Some reason, I’ve just been wanting to spin and dance and smile; I guess I’m just fed up with feeling fed up. For me, I always turn to music, and this Endearments tune is a bit of an early morning bop to slid you into your midweek grind. There’s that sort of casual smoothness to it, sort of slinking its way into your life; it has a touch of that sort of crystalline synth pop mood. When it hits the chorus, it’s a quick little burst of euphoria, emphasized by some backing vocal tracks to push it forward. And each time, it crawls back to the calming waters of late night electronic pop, perfect for the late night playlist you made for your friends. This track appears on Father of Wands, out November 5th.
Perhaps this is entirely due to growing up surrounded by Depeche Mode cassettes, but there’s something truly special about what XOR is doing in the realms of electronic pop. The majority of the scene features heavy hitting notes, dropped beats that just push and push, but not here. Instead, you get these twinkling synth notes and a steady drum loop; it’s got pace, but its not frantic, more like steadying the ship so as to allow the guitar lines to jump in and dance around. If you were a big fan of Soviet in the early 00s, then this new project from Matthew of Secret Shame should be right up your alley; XOR releases the self-titled debut LP on July 30th.
Swedish group Club 8 are forever shapeshifting, though always revolving somewhere in the realm of great pop music. Their latest single is no different, featuring this heavy groove in background while the vocals sort of ride the natural wave of the song’s melody. There’s a slight lift in the vocals during the chorus, soaring just a note or two higher, empowered by the increased tempo of the beat. It’s a short number, and maybe I would have liked another thirty seconds or another chorus, but if you listen below you’ll see what’s before you is more than enough to capture your attention.
For some reason, and perhaps this is all on me, but I always thought of Club 8 as a purely indiepop hit machine. Sure, they stretched the form a bit, but from what we’ve heard off their 10th album, it looks like they’re really emphasizing the club punch on this go round. This jam has this throbbing pulse, kicked up by these electronic punches. Interestingly, the notes coincide with the breathy vocal delivery, matching note for note. It’s the sort of tune where you expect to sort of lose yourself within the confines of a fog filled club, lost in the beat of song; the chorus is pretty special too. Fire will be released January 26th via Labrador.
It has been a pretty good week of electronic jams. From the new Fever Ray today to Bayonne’s latest to the Korine track. All solid offerings. Maybe you should just resolve to shimmy all weekend with this cooler weather. It is finally fall. LCD Soundsystem out at COTA seems a good way to spend Halloween. I am hoping my skwuad can rock our onesies. If you see a platypus, perhaps with a camera, say hi.
I will leave everyone with one last bit of electro-pop goodness. It is from French-born, part-time local Lou Rebecca, who with Josh Mills on programming and keys, has been turning out wonderfully crafted French disco. Holodeck picked up the pending release and we now have a full shimmy-inducing slice of heaven following the more thoughtfully subdued and bilingual lead single from the S/T EP.
[bandcamp width=100% height=42 album=3437600004 size=small bgcol=ffffff linkcol=0687f5 artwork=none track=559004883]
B. Gray is going to be so jealous that I stumbled onto this new collection of electro hits from Korine. The Philly band just released their latest Corsage, and man, it’s definitely going to hit home for those of you in love with the 80s club sound. I think my personal favorite of the tracks is “Sweet Mystery,” rocking the darker tones of the synth vibe. Admittedly, it’s nothing out of the ordinary when it comes to the genre, but sometimes the execution is all that matters…and they do it perfectly in these 5 tracks. Give it a listen.
We’ve posted about Mons Vi a few times before, and when the band reached out with their latest bit of pop, I had to oblige and get it up. For one, the song’s great in its concept; it’s a conversation between two lovers, one speaking Spanish and the other English. Just imagine you’re enjoying a sit-down at your favorite chillaxing spot, with a more multi-cultural version of the Postal Service bouncing through the speakers. Playful and captivating all at once, so why not share that feeling with you all.
By now you’ve noticed my affection for the electro-musings of Black Marble, thus when another song pops up, I’m going to share it with you. This new track has the feeling I’ve been looking for as we head into the cooler (ish) months; it’s practically bedroom pop, which very may have been the way it was recorded…and meant to be enjoyed. I also get this faintly haunted feeling from it, giving it another avenue to be explored during my listening excursion. We’re still a good solid month out from It’s Immaterial, which is the new LP being released by Ghostly on October 14th.
[soundcloud url=”https://api.soundcloud.com/tracks/281848033″ params=”color=00aabb&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]
As the year comes to a close, I’m going back and getting into some things that I’ve seen on other lists or just songs that were somehow sliding under our radar. This Jasia tune was one that I dug when it popped up, but for some reason it fell hidden in my emails. This song is this electronic pop composition that builds and builds, though it never quite erupts in euphoria. Instead, the subtleties of the pop sensibility billow for its entirety, which is quite an enjoying piece of work. Look for more work from this kid as 2015 kicks on.
[soundcloud url=”https://api.soundcloud.com/tracks/170153310″ params=”color=ff9900&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]
This is not your typical electro pop affair; it’s a subdued dance track with warm vocals atop, the likes of which would get our boy B. Gray excited. While it would be easy to drop the beat, as the kids say, and blast forward, Some Ember show a great deal of restraint, holding onto that tension throughout the duration of the song. The press release here says the band tend to push the boundaries a bit, often including more dynamic in their production. Personally, I like this mellow version, but we’ll see where I stand when the band release their self-titled album on May 27th via Dream Recordings.
[soundcloud url=”https://api.soundcloud.com/tracks/131220849″ params=”color=ff9900&auto_play=false&hide_related=false&show_artwork=false” width=”100%” height=”166″ iframe=”true” /]