The big stories from Friday were GnR not embarrassing themselves (quite the contrary), Tame Impala crushing through a fantastic festival set, Thom Yorke’s fun side shining through, Jenny Lewis charming the crowd, FIDLAR bringing the noise and much more. The gallery to follow will feature The Amazons, Houses, FIDLAR, Cherry Glazerr, Palm Springsteen, King Princess, Weyes Blood, Jenny Lewis, Thom Yorke and Tame Impala.
So, I always love it when a more mainstream band, a band that started with blog buzz and blows up, goes out on the road and brings along another band in the middle of that arc. CHVRCHES‘ current run through the States has Cherry Glazerr opening. Development of the two bands, though, has been quite different. CHVRCHES started to to quick synthy blog buzz with a lead singer that was just figuring out how to be a front person. Cherry Glazerr started out with a front person figuring out how to have a band. Just as Lauren has become a comedienne and story teller, activist and focal point, Clementine has progressed from lo-fi fuzz into a guitar driven three-piece band leader that no longer just relies on energy and distortion, the songs progress and evolve settling into grooves, much tighter in delivery, but still paying homage to the soundcloud four track jams.
Click through for the lovely images, this was a fun shoot…
Austin City Limits Festival has decided to hold on to the momentum established last year making some bold choices for artists from top to bottom. Guns and Roses are the truly random selection that will be either a spectacle or a spectacle; I’m hoping for the best, but the random thing would be seeing “Live Or Let Die” two years in a row with fireworks. Other artists we will be locked in on – The Cure, Idles, Tame Impala, Thom Yorke Tomorrow’s Modern Boxes, The Raconteurs, FIDLAR, Cherry Glazerr, Men I Trust and randoms.
I am sure there will be more developments as we get closer. Wristbands on sale at 12pm CT. Let’s get weird.
In the first 20 seconds of this brand new Cherry Glazerr tune, you quickly realize that Clementine and her posse are changing things up a bit…but really just a bit. You get 45 seconds of almost playful vocals and electronic beats; it seems to work with the nervous questioning of the lyrics at this point. But, then Creevy lets loose on the guitar, emphatically taking back control of everything; it could be a nameless narrator or it could be Creevy herself, but whoever comes out in the chorus is doing things on their own terms. I thought I loved the early stuff, but this is a really great song, balanced between hooks and the bravado that the band always bring to the live setting. This track will appear on the group’s new LP, Stuffed & Ready, which drops on Secretly Canadian on February 1st.