who everyone is expecting a big year from in Austin.  They’ve just released their Hunting Songs LP on Punctum Records, which is worth your listening pleasure.  They’ll be joined on the evening by King Mary and Real Live Tigers.  Join me, won’t you?

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Web of Sunsets – Room of Monsters

webofsunRating: ★★★★☆

This three piece from Minneapolis are fairly new to Web of Sunsets, but each member is not new to being in a band. The culmination of members from three different bands, this group originated in 2012 and began to create their take on ‘acid country,’ or what you might consider psychedelic soft folk rock. Room of Monsters, their debut full-length release, will have you swooning over dreamy soundscapes and delicate arrangements.

What’s special about the sound that is presented to you on Room of Monsters is the cohesive and smooth nature of all the nine songs on the record. There’s a general golden haze that coats the whole thing in a bath of twilight. Starting from “Wildflowers,” the opening track, you get the twang of the guitars coated in reverb and a ton of ambient noise generated by a synth and perhaps the soft twinkle of a keyboard. There’s a nice balance of acoustic folk sound that is mediated by electric guitar riffs echoing in the background. The vocals themselves, raspy to match the haze of the instrumentation, are also sugary on this first number; the feminine sweetness as well as their ghostly warbles simultaneously juxtapose and compliment the twang of the guitars. The result is an immediate hook to the music, enchanting you to keep listening.

This isn’t the only dynamic offered to you—on the contrary, each of the three members seem to trade the role of lead from song to song, sometimes grouping together for harmonies to grace the chorus of a song. Take the title track for example, “Room of Monsters, ”which comes to you in the middle of the album—we get Chris Rose’s vocals leading the way, but the ladies of the band join him for the group vocals. Though the sound is beautiful and delicate, there’s an interesting aspect of eerie that seems to haunt the album. It’s the odd sensation of being on the whole comfortable with a cool breeze, though it still gives you goosebumps; the haunting resonance of this group is sure not to leave you.

Oddly enough, despite the lack of percussion as well as variety on this album, I don’t find myself bored or sick of the sound when it comes to a close. The constantly rotating lead vocals and precision harmonies keep it from getting stale or uninteresting. Instead you have Room of Monsters, a stunning debut from this three piece that will have you lost in its elegant simplicity, akin to a radiant sunset.

Another Single from Papercuts

papercutsI’m pretty excited about the Papercuts record coming out in a short bit.  I don’t know why necessarily, but Jason Quever has been one of my personal favorites for some time; I guess I always felt like it was my own secret favorite band. Anyways, his Life Among the Savages is quickly approaching, and with each new single, it’s hard not see the continued growth in his songwriting.  There’s the presence of a soft echo on his voice, which has always been there with his recordings, but what impacted me the most on this listen was the spirit and bounce apparent within the track.  If like me, you’re loving what you’re hearing from the band, then you can grab the release on May 6th from Easy Sound Recording.

[audio:https://austintownhall.com/wp-content/uploads/2014/03/03-Life-Among-The-Savages.mp3]

 

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