Pump Your Fists with Audacity

tumblr_inline_mj08bavIaS1qz4rgpWe have to kick off Monday with a bang, right? I couldn’t think of a better way than to toss out this bouncing rocker from Audacity.  It’s got everything you need to get your day started: hard-hitting drums, catchy lyrics and bad-assery.  They’ll be releasing their Finders Keepers 7″ on Suicide Squeeze Records on March 25th, before a full-length record comes out later in 2013.  I like the way things are kicking off 2013 for these guys, and you’re all going to fall in love with their sound, I promise.  Have fun boys and girls, this is Audacity.  Oh, and they’ll be doing that SXSW thing, so if you dig, find em’ here in Austin.

[soundcloud url=”http://api.soundcloud.com/tracks/80980964″ params=”color=ff6600&auto_play=false&show_artwork=false” width=” 100%” height=”166″ iframe=”true” /]

Another Hit from Bloody Amateur

Bloody-Amateur-Press-PicThe more I listen to these tunes from Andy Comer, the more I feel like I won’t be able to escape his self-titled album when it comes out next week via Teen Beat.  On this new tune, it opens with this really basic synthesized drum beat, right before these ringing guitars darkly hunt for vocals.  When Andy comes in, his deep tonal quality creates this feeling of despair, yet there’s still a careful attention to pop crooning.  For me, Bloody Amateur lays somewhere in the realm of post-punk, dark-wave and barroom troubadour…and it all sounds so so good to me.

[audio:https://austintownhall.com/wp-content/uploads/2013/02/bloody-amateur_thelight_teenbeat466.mp3]

Download:Bloody Amateur – The Light [MP3]

Stomping Around with Eight Knives

1485956948-1It’s no secret that blues and country are the heart and soul of Tennessee, but you know we like it when bands get down and dirty with that sound.  That’s just what the boys in Eight Knives have decided to do, throwing in some catchy hooks to be sure they don’t escape your attention.  Their album Maiden Names is out now, and it’s just a good old fashioned rock record, filled with energy and just a hint of twang.  Seeing as the whole of Tennessee is tearing things up right now, you best keep your eye out on this Chattanooga boys.

[audio:https://austintownhall.com/wp-content/uploads/2013/02/01-Levels-and-Lovers.mp3]

Download:Eight Knives – Levels and Lovers [MP3]

Brothers In Law – Hard Times for Dreamers

2697516072-1Rating: ★★★★☆

Dreamy guitar pop is definitely one of my favorite genres, and it seems that its quickly reemerged as one of the world’s favorites too.  I’ve heard gems from Australia, the UK, Mexico, Japan and now, with Brothers In Law, Italy. The band’s latest album, Hard Time for Dreamers, fulfills the promise that was apparent on their early single, providing listeners with an uplifting pop record that’s breezy and enchanting.

There’s something familiar about the way album opener “Lost Control” begins, but as soon as those steadily bouncing drums kick in, I forget about that, and just let myself get lost.  Guitars swirl in the background and the vocals are uplifting in tone; it’s hard not to find yourself immediately falling for Hard Times for Dreamers, especially when the wayward guitar playing you carries you away towards the end of the track.  It fits nicely with the next tune, “Go Ahead,” which lives in a similar sonic realm, though there’s something about the vocals that gives it a different feel.  It’s just a brief moment, but they raise higher in pitch, leaving me with one of my favorite 2 seconds of pop this year. 

I definitely can see that there are times when the vocals might have too much coating on them, but it’s almost as if Brothers In Law intended to be that way.  It’s as if the voice has been built to add the depth of another instrument.  That being said, during “A Magic,” there is some clarity just after the two-minute mark when the song breaks down to a slower pace for a momentary relaxed movement.   But, that brief moment sets the scene for “Childhood,” where the voice takes the central role in spectacular fashion.  For the beginning, the whole song centers around the voice, surrounding it with warmth, as you would expect in some sort of cathedral recording.  Then, the drums begin to pound, the guitars are turned up, and they shuttle you away to the place where Hard Times for Dreamers lives: a bliss-filled state of relaxation.

If you’re in need for a certifiable hit, and let’s face it, most of us are, then you can probably find the answer to your search by going straight to “(Shadow II) Leave Me.”  Almost from the moment it starts the angular guitar cuts its way back and forth between the solid drumming section.  Honestly, I’m pretty sure this is the best song that Wild Nothing never wrote.  Yet I’ll admit that it’s not easy to find a standout on Hard Times for Dreamers, and that’s not because the record falls short in any way.  In fact, it’s so consistent that you could easily find yourself listening to every track over and over for many days to come.

ATH & SXSW: 10 Rules To Not Screw This Up

sxswguide

It’s SXSW time again, and I’m already overloaded with party emails, bands needing shows, and the multitude of band submissions that come our way this time of year. Another thing I’ve always noticed, is the multitude of sites offering their very own “SXSW Guide”, “SXSW Survival Tips”, or some other mumbo jumbo to that extent. Well today ATH is jumping into that game with our very own SXSW rules to live by. Now this isn’t your typical list, as we always try to tell it like it is despite who we may piss off. So stop RSVPing to all of those parties and check out the ATH guide to not screwing this up. Follow the jump for more.

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New Pop Tune from Yellowbirds

artworks-000041576297-xpk0dd-t500x500I went into today not knowing anything about Yellowbirds, but once I hear their single from their forthcoming single, I had to search out more.  There’s something that burrows into your soul when you play this tune; I think part of it has to do with the recording, while the other part is surely the delicious bubblegum quality of Sam Cohen’s vocals.  He’s got a full band working with him, which definitely adds some depth to the sound that swirls around his vocals.  I’m really excited to see what it all sounds like together when Songs from the Vanished Frontier comes out on May 28th from Royal Potato Family. 

[soundcloud url=”http://api.soundcloud.com/tracks/80781092″ params=”color=ff6600&auto_play=false&show_artwork=false” width=” 100%” height=”166″ iframe=”true” /]

Great New Jam from Frank Smith

FrankSmith_1I’ve known about this new release from Frank Smith for some time, and I couldn’t be more excited for you all to get to hear Nineties.  If you listen to this track, you’ll definitely see that the band’s made some progressions since their last effort, bringing in more noise, yet in a well-configured manner. Personally, I think this is the best the group have sounded, with all the elements of the group complimenting each other perfectly.  A lot of people are throwing out some pretty high-brow names like Pavement and Sebadoh in relation to the bands best effort, so you know that I’m not bullshitting you when I say you’re going to love this album.

[audio:https://austintownhall.com/wp-content/uploads/2013/02/04-How-Many-Ways.mp3]

Download: Frank Smith – How Many Ways [MP3]

Dance With Shout Out Out Out

This band will be joining us for SxSW. They are high on my watch list, stay tuned for a little playlist action for you digitally inclined SxSW fence-crashers.

Shout Out Out Out is not a spin off of Shout Out Louds with a stutter. They put out hits and I don’t think they have garnered the attention they deserve, hopefully soon to change. Sweet percussion and brooding synthy basslines with playful keyboard wisps and lofty-affected vocals, I think you’ll dig them. Be sure to check out Spanish Moss and Total Loss on your fave digital outlet. Happy Friday.

They are playing all of SxSW, but the big showcase is the 15th at Old School. The track featured here is going to be on an EP from a live session record at NMC in Clagary (the band is Edmonton based, FWIW).

[soundcloud url=”http://api.soundcloud.com/tracks/80117744″ params=”show_artwork=false” width=”100%” height=”166″ iframe=”true” /]

If You Don’t Love This Song From Gloss, I H8 You

858197_491491817553534_1238138936_oYeah, I made it easier for us to share in hate.  First, I used text speak, which I abhor, so you can easily hate me.  Second, I came across this brilliant gem from Gloss from their upcoming Front Porch 7″.  What do I like about this tune? Hmm.  I like the gentle quality of the vocals.  I appreciate the crispness of the guitar playing throughout.  Oh, and no matter how many times I play it, it still sounds remarkable to me.  I’m going to play it for the rest of the day, and I’m going to be snarky about it. You can pick up the 7″ from Manic Pop right now…and don’t forget to browse their shop, as they have hits from Blooper and Austin’s Mini Dresses too!

[audio:https://austintownhall.com/wp-content/uploads/2013/02/Ians-Dream.mp3]

Download: Gloss – Ian’s Dream [MP3]

Grave Babies – Crusher

GraveBabies_LP1Rating: ★★★½☆

It seems like Grave Babies have been fighting back against the various all-inclusive genre tags that have been thrown their way, though you might not be able to tell that by listening to their latest effort, Crusher.  So before you venture into their world, put all your preconceived notions aside and just listen carefully.

Crusher‘s intent is apparent upon the first instrumental track, “I,” that begins your listening experience. It’s a wall of feedback and noise, looping in your ears with a distorted vocal creating an odd sense of calm before the band breaks into “Over and Under Ground.”  It’s a thunderous track, with pounding drums and anthemic vocals, though you’ll have to listen through the haze to realize this is a pretty simplistic pop song.  You speed it up, clean it up a tad, and you’ve got a nice little power-pop track hanging in there.  Such tendencies are the specialty of Grave Babies throughout their album, creatively blurring the lines between traditional pop and modern noise.  This is much the same approach they use a few songs later on “Skulls,” which has some sonic similarities to what Mike Sniper has been doing with Blank Dogs.  But, the difference here is in the pronounced crispness of the drums, which breaks through the onslaught of guitar noise coming through your speakers.

Personally, I’ll admit to the affecting moments when the band takes a softer approach.  However, the group doesn’t ever go near being too soft; I’m referring to their ability to pull back on the audial barrage of noise.  “Slaughter” trudges along beautifully, fueled by a darkly dancing guitar line.  While the vocals might seem a bit distant in the mix, it’s inevitable that you’ll see the pure harmony in their tone–this isn’t just a noisy record; it’s brimming with an inner beauty. It’s similar to “Death March,” which appears further on down Crusher’s track-list.  Everything moves at a slower pace on this tune, though you can clearly see how the band could go either way…they could speed it up and make it clean, or they could mess with you and just draw the song out slower. This is part of the enchanting part of Grave Babies; they have this unique ability to toy with every preconceived notion you’ve got in your head.  I love the way “Death March” unnoticeably moves into “Haunted, with both songs seeming to come from some kindred spirit.

Listening through the entire album might be grating on your ears, but this is the only way you can guarantee safe passage through the blurred lines that Grave Babies have presented you with on this release.  Is a song like “Hate Repeats” just a ballad disguised as some ghoulish piece of artistic noise rock? Well, you’ll have to make that out for yourselves…that’s the mystique and intrigue that you’ll get to live with as soon as you press play on Crusher.

[audio:https://austintownhall.com/wp-content/uploads/2012/11/GraveBabies_OverAndUnderGround.mp3]

Download: Grave Babies – Over And Under Ground [MP3]

Crusher is available now from Hardly Art.

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