About a year ago I stumbled into Jay Reatard, well, his record, Bloodvisions. Since that day I have eaten up every piece of news I can find on the man and his band. Out of nowhere news hit me that In The Red Records would be releasing a compilation of all his old singles from various 7″s. I don’t have the money to bid for such things on eBay, so I opted for the more economical solution, buying this here compilation.
The compilation is seventeen new–well, new to me–songs, but you need to examine the tracklist first. The listing includes four different versions of songs that made their way onto Bloodvisions. The songs that might sound familiar to you are “Bloodvisions,” “Oh Its Such a Shame,”Turning Blue,” and “It’s So Easy.” You will also find that the song “Haunting You” from this very compilation sounds really familiar. In fact, if you changed the name to “Nightmares,” you would already have this song. So, you have 12 new songs, but this is all accompanied by a DVD featuring 4 live shows, which are all worth the your viewing.
Do these singles compare to the greatness of the full length? I think that depends on what exactly you are looking at when you listen to this album. Is this your first Jay Reatard experience? If so, then you might find this unique blend of lo-fi garage rock with perfect melodies simply refreshing. It’s hard not to find something to like with this band.
However, if you have previous Jay Reatard experience, you might find this collection of songs kind of a miss. The production quality is the first thing that I noticed that was different. It just didn’t pack the same punch that Bloodvisions brought you. The vocals sometimes appear more muddled than usual. Then you come to the older versions of the songs on Bloodvisions and the only one that really surpasses or equals the newer version is “Haunting You,” which was changed to “Nightmares.”
There are some interesting new twists, such as the keyboard infused “Another Person,” which brings in the bouncy melodies that typically adorn a Jay Reatard song. Also, the bluesy “Hammer I Miss You” is also an interesting touch.
All in all, this is a worthy collection for either listener, Jay Reatard newcomer or diehard. As the newcomer, you get a proper introduction to the rock stylings of Jay Reatard, which we all know is necessary when few bands are making solid rock music nowadays. For the diehard, you get to look into the past of one of your favorites. This album is really a stepping stone for any and all listeners.