Azure Blue – Beyond The Dreams There’s Infinite Doubt

AZURE BLUERating: ★★★☆☆

 Azure Blue is the solo project of already successful Tobias Isaksson, who is hailed internationally for his work with Swedish bands, Irene and Laurel Music. Also a popular DJ in Sweden, Isaksson has made his name well known all over Scandinavia, which is probably why you’re asking yourself who exactly is this guy and why he matters to you, since his fame hasn’t really made it to the States yet. The answer is simple: Beyond The Dreams There’s Infinite Doubt is a new wave record that deserves some attention.

Though some of you may have heard some Azure Blue through the debut album, Rule of Thirds, for most this is probably your first encounter with its new wave, electronic style. “Time is On Our Side” opens up the journey through the dreamy electro pop on a bold note, with the line, “I only wanted something real,” that seems to embark upon a story of a romantic nature; the declaration so earnest and sincere it begs you to connect to it. Meanwhile the music is a constantly swirling mix of battling synthesizers and soft percussion that you would expect of something that belongs in the new wave genre. At just under five minutes in length, this opening track gives you a basic idea of what this album has in store for you, but Azure Blue is only just beginning.

Immediately after this opening warm up track, the energy level gets turned up on “The Road I Know,” and from there they refuse to look back. The synthesizers are now more than droning waves of sound, but active parts of the mix, evoking the melody of the song right alongside Isaksson and some higher pitched vocals that pair nicely with his deep-set voice. Together, they create a lovely choral, dreamlike, arc to the song. Their vocals are smothered in reverb, which culminates with the chalky percussion so that the meandering synth riffs really stick out to give the song some harder edges. It ends slowly, with each layered element gradually fading away from the mix, and creating a solid song with a beginning, middle and end; six minutes flies by without you ever feeling slightly bored.

Like a dream in which certain instances particularly stand out to you, some of the songs on Beyond The Dreams There’s Infinite Doubt also allow for a little bit of attention-wandering. You have numbers that emerge from the dreamy trance of synthesizers and electronic beats like “Sunset,” as well as the aforementioned “The Road I Know,” but others slightly fail to bring something exciting to the album or the new wave/synth based electronic genre. It’s up to you to decide if that’s a positive or negative attribute for Azure Blue to have.

Driving Pop from Azure Blue

CD63You’ve gotta love the Swedes! They’re even better when, like Azure Blue, they make their way into the American music landscape via their association with our favorite labels.  As previously mentioned here, the band is going to release Beyond the Dreams There’s Infinite Doubt; it’ll be released by one of my top labels for indiepop, Matinee Recordings, next week.  There’s a heavy synth line on this tune, which surely will hit the heart of fans across the globe, but I like the addition of Julia Vero with backing vocals.  Sometimes you can’t deny a great track its day in the sun.

[audio:https://austintownhall.com/wp-content/uploads/2013/10/02-The-Road-I-Know.mp3]

Download: Azure Blue – The Road I Know [MP3]

Azure Blue Readies New LP

azureblue-willowsandpines_highres-500x500I first caught on to Azure Blue when the band released it’s last album via Matinee Recordings. The group is the work of Tobias Issakson, and for me, I really appreciated the understated quality of his pop sensibility. Yes, it’s electronic-based pop, but it doesn’t push the beats too hard, instead using dreamier synth sounds and a casual pace. His voice carefully rests atop the instrumentation, creating songs that allow for escapism. His new album, Beyond the Dreams There’s Infinite Doubt will be out sometime this Fall.

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