I love how a lot folks, myself included, sort of pigeon-holed Tim Presley; he was a more nostalgic garage rocker of sorts…and perhaps his friendship with Ty Segall, while great, allowed us to overlook his flare for exploratory pop music. He’s been doing it for several releases with Drinks, and this new single seems to hint at a continued progression. This number gets filled in and out with the odd little bit of electronic sounds, but I’d spend all my money just to hear the chorus of “Lorelei;” its warm and inviting, rising above the mix. If, like me, you’re a Tim fan, you can grab the next White Fence album, I Have to Feed Larry’s Hawk, on January 25th from Drag City.
Sometimes I think Ty Segall is too prolific for his own good, but when he’s joining up with Tim Presley aka White Fence, I can definitely get behind that. This track almost sounds like it’s acoustic punk filled with furious strumming, but you can hear the influence of Presley, particularly in the very post-punk yelps and the delivery of the first chorus. Don’t worry, you get a Ty-esque solo in the last seconds of the song, just to whet your appetite. Together, Ty Segall and White Fence will release Joy on July 20th via Drag City.
It’s been some time since we’ve had a Ty Segall/White Fence collaboration actually hit the studio for a release, but it looks like the two friends have reunited for a new effort, Joy. Our first listen to new music gives us precisely what you’d expect from a band consisting of Ty and Tim Presley; there’s hints of glam, psych and garage…but it’s spun in this ornate manner Presley seems to have perfected with his other project Drinks. It’s like a weird journey down a kaleidoscope of influences; it sounds an awful lot like our friends in Colourmusic in their early days. Joy is being released by Drag City on July 20th.
I’m not sure if you listened to Drinks debut album, Hermits on Holiday, but it was a pretty special listen through and through. But, members Cate Le Bon and Tim Presley also have other projects going on, so figured there’d be a bit of time before we got something new. Well, that time is now, as the group have just announced Hippo Lite. The lyrical content doesn’t really enter the picture until after the one minute mark, with the duo primarily working with a simple bobbing bass and these jangling little guitar chords that seem to hang in the air. I also appreciate Cate’s vocal delivery; she’s got such a distinctive voice. Their new effort will be out on April 20th via Drag City.
Chris Gantry may not be a household name, but we can hold out hope that At the House of Cash will go some way to remedying that. These songs are all from back in 73′, recorded at the home of Johnny Cash. While the balladry is sincere and heartfelt, what really stands out is the lush arrangements that were laid behind the core of the tracks. Sure, it was studio magic used many a time for that era, but as you’ll see on the single below it creates an artist of grand vision, something that never fades in time. Drag City is releasing this album on November 17th.
We’re about two weeks out from the release of Plum, the new LP by Wand. I like their approach thus far, giving us little glimpses of the band’s future, all with slightly different turns, musically speaking. This one is really something, a 7 minute opus carefully structured with varying movements from start to finish. Lofty folk vibes radiate from the song’s early moments, and rides that wave for a minute before slinking back, leaving an opening for the band to take a heavy-handed jam through the song’s close. Seems like there is so much going on in this record, but we’ll have to hold back judgment until it’s released via Drag City on 9/22.
I continue to be impressed by the shifting sonics of Wand; I thought I had them pegged, but clearly not at all. This new video has some heavy handed indie rock riffs, but the way Cory’s voice is recorded in between those riffs gives off a slight Thom Yorke vibe…and then there’s that restless dream bit that floats in just after the 2 minute mark, punctuated by the ethereal notes seeping through your speakers. It closes with a bit of an emphatic jam (and clown dance), leaving me to remark that the song goes all over the place, only to stay stationery. At this point, its safe to assume that Plum is going to be a real joy to listen to, though exactly what we can expect, only the folks at Drag City (and the band) know…look for it on September 22nd.
Long ago, for some reason, Wand got lumped in with the Ty Segall crowd; that’s fair, considering songwriter Cory has played with Ty in various projects. But, as we’ve seen over the last two releases, Wand is entirely an act on their own territory. This latest single finds the band walking the territory between bouncier elements of Spoon and the lingering melodies of Radiohead. Maybe this is what California’s version of Spiritualized sounds like? Whatever it is, there’s no heavy riffs needed anymore, just the creative process and the perfect execution. Look for the band’s new album this September via Drag City…surely we’ll be hearing much more leading up to its release.
Drag City has one of the most diverse stables of bands, offering up quiet folk, experimental tunes and, of course, heavy tinged guitar acts like Ty Segall. This new track from The Cairo Gang seems to fall in the latter category, though only in spirit. While you could see these riffs being amplified, they’re pulled back in the studio mix, bringing in a more classic glam sound that carries more of a heavy stomp than a head bang. It all brings a steady groove, casually rocking listeners rather than beating them over the head…which is great for those of us who don’t want to blast the cones on our speakers.The new album Untouchable will be available via DC’s God? Imprint on March 24th.
In a few weeks Alasdair Roberts will bring us his new album, Pangs, and today he’s bringing out his most playful bit of folk. The song opens with such a lighthearted mood that you might be surprised when it settles for a more traditional feeling during the song’s chorus. It’s this sort of songwriting that’s elevated Alasdair, building his own sound on the back of folk traditions, while pushing it in a new direction. I love the slight warble in his voice, which could perhaps be owed to his Scottish accent, but just listen to the way lyrics roll off his tongue in the song’s latter half and you’ll be just as appreciative. Pick up the new record on February 24th via Drag City.