You don’t have do too much to get my ears to perk up, and this new single from Royal Target just jumped right in from the get go, tossing out that j-angular little guitar noodle before the song settled into its melody. Gentle little pop hooks dig into your ears and hold tight with the slightly affected vocal warmth; I think a real highlight comes in right near the 2 minute mark when you get the slightest little tonal shift. That helps switch the song’s mood more towards one of longing, kind of that wistful dream of what’s next…which I’m sure we can all relate to these days.
On a gloomy Wednesday morning, I hope you will help me in welcoming new Berlin based artist Sigmund Fraust and his bright brand of indie rock music. Recorded at his home in Germany, one can’t help but be impressed with the production quality and overall full sound of a song like “A Verdant Fancy”. It brings to mind elements of surfy, hazy rock music similar to a band like Surf City with some shinier and brighter elements of more modern indie rock. If you’re enjoying this one, I suggest you check out more from Sigmund on his bandcamp page.
In these weird times we’re living in, it seems like a perfect moment to get some album reviews up since we are major slackers in that category. It makes it east to motivate for a review when a band is kind enough to go out of their way to send us a physical copy of their release. We are hoarders people! My new pals in the German based band Pretty Lightning sent me their new album Jangle Bowls and I’m going to offer my thoughts on it after the jump. Remember, that I’ve stopped traditional reviews and tend to offer a more creative take on opinion pieces.
BUNNI is a lo-fi rock/pop band brought to you by the Berlin based musician Bunyamin Eroglu. He has been working hard recently to put together a 10 song album full of quirky bits of pop music infused with equal parts MGMT style synth beats and the intimate songwriting approach of Girls. A sampling of his style can be found below in the form of new single “Taste for Life”. It’s a fun and breezy song which blends those lo-fi elements beautifully with a catchy as hell beat. You’re sure to love it.
BUNNI will release new album Transit on April 23rd.
Royal Target hadn’t previously been on my radar, but with this delicious new single, they’re definitely a group I need to keep an ear out for. Their latest single is the perfect subtle guitar pop gem that makes folks like me swoon; the guitars turn over and over carefully, seemingly frolicking in step with the precision drum work. An occasional blossom of distortion rings through your speakers, but you’ll still come back and marvel at the patience of the vocals that ride throughout the song. Perhaps one of my favorite things to stumble upon in the last few weeks.
It’s been a hot minute since I got excited about a band that brandished the sort of garage style that was popular all the rage upon its reemergence. Desert Souls, however, seem like they’re up to something great on this brand new single from the German outfit. Things seem all ramshackle and joyous from the get-go; it’s that classic train flying off the rails style we here at ATH enjoy. But, what sold me, was the hook in the chorus from the vocals. I love the way “me” gets stretched out higher, as it definitely got its hooks in me. This jam appears on the group’s mini-LP Back to the Coast, which is out next week via KUS.
It’s wild to hear such a garage inspired, sludgy, surf rock number like “Heat” coming out of the Dortmund. Not that the city isn’t capable of producing such sounds, it’s simply refreshing to hear a European band like Drens with some edge and grit. Pairing this new one with their last single “Curacao” and the band really seem like they might be on the verge of breaking it big over here. Stay tuned for more information on these upstarts and a planned debut LP coming soon.
Admittedly, I don’t know a whole heaping lot about Germany’s Mofer, but that doesn’t mean I can’t throw my support behind this great track off their forthcoming Ghosts EP. At They’ve got this wonderful post-punk sound, the kind that sort of just soars and carries you with it, attached on the wings of glorious guitar sounds. In a way, it really reminds me of the Black Watch, offering up these sort of heavy vocal tones that reach for the higher notes as guitars buzz behind them. At the same time, there’s this effortless bounce beneath the surface, encouraging toe-tapping and light bits of pogoing in place. I promise, this is right up your alley.
I hope you’ll help me today in welcoming fresh on the scene German rock band Drens. The band has a great, garage pop rock sound best evidenced by their latest single “Curacao”. It features a blend of a guy like Ty Segall with more elements of pop rock music and beautifully constructed melodies. It’s likely we will be hearing more from this band very soon.
I love how a respected label ends up sending you down a delicious ear candy-filled wormhole; the next few hours of my listening I owe to Cloudberry Records and Den Baron. The German outfit had some late 90s/early 00s success with Apricot/Shelflife, but their comeback 7″ sounds absolutely delightful. It all begins with this teasing piano, opening into this guitar shuffle that ushers in the casual croon of the vocals; I love how they get draped with off-set backing vocals. And, the track doesn’t fall into the trap of wrapping things up; they step up the game with these stabbing vocal lines and “bops” after the 3 minute mark, riding the track throughout the rest of the number. This is the A-side track for the band’s new 7″, which drops later this Spring.