Don’t act like we haven’t been hyping up Seablite over the last year or so, and don’t act surprised when I throw another tune your way from the group! I love the latest recording; the band’s trademark fuzz is buried really deep here; still feels like your speakers are broken, but allows for the diamond to come out of the rough. And, boy, does it ever! The vocals come and rise to this sort of crystalline pinnacle, shining at the top of the cymbal crashes and rolling fuzz from beneath. They’re just keeping at the great tunes here. Look for High Rise Mannequins via Meritorio Records and Emotional Response on February 21st.
I suppose the timelessness of pop music is what keeps us all coming back time and time again. For me, it was the soft vocals and jangling guitar notes that remind of the first few tapes I bought as a kid, which is why this new number from the Close Lobsters is so great. There’s this slight British affectation to the vocals, and of course, that gives the song a distinct sound. All that said, it’s really just about that ringing guitar churning and turning in the stereo; it gets an added emphasis as the drums grow more forceful…rounding out as the perfect execution of pop music. Post Neo Anti will be released on February 28th via Last Night from Glasgow/ Shelflife Records.
There’s only a handful of albums hanging out on the horizon that I’m really buzzing about, and this new one from Honey Cutt is definitely on that list. Coasting will come out on March 13th, but today we get the title track from the record…a personal song from Kaley’s childhood about overcoming homelessness during a trying time for her family. Perhaps that’s why I’m so high on this LP; the lyrical content, thus far, seems really heavy and personal, but there’s this shimmering promise to the music. In part, that’s the nature of the genre here, but also maybe it’s more, maybe there’s promise for us all, and that’s what you get to take away with you. I guess we’ll find out when Kanine drops the LP in March!
By now, you’re surely aware that I’m an avowed Seablite fan, so as another tune pops up, of course it’s going to make the pages here. This one’s got these sharp little guitar chords that jangle and hang in the front of the song during the verses, setting up the chorus to deliver a noisy wall of fuzz that blows your hair straight back. Throughout, the band walk that narrow tightrope between noise rock and bubblegum pop; you get the best of all your favorite genres in one delicious little pop nugget. You can grab the new High Rise Mannequins EP from Emotional Response, out on February 21st.
Let me just say this…if you’re writing guitar pop music at this very instant, please make it sound like Dropkick. The Scottish outfit have been around for a bit, but the forthcoming album, The Scenic Route, just seems to get better with each single used for promotion. Listening below, you’ll hear that ringing semi-jangle, encouraging a slight toe tap and head bob; it’s subtle, as are the band’s many charms. Sure, the vocals could be described as warm or gentle, but I think of them more as pleasant…something I’d sit and listen to with my mom on her back porch. It’s short, it’s catchy and makes you feel good about the world (for once), so be sure to pick it up from Bobo Integral; it drops on February 7th.
Hasn’t even been quite a year since Jeanines delighted us with their self-titled debut LP, and here they are with a fresh song and news of a new 7″ for WIAIWYA. They offer up another charming bouncer, lifting the spirits with the band’s natural energy; that’s clearly juxtaposed with some of the lyrical energy, as this is the group’s second track mentioning the “dark.” There’s also something in Alicia’s delivery of the lines like “and you” that on screen seem like they’d add nothing, but listen through to this song and you’ll be swooning like the rest of us. Things Change 7″ will be out on March 6th.
Last summer, Cozy Slippers released a delightful 7″ for one of our favorite labels, KUS; we raved about it at the time…and I included it in my year-end indiepop wrap-up. Today, we get another chance to celebrate that release, with the band sharing a video for the B-Side “Will You Disappear?” The video was shot on phone cameras by the band in November as the group toured through the UK. You get a little bit of their journey, bringing you closer to the band, but also some live footage spliced in too! So go on, go on tour with Cozy Slippers and enjoy this little pop tune. Still a few copies of the 7″ that you can grab HERE.
Sometimes I think to myself that they just don’t ever make pop music like they used to, and then I’m hit with a song like this new one from Honey Cutt. The song jangles in all the right spots, with spot on bounce provided by the rhythm section. I love how there are two guitar lines, seemingly giving you two different approaches…one jangling and giving energy, while the other seems far more intent on wandering off, much like the song’s theme. It doesn’t hurt that Kaley Honeycutt has the most mesmerizing voice, the sort that sets indiepop hearts a flutter, sort of rising and falling in between notes. This is going to be one hell of a debut LP; Coasting is out March 13th via Kanine Records.
With the vinyl release of the Lucksmiths Naturaliste last month, it had me wondering, who is best suited to fill that void in my life? Seems like Dropkick are the perfect band to fill that void, especially with what we’ve heard from the forthcoming The Scenic Route. This new single is filled with understated jangle, just playfully crafting a warm melody that perfectly aligns with the delivery of the vocal lines. I love the vocal in the chorus; it feels like its sweeping down from above to carry you away in this blanket of blissful harmony. The new LP will be out on February 7th via Bobo Integral.
There was tons of music passed over during our little hiatus, but one that I was really looking forward to sharing was this delightful track from Dummy (featuring members of Wildhoney). It’s a five second wait before the band reveal their pop-heavy sounded; I love the way the “ba-ba” backing vocals are almost used as their own pop instrument rather than just a vocal. The main vocal sits back coolly in the mix, kind of hanging out while the fuzz swarms and pulses in and out of your eardrums; the song’s filled with all these little layers and textures you’ll keep coming back to sample each bit. It’s the sort of ear candy that builds the anticipation for a future release, which we’re told is slated for later this year.