Okay, so I don’t normally go out of my way to share a demo, but I absolutely loved Jetstream Pony‘s Self-Destruct EP, so I’m rather excited to hear they’re working on wrapping up an LP for the near future…sharing this demo from one of the tracks. I loved the heavy tones at work in this version; it seems like the band’s really ready to unleash a wall of noise on us. But, as is their style, the vocals have this gentle curl to them, leaving you with that juxtaposed pop sensibility that makes their songs so enjoyable. This is still a version at work, but other than some mixing, it sounds pretty solid to me!
The history of Remington Super 60 goes back over 20 years ago, and while that alone is remarkable in this day and age, what matters most is that they sound just as delightful now as they did back in ’98. I think the first immediate comparison that comes to mind is that ground popularized by Camera Obscura; it has that same structure of indiepop, bringing in classic pop sounds and updating them in a more modern fashion. Of course, there’s this natural warmth here too, which almost makes me wish it was Winter time, so I could sit by a fire and let the magic of this track do the rest of the work for me. Look for a new EP from the group later this Fall.
It’s only been a few short months since LIPS dropped their remarkable self-titled EP, and they quickly return with this stunner of a new single. Vocals are stretched across the opening few seconds, reaching that dreaminess favored by the likes of Alvvays and Flying Fish Cove as of late. Behind Rachel’s stellar vocal performance the band finds their guitar work flirting with that jangle-gaze sound; it’s the sort where you can’t tell if the band’s flirting more with dream pop or jangle pop, but you’re ears are at full attention soaking it all in. This is a band on the ascension, so be sure you’re on board!
Some bands slide under the radar, but luckily I was able to stumble upon Seattle’s Jayomi, as I’m totally in love with their Wet Burrito EP. The track below has this bouncing indiepop goodness with those dancing guitar lines that glisten in the front of the mix; you should be tapping your toes within the first 20 seconds. Distortion kicks in and it sounds like the band’s going to bound off, but they pull off, letting the guitar trickle down for the ceiling so as to drape some dreamy vocals across your lap. It’s like the perfect blend of the dream/indie pop world, with the rest of the EP leaving you with bits just as promising.
Last week Jigsaw Records quietly released Blue Skies Above, the debut EP from Stars on Fire; I trust the label, so I had to go and spin it on repeat in order to fully digest it. Those who follow my personal tastes will realize that this album is everything I love, and yet none of the things I love. Opener “Shutdown” is a fuzzy little shuffle, bordering on jangling, but focusing on the noisier bits; it sounds a little like that first Pains LP. Jump around a bit to find “Model,” which is more of a post-punk rambling; I love the deep tones of the vocals and the natural balance. “Paper Driver” sounds like something our friends in Fanclub would have released, though special in that its mostly instrumental. You see, this is all over the place, and yet its cohesive in that sense…its like a sampling of all the great things about pop music. Stream it all below.
What’s that? You missed New Order? Well, luckily, the band have left a lasting impression on many across the globe, and the latest to bring that to mind is from Barcelona outfit, Ultim Cavall. I mean, if you don’t hear the NO in the opening 20 seconds, perhaps I need to first introduce you to them because this is a pretty spot-on homage, albeit one entirely in Spanish. I love the little breakdown just after the two minute mark where the group flirt with the atmospheric side of things before happily bounding back down the hook-laden line. They’ve got a new LP, Alaska, which will be released by Discos de Kirlian this coming October.
I really needed these songs from Glaswegian act U.S. Highball, and feel even greater knowing they come with an album announcement, meaning more is on the way. There’s just this natural joyousness to the duo’s sound; I mean, the opening “Hall of Heads” is pretty much just a play on our tastes, but quickly turns into this delighting pop tune I can’t get out of my head. “Don’t Travel Far” is a little meatier; there’s jangling guitars, textured synth/beats and a really incredible use of melody that will keep me circling back just like their guitars. Speaking of said album, it’s titled Great Record, dropping on July 12th via Lame-O Records.
It’s great when bands find you and send you their work just because they know they’re your ideal style; this is the case for Sweden’s the Slow Summits. They work with that bouncing brand of indiepop that seems so simple, but only succeeds if the execution is spot on. They just dropped their Languid Belles EP; it’s four tracks with understated swagger and a playfulness in the backing vocals that can’t be matched (doesn’t hurt that one of those voices is Amelia Fletcher). I think “A (Hit) to Your Wallet” is currently my favorite of this collection; it has that slight guitar shuffle mixed with quick percussion that reminds me of the Lodger. But, its indiepop so I’ll just go and repeat these tunes all day. Will you do the same?
Man, Tennis Club just quietly dropped this amazing indiepop record on us, and I hope you’ll spend a little time on Friday listening to Pink in its entirety. Throughout the album the group get playful with some of the best bits of the genre; they bring in surfy touches, throw in melody on top of “oohs”, they’ll get fuzzy when needed…and even a touch of Spanish in there. I think at the moment I’ve been jamming “London” the most of this batch, but I’ll warn you that there’s not a bad tune in this batch. You can stream below or grab the new LP from Elefant Records.
I was lucky enough to find that new Azure Blue release from Matinee Recordings last Friday, and the esteemed indiepop label has turned around and shared another new gem, this time from The Royal Landscaping Society. It’s going to be hard not to listen to this on repeat as often as one can; it offers up this dreamy guitar line that mixes it up with this deep tone and sharp percussive element, the sort that makes the dream pop/shoegaze kids swoon. Then comes the voice, bringing in a calming melody that doesn’t really go too far outside the song’s comfort zone…until the 2:12 mark (and the 3:16 mark). Here, the keyboards rise in, a strummed guitar line is apparent and the vocals swell, just a smidge. I’m so in love with this track. Keep your eyes peeled for a 7″ later this year on Matinee.