Vincent Kircher (of Jaill) and Martha Cannon (of Lady Cannon), came together with a crew of Milwaukee’s finest to form L’Resorts, who are making funky garage-esque indie rock tunes. “Highs and Lows” is the band’s latest offering of a killer tune, with dueling vocals that remind me a bit of The Dutchess and The Duke. The fuzzy guitars are nicely juxtaposed with lighter elements (what sounds like marimba if I’m not mistaken) and pop sensible choruses with “Woahs” for you to sing along. The group has an album that just came out last Friday, and if you dig what you hear below, you can check out the rest of the album on their Bandcamp page.
I’m a huge fan of Jaill, so when I heard that leader Vincent Kircher was heading out on his own, I was practically salivating with anticipation. You’ll definitely hear some similarities to his other project, but just imagine Kircher messing with the structure and slowing things down. Take album opener “Dreams from a Laundromat,” filled with playful island percussion and Kircher’s calmed delivery; you can imagine this being ramped up with heavier percussion, trading the island vibe with jangling guitars. I guess it goes to show that Vincent’s always had a penchant for great pop songwriting. Stream his brand new Am I Ghost LP below, and appreciate that some writers are always honing their craft.
[soundcloud url=”https://api.soundcloud.com/playlists/311814377″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”450″ iframe=”true” /]
We’ve brought you the latest news on Jaill over the years, so whenever we hear a new track from the Wisconsin group, we’ve gotta throw it your way. It seems that with this new single, “Port of Call,” Jaill have also announced a new cassette called Wherever It Be that’s coming out on Infinity Cat Records in just a little while on January 8th. The song below is a mellow take on a pop track, with a laid back beat and easy streaming synths that glide in and out. Similarly, the vocals are distorted and high pitched, balancing out the fuzzy guitars. Take a listen and see what you think.
[soundcloud url=”https://api.soundcloud.com/tracks/233532245″ params=”color=ff9900&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]
Pretty sure there’s never a bad time to listen to Jaill, especially when it’s another brand new song from the group’s forthcoming album, Brain Cream. I will say, that the band are definitely displaying some growth on this single, having broadened the sound by taking their sound and adding to that with a wash of excellent supporting instruments. It has the spirit of old Jaill, but you get the feeling that this is the sort of tune that could be played with a grand string arrangement behind it, propelling the band further into a world that I adore. Still, it’s got that swagger beneath, and the brevity will have you rushing back to play it again. Look for it on Burger Records on June 30th.
[soundcloud url=”https://api.soundcloud.com/tracks/206667907″ params=”color=ff9900&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]
I loved the records that Jaill put out on Sub Pop Records, but the group’s moving on, agreeing to work with Burger Records for their brand new LP. It’s interesting seeing the growth of the band over the past several LPs; they get catchier with each album, making it hard for any music fan to turn their head away. There’s still some kicking riffs here to get your amped up, stomping or bouncing around your cubicle (bedroom, whatever). I hear a slight hint of Dan B from Destroyer in the vocals, which is never a bad thing for us here at the office. Look for Brain Cream to be released by the label on June 30th.
[soundcloud url=”https://api.soundcloud.com/tracks/204276730″ params=”color=ff9900&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]
|Date||Thursday, August 2nd|
|Tickets||$10 from Frontgate|
It’s the 6th year for local venue Red 7, and they’ve got an absolutely killer weekend of shows for you. It all starts off Friday with some of our favorite acts playing their second show of the week at the club. The Coathangers will be the headliner on the evening, with the three girls bring their onslaught to the stage. They’ll be accompanied by Jaill, one of my personal favorites, playing songs from their recent album, Traps. You’ll also get local boys The Golden Boys starting off the night in the right fashion. It’s going to be a great week for Red 7, so be sure to get out and show the venue some love.[audio:http://austintownhall.com/wp-content/uploads/2012/02/Smother.mp3]
Download:The Coathangers – Smother [MP3]
|Date||Wednesday, August 1st|
|Location||Trailer Space Records|
|Tickets||FREE (Donations Encouraged|
The end of the week here in Austin is jam packed with killer shows, so you better start your night off the right way with a free show over at Trailer Space Records. As always, it’s BYOB, with donations encouraged to help out the bands. You’ll get to see Jaill, who just released the excellent Traps on Sub Pop, so there’s some solid pedigree (they’ll also play the following night at Red 7). You can also catch The Coathangers, who just released a solid 7″ with Suicide Squeeze for the singles club, plus opening the night is Austin’s own John Wesley Coleman. It’s free, it’s early, and you can buy records. No excuse not to see it.[audio:http://austintownhall.com/wp-content/uploads/2012/04/Jaill-Waste-A-Lot-Of-Things.mp3]
Download:Jaill – Waste A Lot Of Things [MP3]
It’s quite interesting to see the progression of modern indie rock, noticing that many bands are going back to classic rock n’ roll sounds to win over fans. Milwaukee’s Jaill are one such band, and their second effort for Sub Pop, Traps, sees them getting close to perfecting the formula. There’s bits of classic rock, elements of psych, drunken swagger, and hints of recording in your garage; now seems like the perfect time for the band.
“Waste a Lot of Things” kicks the record off, and it’s here where I first noticed that Jaill opted to hold back a little bit on this new release, which actually works in their favor. There’s a steadier pacing to the track, rather than more immediate tracks from That’s How We Burn. It ends up as a stomping track with crashing cymbals that reveals itself as you draw near the end. Even with “Everyone’s A Bitch,” you get the feeling like the band could possibly blast this one off, but while holding back on the song’s speed, they’ve allowed for the hooks to grow stronger. It’s very anthemic in it’s construction, even featuring in “ooohs” in the chorus; you gotta love it.
Traps won me over with less urgency and songs that resemble more of a ballad. “Horrible Things (Make Pretty Songs)” says all that it needs to in the title of the track. It features a strummed guitar, and even some female vocals harmonizing in the background; I don’t feel like these sorts of songs would have survived on That’s How We Burn. “Madness” is another such song, which feels very much like a campfire song that was created in someone’s basement–I mean this in a truly endearing way, I swear. Light touches of keyboard and tambourine bring the rest of the track to life for the listener.
But, just because mellow tracks live here, this doesn’t mean Jaill still can’t throw out a rocker for you, even if it’s just a touch less furious than it was before. “Ten Teardrops” lurks near the end of the record, hanging out behind some softer tunes, but it’s definitely a jam. You’ll find jagged-edged guitars feuding with classic rock tendencies, giving the whole track a country-fied power-pop feel to it. Bit of this sort lay all over the record, but aside from the earliest tracks, this is the most rocking in the latter half of the album.
Now, I’ll admit being taken aback when I first listened to Traps, as I was expecting something a little bit different. That being said, after a couple of listens all the way through, my musical mind made the adjustment, and I think I ended up enjoying the record as a whole a bit more than their first release. It’s progression, and it’s good; that and that alone is a reason for you to pick up this new Jaill album.[audio:http://austintownhall.com/wp-content/uploads/2012/04/Jaill-Waste-A-Lot-Of-Things.mp3]
Download:Jaill – Waste A Lot Of Things [MP3]
A few weeks back Sub Pop announced that it’d be releasing the new album from the trio, Jaill. Their last effort, That’s How We Burn, is a vastly underrated record, unless, of course, you’re in the know. Their new set of songs is titled Traps, and it’ll be out June 12th. Just one listen to this and you’ll hopefully see why I’m so excited to hear the whole collection. It’s got just the right amount of hooks, a bit of quirkiness in the vocals, and even a bit of foot-tapping going on. If this is how I kick off summer, it can’t get here soon enough![audio:http://austintownhall.com/wp-content/uploads/2012/04/Jaill-Waste-A-Lot-Of-Things.mp3]
Download:Jaill – Waste A Lot Of Things [MP3]
It seems like Sub Pop is on a roll lately giving us lots of rock n’ roll to pump really loudly in our cars, and Jaill is no exception. The guitar work on their new album, That’s How We Burn,” is meant exactly for that, kicking you in the face. Okay, so they aren’t mean enough to kick you in the face, but one listen to this record and you’ll find yourself indulging in heavy foot stomping, possibly some air drums.
This year hasn’t seen an album open with such a ridiculously powerful guitar/bass line as “The Stroller.” It begs you to get on board right away, pushing you to the limit from the get go. While singer, Vincent Kircher, might not have a harrowing yell, but his vocals provide the perfect accommodation for the guitar licks. Then you get sucked in with the super-angular guitar pop of “Everyone’s Hip.” For some reason the vocal delivery recalls nerd pop of the nineties, like a heavy-footed They Might be Giants. All albums should begin with such energy.
“Thank Us Later” demonstrates that Jaill don’t just have to push the limits with pacing and clever guitar chords. Instead, they allow for space and Kirchner to sprawl all across this song, giving you a bit of time to absorb the tones the group has to offer up. Surely they could amp up this song live to keep the step going, but the fact that they slow it down, gives the album more of a groove. Following is “Summer Mess,” giving the listener that breather, but in a different manner than the preceding song, going with a more roots folk appeal of strumming guitar, met later on by an ambling electric guitar that walks you to the end of the track, right back into the energy fueled tracks.
“She’s My Baby” brings you back to the rock element of the rock, with quick slicing guitars and steady drum work. Kirchner seems to go with a bit of a higher pitch here, which might be aided by backup singer Austin Dutmer, who is playing those solid drums. It’s even got a surf rock guitar line cutting in at the end of the track, probably included to stay on top of the trends. But, That’s How We Burn is meant to be a well-balanced machine, so while you have those rockers, you also find that slower tracks serve as a counterbalance to the record, like “Baby I.” It’s got the feel of a high school prom band, but one that’s really good, playing nice jangling guitar lines with a bit of boogie to it all. Everything here just works perfectly.
By this point in the year, you’re searching for an album that erases the ones before it, and for just a minute, That’s How We Burn will cleanse your soul. It erases popular trends, focusing on what it’s all about, solid drumming and great guitar lines. Jaill have now established themselves as a band to be reckoned with, and we should welcome them to the fold, as this piece of work shows they deserve it.[audio:http://austintownhall.com/wp-content/uploads/2010/07/01-The-Stroller-1.mp3]
Download: Jaill – The Stroller [MP3]