Kieran Hebden is a collector. A hunter-gather of sorts. With fine antiquities or rare stamps, the value of a collection is often determined by the finicky demand of the market. Hebden’s assemblage is a more specialized and unquantifiable archive; at least to the lay-person. Known lovingly as Four-Tet, the London-based producer collects music, or more specifically, samples. Little snippets of carefully curated melody or rythym. Like any artist, the real magic happens in the process and with an ever-growing presence in the electronic world, Four-Tet has managed to become a house-hold name with his ability to build stunning tracks from basically nothing but his snippits.
On Saturday night, he returned to the Capitol city with a new set of offerings on display. The market was indeed ripe.