Pelvis Wrestley + ATH Records + Vortexas Vorever

A few years ago, Mike and I caught Pelvis Wrestley; we immediately knew that we wanted to work with them in any fashion. Luckily, as we heard they were ready to release their debut LP, we reached out and agreed to do a cassette version of Vortexas Vorever; you have no idea how we are excited to be working with this bunch.

Here’s what Benjamin Violet had to say about the track that comes with this glorious announcement: “In Heaven takes us to toxic positivity, the shadow-self, and back home again.With nods to Ennio Morricone and Angelo Badalamenti, this track is a psycho-spaceage fanfare to celebrate every moment you ever chose to confront your own personal boss-level. In the absence of nurturance, every abuser might as well be dead to you.”

Vortexas Vorever will be available in all the cool spots, and you should definitely grab a tape while you’re at it; pre-orders are HERE.

Twin Sister – In Heaven

Rating: ★★★½☆

Hailing from Long Island, New York, Twin Sister is a primarily chillwave, but also pop band who, according to their website, recorded this album in a rented house during the off season in the Hamptons. Filled with shadows of longing for summer days, In Heaven is solid electro-pop album that serves as a transition from summer into those crisp fall days, or rather, if you live here in Austin, from uncomfortably hot to just hot.

In Heaven packs a punch in the beginning portion of their album. The first song is “Daniel,” which starts with some eerily calm xylophonic sounds that are joined by mechanical sounding drums, which gives the song it’s pick up into dream pop from simple electronic noises. Andrea Estella chimes in with her angelic falsetto vocals that coat the song in a buttery warmth that juxtaposes with the electronic hard that the instruments bring. “Stop,” follows, which jumps right into its groove with the male voice of Eric Cardona leading the way. For a track that doesn’t go very far in four minutes, you would think the sound would get overbearing quickly, but it simmers reasonably groovy for its duration; the dual vocals serving as some kind of cooling agent to counteract the spice of the jam.

Highlights later on come in the form of short little songs like, “Gene Ciampi,” whose prevalent guitar parts move the sound closer to the plain pop as opposed to the computer generated sounds. This track is propelled by the natural guitar, which shows the musical variety that this band is able to pull off. It isn’t an album of all one note. Rather, each song fits with another, but takes liberties from the track before it. Another example of this is apparent on the last track, “Eastern Green,” which builds slowly over the course of four minutes. It breaks from this climax at about three minutes, and gives the album a delightfully soft close, devoid of those harsher elements that were at the beginning.

As far as electro-pop/chillwave goes, In Heaven is a good balance of atmosphere and presence. Due to the production on this album, the vocals are the central focus, allowing listeners to grasp onto something memorable. For this reasons, Twin Sister has got something really going for them. You are sure to find one or two, or maybe even more songs that strike your fancy here.