There’s really too many shows to narrow it down to two or three best bets. We’ve got friends band playing left and right, so all we can do is encourage you to attend some sort of musical event…even if its just for a bit. Without further adieu, here’s a list of rad shows you could hit up.
Posts Tagged ‘austin’
Austin’s been known to host an instrumental post-rock act or two…from Balmorhea to Explosions in the Sky, and everything in between. Enter Legendary Skies, one of the newer acts on the scene, who are ready to unleash their album Novarupta to the Austin masses (and hopefully beyond). Interestingly, the band draw from all the forebears in our local post-rock scene, building crash atop crash, yet always falling in step with more intricate guitar pieces made for long drives along sparse Texas highways. Head over to Hole in the Wall this Friday night to catch the band live, and help celebrate the release of their album.
In case you’ve been hiding under a rock here in Austin, you’ve likely already heard BOAN, or at least I hope you have. The duo is made up of Jose Cota (of Ssleeperhold) and Mariana Saldana, and they’ve been working to create their minimal electronic music for some time, and finally are ready to share their new album, Mentiras, with you. While not all the group’s songs go this route, the usage of Spanish in the lyrics pays a bit of homage to the cultural heritage of the duo; it adds a bit of international flare to the budding electro pop they’ve carefully been crafting. Personally, I love the dark turn this track takes on in the second half. Holodeck Records will be releasing Mentiras on June 9th.
Not quite sure if we can claim Warm Soda as one of our own, despite the band living in Austin, but seeing as we’ve always loved the band, I think we’ll take em. They’re readying their 3rd LP, and it seems that Mr. Melton is slowing things down, perfecting his blend of power-pop for the masses. He’s still got that warm fade on his vocals, the guitar lines are there, but it’s a calmer approach that’s most notable (I still love it). Look for the band’s new LP, Symbolic Dream, to hit stores on May 4th via Castle Face Records.
Yuma have been around for a bit, but they’re here with their first hint that 2015 could be a big year for the band, graciously allowing us to premiere their first single. “The Fire” really has two sides two it; it opens with this grandiose pop structure, careful layering crisp vocals over a slow chord progression. But, then the song takes a turn, blasting into a blissful version of shimmering dream pop. Melodies soar and the band rolls towards a soft close of the track, having carried you on a journey through varying realms of pop music. You should help the band record more great songs in 2015 by buying the single HERE. Look for the band to have more new tunes coming your way very soon.
Jason Morris has spent the last several years plying his trade in The Clouds are Ghosts, but he felt the calling to complete something entirely on his own, taking a softer and more broad approach to his songwriting. There’s layers upon layers added to his work as Lunar Gold, crafting a denser sound that broods and flows forth…similar to artists like Other Lives or Efterklang. For now, just revel in a new project on the scene; enjoy his first single with this project, and catch him live on April 4th at Mohawk.
12XU had a solid day yesterday with some national press for Uniform (which you can read about HERE), but quietly they also unleashed this striking new tune from Shawn David McMillen. It’s nearly six minutes of sprawled out electric roots rock, reveling in the soul of Texas summer nights. One would think that it’s lack of brevity would make repeated listens difficult, but there’s a spirit in this song that’s undeniable, which inevitably forced me to press play at least a half-dozen times before I even touched this post. It doesn’t hurt that his new album On the Clock with JJ & Mitch is a representation of his work with local heavy-hitters JJ Ruiz and Mitch Frazier (from such acts as Church Shoes & Trustees). Look for the album on April 28th, if you’re into buying music.
We try to steer somewhat clear of videos…takes up a lot of space…blah blah blah. But, in the last few weeks, there have been some really great videos from some of our favorite local acts…and seeing as we’re in a SXSW lull, we figured today would be a great day to share some of these. If you’re into videos, or great songs, you know what to do. Read More
Still waters run deep. That colloquialism kept bouncing around in my head while listening to Young Tongue long overdue, much anticipated debut album. Why do I keep coming back to that phrase? Still waters run deep. Young Tongue isn’t a band that I would refer to as still in any kind of literal sense, going on short sprints with other great indie acts such as Mr. Gnome while maintaining a consistent gigging schedule in their hometown of Austin. This cliché has such resonance with me for this album because while most indie, local based artists seem to ebb and flow on a 1-3 year calendar, Young Tongue has been consistently plugging away for years and year Eight years to be exact – 5 of those in Austin. As a fan I’ve been following them just about all of those 8 years (they were one of the early pioneers of the musical flow from Asheville, NC to Austin, TX).
Musically Young Tongue leans heavily on the mid 2000s’ indie rock explosion – drawing inspiration from the likes of Interpol and Franz Ferdinand. Their sound relies heavily on the 8th note counterpoint between lead guitar lines and bass riffs. Daryl Schomberg’s intense, shifting drum patterns provide the backdrop while Stu and Liz Baker’s melodic and lyrical duets shimmer ontop. At it’s best all the parts fit into place like mechanical gears and seeing them perform live is like watching a well oiled steampunk machine. At it’s worst the gears don’t quite fit into place and the music can and machines lurches forward uncomfortably.
For a new listener of Young Tongue this album provides the truest and most exciting musical snapshot of Young Tongue. Young Tongue has long been a band plagued by the difficulty of capturing their live charisma and translating this to a record. Death Rattle unequivocally meets this challenge. Death Rattle provides more than enough fuel to continue the momentum Young Tongue has been gaining in recent years.
As a longtime fan and listener my only disappointment in this album is that feels like Young Tongue has been treading water. While the album only has one song – Matriarch – from their previous album as the Baker Family, a lot of these songs feel like a rewrite of old material and a lesson in habitual songwriting. The tunes that stuck out to me were the ones where I felt like they were reaching for new sounds, new styles. Heavy Metal Thunder – the 3rd track and the de facto single from the album – takes the best of their writing style and reaches for new terroritory. It keeps the driving rhythm of Nathan Ribner’s bass but the guitar lines and vocals refrain from getting sucked in the busy, insecure clutter that dominates other tracks like Sand Dance. The song grows into a huge anthem, culminating in a vocal counterpoint that few bands can pull off.
For new fans, this album will be played over and over. For those of us familiar with the Young Tongue catalog, it provides us with a great touchtone but I know I will be waiting to see where the second album takes us.
Austin natives and League of Extraordinary Gz members Tuk Da Gat and S. Dot have been a strong part of the LOEGz’s domination of the Austin hip-hop scene over the past few years. The duo have a couple performances during SXSW, along with a showcase with LOEGz. Tuk Da Gat and S. Dot will be performing March 17 at Flamingo Cantina and March 21 at The Palm Door. They also have new material out with rising Austin hip-hop producer Eric Dingus. Tuk Da Gat and S. Dot’s “Raw Pt. 2″ featuring LOEGz affiliate Lil’ J and produced by Dingus can be streamed below.