In a blogosphere long ago, I once gave All the Pleasures of the World a 4.5/5 rating…that was back when I had the freedom to write full on album reviews. I stand by that rating, and if anything, I might just round it up to a 5/5. Lucky for the rest of the world, the Crayon Fields and their label Chapter Music are going to reissue the LP in a deluxe format, accompanied by some rarities, including a bunch of covers the band had stored away. The plus side for me is that this gives another reason to share the title track, now accompanied by a brand new video from the singer/guitarits, Geoffrey O’Connor. You can grab the reissue on February 7th!
In a year that offered lots of mediocre albums, 2009 had so many new records that it was hard to digest them all in due time for reviews. Yet, I always intended to touch on this album, as I’ve loved The Crayon Fields since Animal Bells came out a few years back.
“Mirrorball” made the list of our Top 50 songs of 2009, and it still draws a lot of power, months after it first hit our ears. Singer Geoff O’ Connor has a real breathy vocal projection (like a pop whisperer), one that will recall Colin Bluntstone of The Zombies for many listeners…it’s just one of the many touchstones for the group.
One thing that differentiates the characterstics on All the Pleasures of the World from Animal Bells is that there seems to be a little bit of darkness lingering beneath each of the songs. On Animal Bells, you had songs like “Living So Well,” which were full of sunny beach pop and gang vocal effects, but this doesn’t fit here. On the album’s title track, amidst singing of pleasures, O’ Connor seems sort of resigned to see the pleasures, though not necessarily take part in them. Perhaps the extra layering of instruments has made a more dense soundscape from which the band took off this round (some of the best being from the solid bass work). Just a guess.
When one comes across songs like “Celebrate” you can see how a Clientele reference might creep up in a review, but you might also note that the similarites are existant, yet polarizing. Where The Clientele often feels extremely cold, and their melodies have a sense of brooding danger, The Crayon Fields put a little bit of energy into their artistry. By this I really mean one thing: The Clientele gives you foggy melodies; The Crayon Fields blow the fog away with a touch of beach-side sunshine.
You’ll also find a lot of the guitar-work of Glaswegians Belle and Sebastian lying beneath this album. You can almost pick up on the homage being given in songs such as “Disappear” where there is a hint of swing and sway to the general atmospheric creation. It’s not a bad thing to highlight, as I’m a fan of the former band, which also probably shows why I’m a huge fan of the latter. Really, is there any ground for originality nowadays?
So, here I am, a few months after the release, though you will still find it hard to get a hold of All the Pleasures of the World in the U.S. Be that as it may, you’ll do yourself, and the dollar, justice if you go out to your local hotspot and purchase the latest from The Crayon Fields, and the last one while you’re at it.[audio:http://austintownhall.com/wp-content/uploads/2009/03/crayon-fields-mirror-ball-7_-version.mp3]
Download: The Crayon Fields – Mirror Ball [MP3]
The Crayon Fields have been one of my favorite bands for the last several years; they blend jangly South Pacific pop with pure melody. Since they have a new album coming out this September, we’ve got a new song from the band to offer to you this Friday. It shows signs of great things to come in the very near future.[audio:http://austintownhall.com/wp-content/uploads/2009/07/crayon-fields-all-the-pleasures-of-the-world.mp3]
Download: The Crayon Fields – All the Pleasures of the World [MP3]