If you’re looking for shows to attend this week, odds are you’ve found something to your liking. But, before the work week starts back up, there’s a nice little show over at the Parish featuring Wye Oak that you should catch. They’ll be playing with Pattern is Movement, and you can buy yourself a ticket to the show right HERE. We caught up with Andy real quickly for some questions about their tour, and their latest album, Shriek. Read on for the interview. Read More
Posts Tagged ‘austin’
Having one of your favorite bands break up is always a bummer, but sometimes you get lucky and end up with a new favorite cobbled from the pieces of the old. Saturday at the Blackheart two bands will stand as a reminder that great things can be built out of broken pieces.
July 5th at the Blackheart is the first of Sweet Spirit’s residency shows. Sweet Spirit was formed after the demise of local favorite powerhouse Bobby Jealously. Commandeered by the energetic front women Sabrina Ellis, Sweet Spirit is poised to absolutely destroy the Austin music scene. Sabrina Ellis’ melodies are immediately engaging, and combined with her clever pop lyrics have a way of latching onto the brains of listeners. Ellis is backed on stage by an equally talented band. Sweet Spirit is one of those rare finds where the entirety of the backing band is talented enough to each front one of their own groups, and with Ellis at the helm the sum is certainly greater than the parts. Sweet Spirit takes the inside stage at midnight every Saturday this month, so no there are no excuses to miss this band.
Another highlight of the night is sure to be Lӧwin. Fans of the now defunct the Couch already know what a vocal powerhouse Sara Houser is. In Lӧwin, Sara Houser takes the guitar heavy sounds of the Couch and condenses them into more focused, sculpted songs. There’s no fat or gristle on the recently released two tracks Lobo and Heave Ho. Lӧwin plays on the inside stage at 8:30, and if I could make a prediction that will be one sweaty, rockin’ room.
Click HERE to see other great acts on the bill.
We know you’re all looking forward to the 4th of July and whatnot, but we want to give you plenty of time to plan your Sunday evening. We’re sponsoring a great little rock n’ roll show with a bunch of our friends, both in and out of town; it takes place at the Mohawk at 9 PM. Big Bill, one of our local favorites, is headlining the gig, and it’ll be one of your last chances to catch them before they embark on their big US tour. Also, rocking the night will be our favorites, Criminal Hygiene, who are coming all the way from LA to grace us with their presence; they’ll even be tending bar before the show at 6, so be sure to come hang out with the band. But, you better get there early to see Pharaohs, who’ve been banging out power-pop ditties for some time in our fair city, always winning us over. It’s sure to be a great night, so join us, please.
In a bone-headed move that I accept full responsibility for, I completely slept on the Dub Thompson album, 9 Songs. I’ve since had it on a steady rotation after it’s release; there’s elements of noise, psychedelic hints and just weirdo pop, so of course I’m obsessing. The band brings their show into town this Thursday night, and you’ve all got July 4th off, so you’ve got no excuse to stay out late and enjoy the music over at Holy Mountain. Also, you’ll get to see Montreal’s Ought, who received the arbitrary “Best New Music” tag from P4k, if that matters to you. Their angular post-rock seems like it’s built for a pulsating live show of rhythm and grooves. You can buy yourself $10 tickets HERE. Hope to see you guys out so we can celebrate freedom together at midnight.
Ever find yourself getting lost in a song, only to snap back and realize you’ve been somewhere else entirely for the past few minutes? Maybe you were walking down the street with your headphones in and looked up just in time to avoid walking into that phone pole. Or maybe you were studying in the library and looked up to see everyone was staring while you were sub consciously fist pumping the air like some Jersey Shore idiot. Admit it, if you’re reading this you are enough of a music lover to have been there, probably more than once. Auroravore is one of those bands that will take you to that place.
While the band has been a mainstay on the Austin music scene for long enough to be called veterans, they had a quiet year until the end of 2013 when they released their eponymous debut album in December. The album is a cohesive 9 song piece of work. On first impression it immediately evokes Of Montreal’s groovy psych pop and the pastoral layers and playful instrumental melodies of Air. The heart of this band is in the interplay between the keyboard and guitar, and anyone who has had the pleasure of seeing this band live can attest to the fact that they bring a Fender Rhodes and Moog Voyager to every show. In this day and age of cheap, light, and versatile digital synths and keyboard, lugging vintage gear around to shows is a tonal testament to dedication.
Auroravore is successful in creating a unified aural feel to the album. They never lose their groove or fall out of the pocket. Song after song the Keyboard and guitars make parallel runs evoking electronic droplets of notes. The tone of the music is a cascading groove of layers. At times, this is a double edged sword. After multiple listens, I found my attention beginning to drift. My “in the zone” would occasionally turn into a “zoned out”. While tonal cohesion can be a strong point, looking forward this band will need to grow out of the eighth note pentatonic melody lines if they want to maintain the audience that this album could attract.
The key track for me in this album is “Who Goes Home”. While there are certainly more danceable songs (Falls Down or Comfortable), this track is a perfect slow burner, mirroring the lyrical subject with the musical arrangement. The lead vocals play a call and response with the keyboard and guitar, alternating a lilting falsetto narrative verse with a percussive quarter beat guitar hit. All of this energy and emotion is wonderfully curated by the drummer’s groove. The song culminates with repetive phrasing of the track title, and cadences with a final instrumental ascending melody, leaving us wondering who went home.
As mentioned yesterday, there’s tons of things about town this weekend, so you should definitely consider yourself lucky. Sure, there’s no pun-off this weekend, and old Emos has long removed their troth, but plenty of other great places in town will take care of you. Hit up one of these shows, and enjoy your weekend. Don’t drink and drive. Or bike. That seems dangerous too. Read More
Austin’s got a busy weekend ahead of us, and it’s not because of a festival (for once). There’s album releases, benefit shows and celebrations of all sorts, but with so much to choose from, we’re here to take a look at some of the more vital shows on your Friday night line-up. It’s likely some of these will go to capacity, so if you’re looking for a ticket, do so now. Here you go folks… Read More
As we head into the summer months, there’s a slew of great shows on the horizon, and one we’re particularly excited about features two of our favorites, Amen Dunes and Axxa/Abraxas. After a superb self-titled release in March for Captured Tracks, we caught up for a short little interview with Axxa/Abraxas frontman, Ben. Read on for a brief look into his world… Read More