It seems like the five year wait for new music from Black Twig has really worked out in our favor, as the group share another incredible single from their forthcoming Was Not Looking for Magic. I was committed to loving this song when it opened with that sort of pastoral post punk feel, circling guitars over a thundering rhythm section. Still, I was blown away by Aki’s performance here; he sounds huge and solemn, creating this sort of fatherly comfort; the forceful jump in the chorus is equally matched, putting his range on display for all of us to enjoy. I know there’s a lot of hype around releases, but this song just made the new LP jump to the top of my list! Look for Was Not Looking for Magic on February 26th via Soliti.
After a five year absence, Finnish outfit Black Twig return this year with a brand new LP, and we’ve got a sneak peek at what’s in store. While their early work had this heavy hand to it, I love how the group seem to have polished off the edges in favor of this darkened pop vibe; it almost reminds me of my faves The Black Watch. At times it feels gothic, but almost pastoral, perhaps tying into the band’s ‘secular gospel” theme on this particular song. Alas, you still get a heavy-hand as guitars dart towards the end, echoing and feeding back in this tailspin of squall. Both bright and dark, this song finds the band taking comfort in achieving a perfect balance. We expect great things when the group drop Was Not Looking for Magic on February 26th via Soliti.
One of the great musical surprises of this year has been the debut release from Finnish duo Rules. An entire album of carefully crafted pop music spun around literary characters favored by Iti and Sarra; this time around their latest video pays homage to Katherine Mansfield’s “The Daughters of the Late Colonel.” One of the reasons I love this tune is that it introduces a harsher element to some of the record’s shinier moments. Sure, there’s still a nice electronic brush atop it, but the song is all about the perfect balance and execution, shining through at the 2:44 mark as the song hits that euphoric finale. If you dig what you hear, the album is available now via Soliti Music.
We’re nearly 3/4 of the way through what has been a crazy ride of a year, and for me, I’ve really delved into two things, cooking and music. Cooking for my family, just for joy and taking up time, and music for my solace. So, I thought why not combine the two with a new feature we could run…highlight some great music and some great food. We begin this journey by reaching out to Sarra Keppola of Rules; we talk about the band’s debut LP, literature and, of course, her recipe for Overnight Focaccia. They release their self-titled album this Friday via Soliti Music! Read more
You know by now that I’m super into the Finnish scene, right? Well, I owe that entirely to my friend Nick, who at one point worked with Gim Kordon on his own Soliti label. But, the band’s own Aleksi has started a new label titled All That Plazz, who will be releasing future music from GK…for now they’re teasing that with a new single. This has a great 90s college rock feel to it, kind of hints at scuzzy, but plays a bigger role with a huge pop sensibility; its the sort of sound that wouldn’t be far out of line with a Merge or Sub Pop, particularly in the late 90s…so you know everyone here is on board. We’ll keep you posted on more, but just wanted to have you dip your toes in some jams from overseas.
First, I’m really really into what Finnish outfit Rules are doing at the moment. They’re crafting these undeniably catch pop tunes, built around heavy synth work and melodic vocals you can’t hide from. Sure, tons of folks are doing that at the moment, says you, but none quite so convincing at this duo. Plus, through their work, they’re also utilizing their love for literature and literary storytelling alike. This single is based upon the Raymond Carver short story “What We Talk About When We Talk About Love;” so, as a person dabbling in the teaching of English, I’m always drawn to those who utilize literature in their own storytelling. They will be releasing their debut album on August 21st via Soliti.
Helsinki four-piece Love Sport are no stranger to these pages, particularly with their latest batch of rocking singles. But, today we’ve got more than singles, we’ve got the whole album for you to stream before it’s official release this Friday! While “The Biggest Liar in Town” introduces the record with the group’s own brand of alternative rock, they’re not here looking back to the good ol’ days, instead channeling a “vision of four friends playing music together.” My standout favorite was “Life’s a Joke” at the beginning; it kind of reminds me of the Men if they were to bring on more of a pop flavor. “Keying Cars” was a nice little twist too, tossing in this slow burning ballad that brims with pop sensibility. Walking away, “Giant Hoof” might also be my favorite jam…those guitars falling off the tracks, only to be reined in by the vocals! And Justice for All has a little something for everybody! Look for the record Friday via Soliti Music.
Back at the beginning of this pandemic we were introduced to the literature-influenced synth pop act Rules; their first single was an homage to Haruki Murakami. This time round, they’re reimagining JM Barrie’s Wendy, telling the story through sparkling pop. I like how the shimmering synth work sort of hangs back; it definitely swells in your ears, but it doesn’t get int he way for the performance of Iiti Yli-Harja’s vocal performance. She comes in with a hint of 80s pop nostalgia coming across like a more rehearsed Tiffany; there’s just this extreme frivolity in her voice, and I can’t pull away. The group release their self-titled debut this August courtesy of Soliti Music.
Finnish act Love Sport have been away for a few years, but they’re back with a new tune that’s worthy of a good Thursday morning listen (it’s Thursday, right?). The tune starts out with a definite purpose, hitting hard with discordant notes ringing out furiously so as to set the scene for the voice. Those vocals have this faint hint of psychedelia in them, sort of curling the notes and softening them with a faint wizardly attitude. There’s a nice little cleanser at the song’s close, as the energy recedes mildly and draws the song to a close. Let’s hope the band has more to offer us in 2020.
Admittedly, Pintandwefall were not on my radar at all until this year when they announced their new album with our friends over at the Finnish label Soliti Music. But, since then I’ve fallen head over heels for the band’s sound; I can’t help but think they’d be huge if the US/UK press caught on to them. This track opens in more of a brooding fashion, carefully moving before taking on heavier tones, though always employing great melody in the vocals. For me, the biggest success in this song, however, is the bits between the verses…space-y pop vibes galore. I promise you that you’re going to love Your Stories Baby, out next week!