Sometimes your allegiance to a label opens up doors you hadn’t expected, such as my willingness to spend time with anything Goner Records releases…like Bloodshot Bill. The songwriter brings something along the lines of a more updated version of Johnny Cash…maybe we can just brand it as punkabilly…as it certainly seems like it shares that lineage. Whatever be the case, I’ve just really enjoyed this song…been playing it all morning on and off; it’s like a palate cleanser of sorts, something refreshing when the rest of the world sounds the same. The new LP, Get Loose or Get Lost, will be out later this year via Goner.
You’d think a band comprised of members of Ex Cult and NOTS (formerly) would have some sort of monstrous presence in a new project. But, that’s exactly why I love Aquarian Blood, and in fact, why I’ve always loved rock n’ roll. This isn’t a banger, or a ripper; it’s a stripped down ballad that’s about as intimate as they come. The vocals are wholly solemn, almost weary from a live well-lived. I guess for me, the band just hit that sweet spot of not-quite folk; you can hear the musical lineage on both sides of the coin, particularly with the great arrangements fleshing out the tune. This tune will be on A Love That Leads to War, the new LP out October 11th via Goner Records.
Plus! If you’re in Austin, you can catch the band with Thigh Master at Hotel Vegas tonight!
As of right now, Thigh Master are the perfect 2 for 2 with their singles; they won with “Mould Lines” and “Entity” might be even better. I love the frantic attitude that opens this tune with its devil-may-care faux jangle; it’s got this natural bravado that seems wholly unintentional. But, for me, the pop sucker, it’s that slight turn starting with “I’m looking for an entity” in the chorus that makes my pop ears stick right up in the air! It’s hard to sound casual and cool with this buoyant bounce just riding right on through until the end. Now For Example will be out worldwide on September 27th via Goner Records!
Having already written about one Brisbane act today, it only seems appropriate to follow it up with another that I’m quite fond of, Thigh Master. Matthew Ford and his band have things locked down tight on this one, fueled by a bounding rhythm section and this discordant guitar cutting through like a knife. Still, what’s always charmed me about this outfit is that no matter how rambunctious and out of control they seem, they always carry this pop sensibility just below the surface, lurking and waiting to burst your eardrums with joy. This track is no different! You’ll find it on the band’s Now for Example, slated for release by Goner Records on September 27th, with a big old US tour in the early Fall!
Slimming the band down is bound to change the way a group like NOTSsounds, and I think for the first 20 seconds or so, you can feel a change in the direction; there’s an electronic pulse sort of quivering in the opening moments. But, once that’s on, the vocals begin to straddle the rhythm section, delivered in such a fashion as to sort of intoxicate the listener; I feel like I’m being drawn into some sort of dark seance and I can’t turn away. This track has the band leaning more towards that psychedelic vibe, but you can still here that ominous tone of punk rock lurking in there. Look for 3 on May 10th via Goner Records.
Merely a day after Hash Redactor announced a new release via Goner, the two members that play in NOTS announced they’ve got their own new album on the way. It’s this pulsing bit of post-punk, filled with swirling guitars that have the potential to cause dizzying effects. In the vocals there’s this echoed distance, as if they’ve been recorded in some abandoned industrial warehouse, furthering the dark vibe at play here. Slimmed down to a three piece, the band doesn’t seem to have missed a beat, leading me to believe that good things are in store with 3; it drops on May 10th via Goner Records.
You’d expect nothing short of the sound below if you found out that members of Ex-Cult and NOTS formed a new band named Hash Redactor. There’s this heavy post-punk, consistently being spliced into pieces by jagged guitar chords as the matter-of-fact vocal delivery serves to steady the ship. We get to hang out here, in an anxious state, which only grows around the 2 minute mark as the song gets more frantic, more discordant, rushing listeners to the song’s end. Drecksound, the band’s debut album, will be released by Goner Records on April 26th.
I’ve been listening to this Harlan T. Bobo track on repeat for the last several days; it’s not of the usual indie rock ilk that usually graces these pages. The opening moments come off as a hardened croon, as if you’re in some downtrodden pub while a lounge act performs before you. But, while I’m definitely attracted to that, I wasn’t sold entirely until the sweeping arrangements of the chorus; Bobo’s voice moves from deep tones to polished pop balladeer. If you dare to step outside the norm and fall in love with a song, then perhaps spend a few listens below. This song features on A History of Violence, which will drop on June 22nd via Goner Records.
Seems like synthpop acts are a dime a dozen these days, and that’s all well-and-good, but you’ve got to do something to craft substance in the genre, such as Cobra Man. The duo have created a soundtrack for The Worble Collective (and skate videos), and I beg you to just let yourself go. Pulsing grooves and a Devo-esque vocal delivery are sure to have you tapping your toes as we speak, and it only gets better when Sarah Rayne’s voice joins in to pack an extra punch during the chorus. Goner Records will release the New Driveway Soundtrack on September 8th.
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If you think you’re used to the sound of Nots, then perhaps you should check again. These rad ladies are upping the pulsating synths this go round, rather than jump straight at you with their barrage of guitars. Vocals have this hollow echo and brash tone, while the rest of the band builds a brooding soundscape of apocalyptic proportions. If the end of the world is indeed just around the corner, I’m hoping that it sounds a whole lot like this. Look for the Cruel Friend/Violence 7″ via Goner Records on June 30th.
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