A Place To Bury Strangers Announce New Album

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Brooklyn’s A Place To Bury Strangers are back with the announcement of their newest addition to their extensive collection of work, Transfixiation. Apparently, this new album is supposed to be a step in a new direction for the band, as they recorded it with the mentality of keeping things pure and not too over-processed. This album is slated to come out February 17th of next year via Dead Oceans, but they’ve given us a taste of what to expect with single “Straight” that’s below. If you listen, you’ll still find the dark gutter rock that this band has mastered, but the squall of the guitars and the ferocious drum beat gives it a garage-y, lo fi vibe. If this is the precedent for what’s to come with this new album, I’m ready to see just what they have in store for us.

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Greylag – s/t

DOC098-Greylag_AmazonRating: ★★★☆☆

Greylag is a type of goose, but also a band of gentlemen from Portland, Oregon. Their debut, self-titled album out on Dead Oceans is a combination of folk and soft indie rock that offers some grand builds and quiet jams that should put this band on the map of the indie world.

Often, I’m quite intrigued as to what the album artwork has to say about a record and the general aesthetic that it gives to the bands name. Here, we have what resembles an old book or diary, immediately making me believe this record holds intimacy. For the most part, this is a fairly valid reflection, which only becomes more apparent as the record progresses. However, as the band kicks things off with lead single “Another,” you don’t really get this vibe. Instead, what you have is a fireside-dance-party with earthy sounding acoustic guitars looping on top of each other as well as some banjo. This first track reminds me a little bit of a more clean-cut version of Cave Singers—the folk-country-jam breakdown is there, it’s just a bit more refined and produced. While not a bad start to the record, it’s just enough to pull you in to see what the group has to offer.

At first listen, there are some immediate attention grabbers, but the more I listen to this record, the more I’m realizing that the tracks that immediately stand out on first listen aren’t the best to be found here. On the contrary, the more subtle numbers from Greylag are the ones that you can hear the most promise in their sound. Take “Burn On,” as a perfect example of this; it has that personal and stripped gentle quality at first that lets you warm up with the band. They give you this great build up with those bombastic drums from earlier, some group backing vocal, striking lead vocal and that twangy lead guitar. This song is great, and so is the ending track, “Walk The Night.” Here is another stripped down number which works so well for the group, giving out the calm and tranquil energy of solitude of just a man and his guitar.

On the whole, this little release was an impressive start for this band. While there is some obvious room for growth—some of the tracks come across as a bit too repetitive or like other songs on the record—there are still songs that are definitely worth your attention. I’m excited to see what’s to come next from Greylag.

 

Love the New Greylag Tune

graylegThe other week we got a sneak peak at the new LP from Greylag; it’s been a nice little piece of folk-influenced pop to help me mellow out during stressful hours.  But, just as you settle into the warmth of this number, it blasts off on you, adding some great depth to the tired fare of the genre.  I think that’s what’s really exciting about the group’s self-titled effort; there’s nods to contemporaries though they don’t dwell within the confines of those acts.  If you ask me, this is one of those bands that’s poised for a really big end to the year when Dead Oceans finally unveils their LP on the masses; that street date is October 14th.

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Greylag Sign to Dead Oceans

greylagA few years ago there was this wave of folk/Americana being remained and tossed out left and right.  Bands like Fleet Foxes and Cave Singers dominated my own personal listening playlists, but the genre hasn’t really hit me again until I heard this track from Greylag, who’ve just signed to Dead Oceans.  They’ve got similarities to both previously mentioned groups, with the instrumentation resembling the former and the vocals harkening to the latter.  Their album will be self-titled, and it’s set for an October 14th release…should make great times for fall listening.

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Bishop Allen Gives Us Another Pop Hit

bishoWe’re less than a month away from the new Bishop Allen LP,  and it looks to offer us a whole lot of enjoyment as we wrap up our summer.  We previously shared “Start Again,” which was an immediate pop hit.  This new song, keeps vibe going, utilizing really light guitar lines and washes of keyboards to craft a pulsating verse that’s met by a quiet whirlpool of sugary delight.  Their new record, Lights Out, hits on August 19th via Dead Oceans, wrapping up what’s been a pretty fun summer of listening activities.  I can’t wait for you folks to hear this album, so get another little taste below.

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Show Preview: Dub Thompson + Ought @ Holy Mountain (7/3)

dubIn a bone-headed move that I accept full responsibility for, I completely slept on the Dub Thompson album, 9 Songs. I’ve since had it on a steady rotation after it’s release; there’s elements of noise, psychedelic hints and just weirdo pop, so of course I’m obsessing.  The band brings their show into town this Thursday night, and you’ve all got July 4th off, so you’ve got no excuse to stay out late and enjoy the music over at Holy Mountain.  Also, you’ll get to see Montreal’s Ought, who received the arbitrary “Best New Music” tag from P4k, if that matters to you.  Their angular post-rock seems like it’s built for a pulsating live show of rhythm and grooves.  You can buy yourself $10 tickets HERE.  Hope to see you guys out so we can celebrate freedom together at midnight.

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Bleached Kick Out Summer Jam

bleachedYou ready for summer fun? Well, then you better press play immediately!  This new track from Bleached encompasses everything perfect about summer, even going so far as the title, “For the Feel.”  It’s a song that holds a no-bullshit attitude, even keeping clean on the distortion and atmospherics, as other like-minded acts are wont to do.  It’s a pop rock track that chugs along spiritedly, giving you some added energy in your daily listening rotation.  It’s a song that might not make the girls new record, but is slated for a 7″ release via Dead Oceans on July 22nd.  So so good.

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New Album from Bishop Allen

bishopallen_largeSome songs are impossible to ignore.  They immediately grab you, holding you tight, spinning you in whirlwind of pop.  That’s precisely the feeling I got when I listened to this brand new track from Bishop Allen.  If you look at the cover art for the band’s upcoming record, Light’s Out, you get the sense that the band was pursuing the same thing, putting some young kisd on the cover dancing up a storm.  It’s the sign of something delightfully catchy coming your way at the end of the summer, August 19th to be exact; it’s being released by Dead Oceans.  I dare you not to like this song.

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Creative Pop from Dub Thompson

DT.11183v2You click play, and there’s a bump and a groove. It’s slow and steady, moving beyond the 1 minute mark.  Then the throb subsides minimally for a nice vocal display.  But, it’s short and sweet, as Dub Thompson seems more intent upon having a little bit of fun with this track.  The duo take advantage of the song’s inherent melody, even as it hides beneath a noisy wash of pulsing organ grinding and explosive atmospherics.  The duo will release their album, 9 Songs, on June 10th via Dead Oceans.   Check out the tune below to get a feeling of what to expect from these guys.

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Creative Number from Dub Thompson

dubThis brand new track from Dub Thompson really leaves the door wide open for what the duo will bring to the table when they release their new album, 9 Songs.  From the get go, it casually plods along, albeit for just a few seconds.  You’re then met with this pulsating rhythm that resembles a live hip-hop beat, just before it blasts off into a realm of pop oddities.  Then they close it down with a combination of noise and kitschy keyboard play that would fit in on the Napoleon Dynamite Soundtrack.  Yet somehow it all fits together nicely, making me super curious for what they’ll bring to the table on June 10th when the record comes out via Dead Oceans. You’ll also find a video for the single HERE.

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