Having been some three years since I last heard from Seattle based Tincho, I was excited when they sent me some new music a few days ago. The new song, “I Got Home Today”, features a fairly straightforward tack on indie rock with chill guitars, quiet vocals, and a nicely executed progression. Think Beach Fossils if some of that washed out, shoegaze effect was lost and replaced with a cleaner, bright sound. It’s good stuff.
Tincho will be releasing a debut album sometime later this year. Stay tuned.
If there’s one thing last year’s SXSW showed us it was that Stella Donnelly has a bright career in front of her. She could hold a room on her own with her presence, but more important was her biting wit. She’s not afraid to call people out in song, but she doesn’t do it in a fashion one would find laborious. In her first single from her debut, she’s calling out men and their inappropriate behavior; I appreciate how she approaches her views through a certain pop sensibility, stuck in your head all day and forcing you to listen to what she has to say. Beware of the Dogs will be out on March 8th via Secretly Canadian.
Ice Baths definitely fit in the realm of any post-genre; there’s elements of post-punk or post-rock, but for me, they’re stretching out those styles. This latest single has those sharp guitar chords that ring discordantly while the rhythm section plods along; the vocals hang in the air, patiently. Then there’s a slight uptick in the energy, almost revealing psychedelic influences; they perhaps owe more to this genre than they’d like to admit, stretching the song beyond expected limits. Their debut album will drop on May 11th via Blank Editions.
I’ve spent the great part of the last few years trying to convince everyone I know how great Omni is…looks like I can now add another like-minded act to that list with this new Deeper tune. It’s got angular chords seemingly working against the rhythm section at all times; the vocals are delivered in an almost spoken-word manner, meant to match syllables and beats. What’s really enthralling about this tune is how it seems to bounce between styles, dreamy at times, art rock at others…then closing with a little explorative indie rock. This tune appears on the band’s self-titled debut, which is being released via Fire Talk on May 25th.
It’ll take a second for the throbbing bass to kick in on this number, as Ice Baths dare listeners to turn away with a noisy opening bit. But, hold on and you’ll be tapping your toes as the track pushes you forward. The vocals have this sort of indifference in their delivery, almost as if they’re an afterthought while the guitar chords spring and jangle through the heavier underbelly of the track. Not quite angry, not quite pop…but somewhere in that cavern of in between…that sweet spot we all love. Look for the group’s debut album to drop on May 11th via Blank Editions.
New Zealand music in the United States often gets boiled down to the swirling guitar pop we adore, but Wax Chattels aren’t going that route, and in fact, they’re entirely guitar-free. Here we have the band crafting this spastic blast of noisy punk, off-setting rhythms, and rounds of noise alienating more pop-centric listeners. This track has the same punishing quality early DFA 1979 (or whatever they’re called nowadays) had, as if they could destroy anything in their wake just by the sheer madness/volume of their tunes. Perhaps this is wishful thinking, but when the group drop their self-titled LP in May via Captured Tracks.
Just as I was lamenting a shortage of great indiepop vibes in the 2018, it looks like the world was destined to prove me wrong. Today A Certain Smile announce the release of their debut album, bringing the sound of Portland’s indiepop to our ears. The track rushes forward from the get-go, employing little touches of shoegaze in the guitar to go along with more traditional jagged lines stabbing through the mix. Vocals from Thomas Andrew provide that fireside warmth that pop fans crave, sending out wave after wave of melodious lines through your speakers. The debut album Fits and Starts will be released by the band on March 9th, and it’s sure to be a gem.
Stop what you’re doing right now and check out this new tune called “Spit” from Brooklyn based outfit Abraham King. It starts a little bit slow, almost a downer to be honest, but once it drops and the heavy bass comes in, it brings something truly special. Think old school 90s indie bands like Pavement if the breaks were even heavier.
Abraham King will dropping their debut LP sometime this fall. Stay tuned.
Listen up. US Weekly has been gradually building a huge following in Austin, and with the announcement of their debut album, they’re ready to break through to a larger audience. I love how you can feel singer Chris Nordahl stalking the stage with his vocal delivery, bringing the band’s live energy through on this recording. You’ll also get to hear the band disrupt your ears with discordant guitars and an underlying tension fueled by Kent’s drum rolls. Their full length album hits the streets on April 22nd via Night Moves, ready to take the rest of the country by storm!