Seems like only last year that Katie Von Schleicher released Shitty Hits…wait, that was last year! She’s back now with the announcement of a new 7″ coming your way in a few months. Opening with a crunchy guitar seemingly gets the listener on edge, before Katie comes in with her voice to soothe your ears. Beneath, there’s almost a steady, percussive stomp, allowing a platform for guitar chords to knife in and out behind Von Schleicher’s voice. And then, right after the 2 minute mark, you think you’ve got it all figured out, but her voice soars putting some finality to the gem of a tune. You can grab the new 7″ on May 4th via Ba Da Bing, and catch her next week at that whole SXSW thing!
After witnessing the genius of Aldous Harding last evening, it seems only fitting that I’d fall in love with another slow-moving chanteuse, Katie Von Schleicher. Her music’s been on my radar for some time, but I’m appreciative of her restraint in this latest single. To me, it sounds like she crafted the song based on vocals alone, then built the tune up by texturing with various layers of ambient sounds…be it a pulsing heartbeat or ghostly notes floating in the distance. You don’t need your pop music to hit you over the head with hooks, and if you agree, then check out her new album Shitty Hits on July 28th via Ba Da Bing Records.
It’s been a decade since we’ve heard anything fresh from New Zealand’s The Terminals, one of the country’s most prominent figures. They return this year with Antiseptic, and the announcement comes with this brilliant track. The sensation and the song title, “Runaway Train” fit together perfectly, and the tune leads you down the harrowing path of a locomotive losing control. Strings are stretched in the background, wound discordantly in your ears, then Peter Stapleton brings in his near-operatic deep vocal tones. I have no idea where this train, nor this LP, is going, but if I can grab a ticket, I surely will. The album comes out on May 19th via Ba Da Bing.
Haven’t written about Katie Von Schleicher for a bit, so now that she’s announced a new album, seems like the perfect time to enjoy her work. She’s working her vocal magic over a pretty mellow vibe, which has a few occasions to get a little more emphatic with fuzzy noise and a slight bounce. For me, her voice is always the draw; she has this way to alter tones, even from syllable to syllable…and that’s on display here. I like how she takes deeper tones and stretches them into something more euphoric as the notes are drawn out. She’s just announced Shitty Hits for release on July 28th via Ba Da Bing, so stay tuned for more.
Cross Record consists of Emily Cross and her husband, Dan Duszynski. Put these two absurdly creative individuals out on a ranch in Dripping Springs, TX after living in the buzzing metropolis Chicago for years and what you get is Wabi Sabi; a stirring example of highly contemplative and carefully crafted experimental folk music. The album balances minimalism with explosive bursts of sound for thirty-five minutes that seems to last much longer in its infinite depth.
The Curtains Part is the opening number on the record, and the band slowly eases you into their eclectic folk soundings. A storm of instrumentation wells up around Emily Cross’ central vocals, hollow guitar strumming, orchestral fluttering and cymbal fills encompass this peripheral storm, hinting at whats to come. The band begins to really sink their teeth into you on Two Rings, the instrumentation here playing on the quietness that they established in the first track and building upon this with their layers of both electronic and organic sounds.
Then you get to the gale-force strength trio of tracks that starts with Steady Waves, and Cross Record completely wins you over. While the first two tracks come across as a bit of an awakening for the duo, this middle portion of the album gives you a taste of their utter power and strength once theyve come to that awakening. First off, Steady Waves is an utterly gorgeous song, an example of the precise balance between softness and ferocity that Cross Record do so well on Wabi Sabi. Cross vocals are impossibly tender and lush, contrasted by the growling guitars that buzz in and out of the mix, while winding acoustic guitar simmers underneath. The number is at once serene and unsettling, building its way to a crescendo and then petering out to a quiet ending, akin to wind chimes gently stirred in the breeze.
Next up in the meat of the album is High Rise, which takes Cross vocals to an impossibly translucent level, their whispery quality floating atop the bombastic, exploding drums that give the song its drama and such a drama continues on Something Unseen Touches A Flower To My Forehead, which forsakes the gentleness of the previous two tracks and just hones in on the violence of the folk music.
The rest of the album falls under the quieter side of Cross Records spectrum of sound, though this is by no means boring or too subtle. On the contrary, I found myself constantly enamored with the entrancing simplicity that these two have harnessed into Wabi Sabi. Do yourself a favor and savor this album, as its bound to become one that you revisit over the coming year.
I’ve really been enjoying this new single from Katie Von Schleicher. She’s prepping for the release of her new record, Bleaksploitation, which comes out next week via Ba Da Bing Records, offering up this track as her second single. It’s got a trudging stomp to it, relying upon the soul of her voice to really pull the listener into the song. I like the production on the track; it kind of muddies her voice just a little bit, even though you can still hear its pristine quality. Expect to hear more from Katie, as she’s opening a slew of dates with Eleanor Friedberger, so the stars are lining up for this lady.
I know it’s only Tuesday, but you’ve just found your song of the week right here. Cross Record, if you didn’t know, are husband and wife duo Emily Cross and Dan Duszynski, and they’ve been making waves around the live scene here in Austin, and will blow you away with this track “Steady Waves,” which mixes loud and soft folk rock elements for the perfect balance of gentle sound with a growing rock bite to it. It’s a sprawling number, with tinkling wind-chime-esque guitar plucking alternating with heavy rock builds, showing the influence of the remote recording location out in Dripping Springs. It’s the kind of track that makes you want to close your eyes and simply let the music push and pull you where it pleases, forgetting everything else is around. It comes off of Wabi-Sabi, the band’s upcoming record that is set to be released January 29th on Ba Da Bing Records, which you will most certainly want to pre-order right here.
I hope the world still has love for Galaxie 500; the band seems to only find fandom in small circles these days. Regardless, 2/3 of the act has continued as Damon & Naomi since the group’s split, and they’re readying a new release for next week, February 17th. I’ve fallen in love with the patience of the duo’s songwriting; every harmony and melody seems so natural and honest. On the track below, the two combine their vocals for a sincere performance based on loose guitar and tinkering keys. Your heads not on straight? Let it continue to drift away below. Look for Fortune next week via Ba Da Bing Records.[audio:http://austintownhall.com/wp-content/uploads/2015/02/11Time-Wont-Own-Me.mp3]
Download: Damon & Naomi – Time Won’t Own Me [MP3]
I spent my weekend going over some singles that I didn’t really feel got the deserved love in my rotation last week, and this tune from Hamish Kilgour was one of those that stuck out the most to me. Sure, he was one of the founding members of the Clean, so I’ve got some nostalgic allegiance, but I think the approach taken on this track really makes it stand out. There’s this stuttering guitar playing with a nice wash of varying instruments playing in the distance…all the while, Kilgour carefully walks you through with his vocals. His first solo album All of It and Nothing will be released by Ba Da Bing Records on September 16th.
It looks like Austin lost another great musician when Emily Cross, the young songstress behind Cross Record moved to Chicago. It’s a shame, as her work, which is being re-released by Ba Da Bing Records is something truly special; I think it would have added an extra dynamic to our current music scene. Be Good surfaced at the end of 2013, but with the backing of her new home, including this brilliant track, I figure her music is about to get a lot more coverage. The darkly emotional instrumentation fits her voice, making it hard to escape the incredible work that fills this album.