FT5: Hot Ladies Of Indie Rock

0612top5coverI think you all knew that ATH would go here at some point and alas today is the day that I take the leap and display our true male hormone driven selves with a top 5 about the hot ladies of indie rock.  I won’t beat around the bush here, this post has little to do with the musical talents of these ladies, and more to do with how they drive me crazy with their good looks.  I promise not to offend anyone and also promise that these women have made my list because they are empowered and musically talented women who also just so happen to be pleasing on the eyes.  I love them all and would probably just turn into a bumbling idiot if they ever actually spoke to me…  You will see a lot of familiar faces on the list and probably take issue with some big names being left off.  I love you too Feist and Neko, just not quite enough for you to break into my Top 5.  If you really wanted to mess me up, you should have gotten to me sooner!  Follow the jump for our full top 5 breakdown.
Read more

The ACL Top Ten

We decided to take a different route in reviewing the events of ACL and we thought a Top 10 List would be the way to go.  This isn’t just a list of our favorite bands, rather a list of the best things, moments, memories or any other tasty randomness we could come up with that went down over the weekend.  We obviously would love to hear what else we maybe missed from our list.  This isn’t just our opinion, it’s what we heard from you good peoples that attended this year’s ACL.  List is after the jump.
Read more

Jenny Lewis – Acid Tongue

Rating: ★★★½ ·

The question with the latest Jenny Lewis album, Acid Tongue, really lies in the listener. Are you, as a listener and fan, willing to forgive some of the lackluster perfomances on this album in order to enjoy some of its finest pieces?

Opener “Black Sand” is the perfect song for Jenny. It’s gentle soundscape relies entirely upon her vocals, which is precisely where she excels. When she pushes her voice during the chorus, you know exactly why you love Jenny Lewis. There is something to her strength as an artist and a fox that both male and female are drawn towards.

Then we Jenny go further in the direction of country/folk, which most of us will say is where we think she belongs, or where she has been all along, but this is untrue. Sure, Rilo Kiley has gravitated towards that, and away from that; yes, her debut solo album bore that influence, but the greatest Rilo album’s were the early ones where she maintained her pop sensibility. The backing of acoustic guitars did nothing other than provide a stage for her voice.

You see, that is where the problem lies in this album. Jenny waivers back and forth between folk and classic R&B girl groups, but she never lands on that precisely pop moment where she truly shines. The title track, “Acid Tongue” does head back into the past, and even with its country undertones, you can still hear the pop star in Jenny Lewis ready to crawl out of her shell. This is the one song where it’s hard to differentiate between the Jenny we love, and the Jenny we are now witnessing. She stands firmly between both worlds.

“Fernando” is full of sexual appeal, which is where I place the blame for the faults of new era Jenny. She’s lost the innocence that made her so spectacular, instead forging ahead into sexual innuendo, associated with a bravado that is very unbecoming. But then, she jumps in with a song like “Godspeed” that makes you fall in love with her all over again. If only she could carry the power of this song throughout an entire album.

Therein lies the final conclusion. Jenny Lewis has a phenomenal voice, unlike most other female musicians these days. Her range is ridiculous, but in an effort to fully explore the vast expanse of her vocal landscape, she leaves herself stretched too thin, leaving faults in songs that could have been perfected. I’m still holding onto hope that one day she finishes it off right, either solo or with Rilo Kiley.

And don’t forget to check her out at ACL this weekend because if there is one woman that commands a stage, it’s this one.

1 2