Tag: indiepop

Don’t Sleep on The Catenary Wires

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The Catenary Wires history is perhaps far deeper than their discography, but in their short time, Amelia Fletcher and Rob Pursey have already worked with some of my favorite labels in Elefant, WIAIWYA and Matinee…and now their sophomore release is slated for new powerhouse, Tapete Records. This fresh single puts the band’s dynamic at the forefront, relying upon the interplay between the two, trading vocal duties with one another, uniting in certain instances to maximize the harmony; Amelia has this sparkling nostalgic movie star tone, while Rob has this more forlorn croon. The string arrangement dropping in just before the 3 minute mark keeps listeners aware that both the music and voice will be broad sweeping on Til the Morning; it’s out June 14th via Tapete.

Nah Drop New Indiepop Gem

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There’s all sorts of sub-genres within the realm of indiepop; you’ve got the frantic jangling sort, the twee as fuck, the nonchalant bedroom pop and you’ve got the swinging croon. I like to bounce all over, but it seems Nah are out to perfect the crooning side, and they’re pretty damn near close with this new single. This number features this understated guitar shuffle working beneath, backed by a swinging rhythm section that drives the song forward; I also never shy away from a band with a sweet harmonica solo that actually fits the track. Ultimately, the majesty of the song stems from the vocal interplay between Sebastian and Estella; it’s like they’re singing to one another from opposite sides of the room, and we’re all caught up in the melodious dialogue. Put this on play and don’t look back!

Fresh Elva Track for You

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I’ve seen lots of lists about the most anticipated albums of the next few months, and sadly, none of the ones I’ve seen include Elva; I’m here to remedy that for me, and for you. “Ghost Writer” is the band’s newest single from their forthcoming Winter Sun LP. It has this spry bounce to it from the churning of the guitar chords; it reminds me an indiepop version of early Beulah. The big difference here, at least in what we’ve heard thus far, is that Ola takes the reigns on the vocals, with Elizabeth (of Allo’ Darlin) taking up the backing vocal roll, and together they craft this sublime harmony that rides throughout the song…all the way to the fuzzy guitar chord that jumps in for the song’s last minute. Winter Sun drops on April 19th via Tapete Records.

Fresh Track from Red Sleeping Beauty

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By now you’re aware of my infatuation with Sweden’s Red Sleeping Beauty, who’ve been kicking around for decades with delightful pop music. Today, they announce their new album, Stockholm, with a bright pulsing number that’s sure to start off your Friday in the right fashion. Kristina Borg gets the start here, and the chorus allows the rest of the band to join, briefly; I’m a big fan of the “ooh ooh” that follow the chorus. Lyrically, the song calls out Winter in Sweden, which seems to create an emotional darkness, atop the natural onset of long nights…but don’t worry, they see the promise in Swedish Summer. Stockholm will be available on April 12th via Matinee Recordings.

New Pop Number from The Artisans

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It seems like tons of folks in the indiepop rounds have been buzzing about the Artisans, and I’m here to pile on that excitement with the group’s latest single. The first minute of the track is teasingly slow, just toying with you from the get-go with it’s smooth vibes. But, just after the 1 minute mark we’re bouncing away in glorious fashion, jagged guitar cuts dancing their way through the rest of the song…or so you think. There’s a little switch near the two minute mark that spins both sides of the song into glorious infectiousness. Want to be charmed? The group’s self-titled album is out on April 8th.

Fresh Pop from Blue Jeans

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Love waking up and finding catchy ditties sitting in the old inbox, especially when it’s a group that’s already been on my radar for sometime, like Blue Jeans. The Michigan outfit are sort of scatterbrained, but always knocking about in the realms of indiepop…as they are with this new single. It’s got a nostalgic pop lean to it, though it’s woven through a light jangle and playful male/female vocal trade. It’s simplicity gives it this timelessness that listeners will keep coming back to, if they need a fill up on saccharine sweetness. Look for the groups new LP, Adult Hits to drop on Mary 17th via Bobo Integral.

Fresh Indiepop from Bubblegum Lemonade

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Dear Laz,
I just wanted you to know how happy I am that you and Bubblegum Lemonade are back with new music; I feel like it’s been a few years since we last spent time together. There’s something so timeless about the way you construct your songs that inevitably leaves them stuck in my brain. On first listen, people might overlook the way you add in these textured vocal harmonies for emphasis in “Our Mother’s House;” it’s so light that one might barely notice if they’re staring out the window nostalgically…as many of your fans are likely to do. I’m so excited that Desperately Seeking Sunshine is right around the corner (via Matinee Recordings), but I’m even more thankful that you tossed in some exclusive B-sides on this EP. Anyways, just wanted to reach out and tell you I love your work.

Charming Pop Tune from Flying Fish Cove

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Seattle’s Flying Fish Cove first popped up on my radar with their excellent EP for Jigsaw Records in 2018; they’ve recently announced the follow-up, and today we have another poppy gem to indulge your sweet tooth. Keys and jangling guitars kick things off, you’ll be bouncing in a matter of minutes; those opening 30 seconds remind me of a “Boys Don’t Cry” era Cure, but in the end the song fits with other great acts like Jetstream Pony. In a year when indiepop has been few and far between, this is definitely shaping up to be a must have release; look for At Moonset to drop April 5th via Help Yourself Records.

Hobby Club Drop Another Single

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Feel like Hobby Club have been peaking into my record collection. Beth’s voice is powerful and up front; her performance is like she controls the room around her, even when speaking through the speakers. Behind her, there’s these jagged little jangling guitar lines, sharp and turning; they seem to match the drum beat perfectly, struck at just the right time to maximize the infectiousness. Important and fun, that’s how this feels to me, like I need to/have to listen, but I can kick up the feet just a little bit while in the process. I’m looking forward to the duo’s debut EP on Friday!

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