When Carter Tanton went to record his latest LP, he called in his friends in the War on Drugs to serve as the backing band for his project. But, as he sat on the recordings, he opted instead to strip the full band sound and go with this more delicate approach, as you get here on the latest single “Uneven High Places.” This song, like many on the record, steps on the back of gentle piano notes to set up the emotional pull; the notes at times almost seem like they’re tip-toeing through your speakers, careful not to wake anyone sleeping. Tanton’s voice echoes, like its soul is trapped in some glass box, struggling to release every intimate note. You’re not likely to find a more personable tune out there today. The self-titled LP is out May 7th via Western Vinyl.
You’ve all been waiting, anxiously. Waiting for our arbitrary list of the opinion of four folks who run this site, and what we think were the best albums of 2016. It’s really really important. We’re going to make our site great again with this list. We’re going to win, bigly. But really, it’s just a list of the stuff we loved the most that we covered throughout this year on our site. The comment section is open, so feel free to tell us where we’ve gone wrong or what we’ve got right or anything else fitting. Read more
This Friday you will have to rush to the record store (or online if that’s your bag) to grab a copy of Carter Tanton‘s brand new album, Jettison the Valley. Fortunately, we have another single from the album to share with you today…it’s rumored to be Carter’s favorite track on the LP. Opening percussive moments stand in like a metronome, allowing for the lofty range of Tanton’s voice to soar high in the mix, setting the tone for the track. One of my favorite things about this song, and the album as a whole, is that while many singer/songwriters rest on the tradition of voice, guitar and minimal percussion, Carter’s filling in his songs, be it backing harmonies, slide guitar or atmospheric touches; it elevates the record far beyond the norm. Look for the record this Friday courtesy of Western Vinyl.
So, according to the Western Vinyl Soundcloud page, this track has been up for eight days, but I’ve yet to come across the mountains of praise that it deserves, so I figured I’d share it with you. Carter Tanton hasn’t been active in a little while, but man am I glad to hear that he’s back. What’s more is that this track features the always lovely vocals of Sharon Van Etten, and though her contribution is subtle, it still adds an extra layer of pleasing harmony to the track. This song, “Twentynine Palms” is a soft blues-folk tune and it looks like it will be the first song off of Tanton’s upcoming album,Jettison The Valley which will be out March 4th through Western Vinyl.You should pre-order it here.
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I’ve written about the songwriting prowess of Carter Tanton before, and he’s back again, this time under the moniker of Luxury Liners. He set off to record his latest record as a selection of John Cale covers, but like all great things, it evolved into something all his own. The track below is using Cale’s lyrics, but the song itself takes on a life of it’s own, moving through three distinctly different phases. First you get a slowly evolving stark electronic sound, then it moves into a more danceable groove, finally ending in an explosion of experimentation. The new record, They’re Flowers, will be released to the masses via Western Vinyl on April 2nd, and it looks to be an openly creative piece of work.[audio:http://austintownhall.com/wp-content/uploads/2013/01/Luxury-Liners-Theyre-Flowers-01-Caribbean-Sunset.mp3]
Download:Luxury Liners – Caribbean Sunset [MP3]
This installment features War on Drugs, with Carter Tanton and Purling Hiss opening. I have a few comments and plenty of gloriously bathed in red and yellow shots to burn into your memory. Loud show, good way to end the run I was on…
|Date||Tuesday, October 18th|
|Tickets||$10 from Ticket Web|
As our time runs out on Emos Red River, we’ve got to take advantage of the great shows still left at the venue; Tuesday night’s set definitely fits the bill. Philadelphia’s War on Drugs returns to Austin to promote the release of another solid album, Slave Ambient. Last time they played in town, I had a great time, as their live sound provides a slightly different twist than the recorded material. The opening acts aren’t anything to ignore either, with Purling Hiss set to follow Carter Tanton, who will be releasing his new record on local label Western Vinyl. Seems like this is the place to be, so we’ll see you there.[audio:http://austintownhall.com/wp-content/uploads/2011/07/Come-To-The-City.mp3]
Download: War on Drugs – Come To The City [MP3]
You might have seen this tracking floating around last week, but I wanted to give it some more attention, as it’s such a deserving track. Carter Tanton spends a lot of his time playing with Lower Dens, but you wouldn’t be able to tell after listening to this lead single from his upcoming record, Freeclouds; the record will be in stores on November 1st via Austin’s own Western Vinyl. From the get go, there’s this brightness to the song filtering beneath the vocal. There’s something really familiar about it, though I can’t place it precisely, greatness perhaps? Regardless of what it reminds you of, this song will surely be playing around you for the rest of the week.[audio:http://austintownhall.com/wp-content/uploads/2011/07/MurderousJoy.mp3]
Download: Carter Tanton – Murderous Joy [MP3]