New Music From Reptar

The best way to start your week off right is to get some dance music going in the office on an otherwise slow ass Monday morning.  This new pop dance jam “Houseboat Babies” comes from Athens based hit makers Reptar.  With musical sounds similar to LCD Soundsystem and vocals reminiscent of Yeasayer leading man Chris Keating, you really can’t find a better indie dance hall jam.  You can pick up this song and one other on a new 7″ from the band due out later this month on Make Records Not Bombs.

[audio: https://austintownhall.com/wp-content/uploads/2011/06/Houseboat-Babies.mp3]

Download: Reptar – Houseboat Babies [MP3]

Show Preview: The Antlers @ Emos (6/7)

Date Tuesday, June 7th
Location Emos
Doors 900p
Tickets $15 from Ticketweb

Well, we all know about the ride of fame that the Antlers have been on for the last few years, and their latest release, Burst Apart, has gotten acclaim all over the place, including from us.  Now, with the summer season upon us, it’s probably pretty important that we get in as many incredible shows before the heat bogs us down, so you need to make it out, ya hear? And, yet another reason to make it out is the opening act, Little Scream.  It’s rare to come across delicately crafted music accompanied by a truly inspiring vocalist, and such is the case with LS, who you must make it out to see. Come on, every one’s going to be there, and we can’t afford to be left out.

[audio:https://austintownhall.com/wp-content/uploads/2009/09/07-Two-1.mp3]

Download: The Antlers – Two [MP3]


Contest: Bahamas/Noah & The Whale @ Parish (6/9)

Those looking for a sweet show to check out on a Thursday night in Austin, listen up because we’ve got a contest coming for you to attend said show for free.  Here are the short and sweet details about this contest:

Date: June 9th

Location: The Parish

Lineup: Noah & The Whale with Bahamas opening

Prize: One lucky winner will receive their name on the guest list with +1

Entry: Simply leave a comment and we’ll pick a winner on Wednesday afternoon

Please remember to leave a valid email address so we can get in touch with you if you win.  GO!

[audio: https://austintownhall.com/wp-content/uploads/2011/06/bl2a1jayoo.mp3]

Download: Bahamas – Hockey Teeth [MP3]

New Tunes from Beirut

We’ve all heard for quite some time about new work from Zach and Beirut, especially considering the young man is out and about across the country this summer. Well, his first single will hit stores this Tuesday, and this track is the perfect culmination of both Condon’s past and, well, present it would seem. There’s definitely less of a nomadic troubadour trying to find his place in the global musical world, instead replacing it with touches of his previous works, while continuing to focus on his remarkable vocals. One listen to the below track will surely have anyone interested in all the future works that are sure to come our way this year.

[audio:https://austintownhall.com/wp-content/uploads/2011/06/Beirut-New-Harlem.mp3]

Download: Beirut – East Harlem [MP3]

Free EP From Her Space Holiday

Austin resident Marc Bianchi, or Her Space Holiday to most of you, is planning to hang up the HSH moniker after the release of his self-titled LP due out in August.  Prior to that date, Marc has put together a 4 song EP with some new material, a remix, and a cover song all available for download via MOKB.  The EP features this new anthemic pop song “Black Cat Balloons” which is available for download below.  Here’s to one more great album from Her Space Holiday and hopes that Marc keeps on making music elsewhere.

[audio: https://austintownhall.com/wp-content/uploads/2011/06/01-Black-Cat-Balloons.mp3]

Download: Her Space Holiday – Black Cat Balloons [MP3]

Chaos in Tejas Highlight: The Beets

With so many acts in town this weekend, it’s not easy picking out the best, but for Saturday night, I had it easy, as The Beets are going to be here, playing over at Beerland.  If you haven’t heard of the band, you’ll probably find that their recent album, Stay Home, off of Captured Tracks is as good a place to start as any.  If you’re looking for that lo-fi spirit with a bit of humor, then you’re going to have to be out there having fun with these guys.  In my mind, it has a softer spin on what the Dead Milkmen seem to have perfected during their hey-day.  There’s twanging guitars, simple hooks, and the band always poke fun at themselves.  It’s definitely something that can win people over, and careful listening will probably leave you and your friends to each have your own favorite song, arguing through the night about which was best.  It’s simple, they all are, so we’ll see you at Beerland Saturday.

[audio:https://austintownhall.com/wp-content/uploads/2011/06/02-Dead.mp3]

Download: The Beets – Dead [MP3]

Death Cab for Cutie – Codes and Keys

Rating: ★★★☆☆

I feel like I’ve been waiting for Death Cab For Cutie to step up to the plate and produce a record that blows me away for the longest time. It seems as though they have produced some really grand songs, but have not necessarily excelled at making a cohesive album that strikes listeners with hit after hit, at least not for a long while. On Codes and Keys, it’s not a total wash, but it certainly does not fit the gripping and fantastic album that I’d hoped for.

While it is disappointing that this band did not miraculously intensify from their last release, it is still comforting to know that they know how to craft some good songs. If it’s any consolation to those long time fans of Death Cab, there isn’t much drastically different on this album. You have the bleak yet ever enticing vocals of Ben Gibbard, which serves as the distinctive quality for this band. The album starts with “Home Is a Fire,” on which you’d think that they’d begin with one of those knockouts, but instead you get a slow, crawling start, as if the band is reemerging from the depths of the three years since their last release. However, it comes across as a bit of a boring song for those who are fairly educated and familiar with the band’s sound.

Things don’t really get going until you reach “You Are a Tourist.” It’s classic Death Cab from the start: loops of Gibbard’s vocals echoing in the background, pragmatic and dignified drums and the semi-serene, on the verge of edgy, guitar. As I mentioned earlier, there is no doubt that this band knows how to make a killer pop song, and it is proven on this song, as well as later on “Monday Morning.” This track divulges the tale of a muse that Gibbard admires and then marvels at the simple events by which he met this darling female. It’s little gems like these songs that make me hold onto this band.

There are other tracks as good as these, some that are throwaways, and others that lie somewhere in the middle, leaving it up to you to make the decision whether they linger in your listening catalog. Such is the tradeoff of having a front man with such a distinctive vocal quality: it allows for some numbers to run together, or sound akin to another track that the band has already produced.

I don’t think that Codes and Keys is by any means a step back from their last record, but by no means is it a step up. Death Cab For Cutie seems to be fairly content with this ratio of excellent songs to mediocre, and if that ratio is cool with you, then listen away. After more than a decade it’s impressive that I am still drawn to their subtle indie-pop, which is a feat in itself.

New Track from So Many Wizards

When So Many Wizards began, it was merely a bedroom pop project, which seems like the story of the last few years for many a musician.  Like those others, one can only do so much on their own in the bedroom, so the band expanded to a three-piece, and have since put out several recordings, all of which require your immediate attention.  Their latest work is going to be a 7″ for Seven Inch Project, slated to be out on June 28th.  Unlike many bedroom to full band releases, it’s hard to see their work as something of the bedroom sort; the sound is just too full.   That soaring melody of “I don’t care” that goes through the entire song, amidst the rolling drumbeat in the background just can’t be created solo, and if so, I doubt it has an incredible pull such as this track. You be the judge.

[audio:https://austintownhall.com/wp-content/uploads/2011/06/BestFriends.mp3]

Download: So Many Wizards – Best Friends [MP3]

Seapony – Go With Me

Rating: ★★★☆☆

Jen Weidl and her posse in Seapony definitely have something wonderful going on in their debut for Hardly Art, Go With Me.  After lots of critical acclaim on the net, it would be easy to throw this band aside as just another band making bedroom pop, which they do for the most part.  But, if you can discard similarities to various other bands, you’ll find that lay in wait, waiting to carry you off.

“Dreaming” begins the entire affair with what is probably the most energetic you’ll find the band, and at times, the guitars emulate Mike Sniper and Blank Dogs.  Those pounding drums, twanging guitars, well, they’re all nice and clean, but what will really get you is the pop sensation.  You can forget about comparisons, as Weidl’s voice definitely gives a new spin on things here.

There are easily a lot of tracks on this record that one might identify as ripping off various other acts, or at least being easily influenced, but a special song is a special song, regardless of whether it was made by Seapony or various other bands out there.  “Into the Sea” is one such track, with guitars maneuvering along the sunny coastal region, and the hazy Jen warmly singing atop it all. In all honesty, Weidl is the savior of Go With Me.  She does it again on “Go Away,” which sort of sounds like a cross between Best Coast and Girls Names, but her girl-group approach to vocal delivery, not to mention the nod to such things with her lyrics, makes tracks standout beyond the masses.

There’s tons of comparisons that can be made all over the place when listening to Go With Me.  You might find a Best Coast reference here, or even a Wild Nothing allusion, but what probably sticks out the most is how similar Seapony comes to sounding like a happier version of Blank Dogs.  The recording of the angular guitars in songs like “Always” or “Where We Go” almost plays like a Sniper remix, but perhaps that’s why it’s so easy to dig this record.  Everything sounds familiar, and yet it doesn’t sound familiar at all. Lyrics aren’t typically this adorably put together, and girls usually don’t work well, at least not as of yet/late, in this genre.

Even with all these noticeable nods to the indie landscape of today laced across this album, I’ve found myself spinning it again and again.  Part of me has a soft spot for any music of the ilk, part of me finds some odd connection between Camera Obscura and bedroom pop of the now.  It’s precisely the kind of record you can listen to while swinging your significant other around the living room instead of hitting up the bars. For that alone, Seapony and Go With Me deserve a nice little spot in your collection, not to mention the fact that you can include any number of tracks all across your summer mixes.

[audio:https://austintownhall.com/wp-content/uploads/2011/04/SP_BlueStar.mp3]

Download: Seapony – Blue Star [MP3]

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