Earlier this year, Quivers released the most excellent Golden Doubt, receiving rave reviews all over the globe…not to mention ATH adoration. So, having followed the band, we reached out to songwriter Sam Nicholson to ask a few questions about the record and its release, and asked him to share a recipe with us. He’s obliged with some incredible answers, and a recipe for Golden Doubt Lemon Delicious Self-Saucing Pudding. Read on and find yourself a detailed recipe you can easily follow at home!
Clearly I’m struggling to not write about all the songs and all the cool things, so why not turn three posts into one, you know, just to cut down on boring you with my mundane thoughts on people’s music. So, below, you’ve got streams to 2 great LPs and a new single.
Shrapnel – Alasitas
This record’s impossible to describe in the absolute best way possible, though I’ve tried to pigeon-hole the band’s sound in the past. Just imagine bits of indie pop, elements of experimentation, prog and psych, then swirled about like the colors on the album art. This is an LP worth self-immersion.
Quivers – Golden Doubt
They’re going to get Go-Betweens comparisons, based on the band’s line-up alone, and parts of that are unfair, but parts are definitely just. What’s just is that they’re writing the same style of timeless pop tunes you want to share with everyone you love. I’m stuck on “When It Breaks” at the moment.
Delivery – Brickwork
I’ve already written about the first single from the band’s forthcoming Yes We Do EP, so, feels like we should continue that support as they offer up another frantic bouncer, an energetic frolic in fast forward. Their new 7″ will drop at the end of the month via Spoilsport!
At this moment, I’m not sure anyone’s writing timeless pop music quite like Quivers; Sam Nicholson has dialed into peak songwriting, and with his band’s arrangements, they’re crafting some truly unforgettable tunes. This latest single opens much the way you’d expect, with semi-wayward jangles and Nicholson’s voice; the steady beat keeps things moving, giving the listener this undeniable connectedness. Soon, a synth note twinkles in the far off night sky, matched by some very faint backing vocals that build towards a burst…a shooting star of pop falling across the song’s skyline. While all this goes on, sit back and watch the great video animated by Jordan Thompson of the Ocean Party; I’m a big fan of the line work there. But, the song’s not done, as the vocals swell, joined by more of a backing chorus, letting the guitars ring silent as the song fades into a tinkering piano line that eventually disappears into the world. Just another string pop number from the forthcoming Golden Doubt, out on June 11th via Ba Da Bing/Bobo Integral/Spunk.
Katie Von Schleicher drops her new album Consummation next Friday, and as we hear another single today, it seems the songwriter has honed her craft into one of shape-shifting prowess. Her last single “Wheel” was this almost buoyant pop ditty, kicking its heels up and having a ball. But, with “Brutality” you get a more thought-provoking slow mover with Katie’s voice draped over a minimal beat and occasional guitar line. As a fan of 10 second pop nuggets, I think you can’t go wrong just check in at the track just before the 1 minute (and again at 1:52) mark, hitting the chorus highlights…worth its weigh in gold I dare say! Consummation is out on May 22nd via Ba Da Bing.
If you listen to the latest single from Katie Von Schleicher, your enjoyment is going to be two-fold. First, Katie and director V Haddad are donating their budget for this video to Safe Horizon (providing support/promotion justice to victims of domestic violence); this especially important considering that abuse often goes unnoticed and unreported during a situation like our current quarantine. Second, the song’s another great tune from the forthcoming Consummation LP; I think I was already hooked upon hearing that angular guitar chugging away in the front of the mix, all before Von Schleicher even entered the picture with her smoky vocal charms. The video’s a lot of fun, capturing women/non-binary artists remotely capturing simple joys to the sound of the song; I’m surprised we’re not seeing more videos like this at the moment! The new LP is out May 22nd via Ba Da Bing.
We’ve got a great scene here in Austin, that’s no secret, but it never fails to warm my heart when a local can kill it both in the local and national scene, which is precisely what Emily Cross has done not only with her act, Cross Record, but also with her work in Loma. I’m pleased to share a new track from Cross Record off her forthcoming LP. “PYSOL My Castle” does what every great song from Cross Record has done in the past, which is put the spotlight on Cross’ incredible vocals. What’s different on this track is the instrumentation seems more keen on electronic elements–you get layers of soft synths from the get-go, and the whole tune feels subtler than before. I’m excited to hear more from this upcoming record, which will be out on 8/2 via Ba Da Bing! Pre-order it here.
It’s been a few years since Lady Lamb has popped up on our radar, but today comes news that she’ll be releasing her 3rd full length, Even in the Tremor. Through the first minute of the song, there’s little more than Aly’s voice and this pulse/beat, letting her voice and lyrics do the work. But, as we saw with After, her song’s grow with power and that emphatic burst at the 1 minute mark as the song continues to develop. I love how the song sort of dips and dives, recedes beneath itself then jumps back through your speakers; it gives off the aura of a live performance, which is something at which to marvel. Even in the Tremor is out April 5th via Ba Da Bing, with a nice little tour to coincide with the release.
It seems like single after single that Tiny Ruins craft another gem that is destined for repeated listens throughout my day. On their latest tune, there’s a dominating performance from Hollie Fullbrook, but the little details hanging in the air are what make the song. I love the way the guitar lines sort of dangle and twist in the air, matched by the breathy backing “oohs” that added this dreamy quality to the track. I’m just going to keep fawning over this group until their huge, then I’ll say the first album was better…that or I’ll just up my hype when Olympic Girls hits on February 1st via Ba Da Bing.
Feel like we’ve been hanging out with the Oceanic region a great deal today (Terry, The Ocean Party), so why not wrap up Wednesday with this gorgeous number from New Zealand’s Tiny Ruins. Hollie Fullbrook and her band have just signed with Ba Da Bing, for their first North American release…but those with a keen ear have surely heard the project. I like the fragility of Fullbrook’s voice, draped over the careful orchestration behind her; there’s a gradual swell to the song that seems to make it rise, only for the band to just let it hang in the air. Should be a busy year for Tiny Ruins.
Wooing is the relatively recent project of Rachel Trachtenberg, who many of you might recognize for her role as the drummer in the Trachtenberg Family Slideshow Players. She’s move one, grown up and begun a project with several friends. Today, we’re here with the band’s “In Colour” video, which provides a wonderful glimpse at the music the group is concocting. The first 1.5 minutes here are intimate, softened vocals and carefully picked chords; it’s the perfect set-up for what is soon to follow. Sampled vocals and rolling drums enter the picture, changing the sonic landscape into one of experimental pop music that excites through to the end. The trio have just released their Daydream Time Machine EP via Ba Da Bing!