A Year End List from Joe Trainor of Wildhoney/Dummy

We continue our year-end list from people we love, one of whom is Joe of Wildhoney; he also shared that there’s a new band named Dummy in the works for 2020. Here’s a few words and a list from Joe! And be sure to hit this jump to check out the new 7″ Wildhoney released via Slumberland Records HERE. There’s a cool playlist at the end, with some extras Joe loved in 2019!

Joe: 2019 was a weird year for me and connecting new music, the things I really loved were mostly reissues, things from the past; newer releases were just not inspiring, and it was the first time I can remember this happening and it was, tbh unnerving. Luckily, towards end of the year some things start clicking and I felt inspired and excited again! So here’s some things I really connected with, 5 new releases, 5 reissues/comps and 5 eps/7″.

 

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Cyrus Gengras Shares Soft Toned Garage Tune

unnamed-56You may know Cyrus Gengras from his touring support for artists like Jessica Pratt or Kevin Morby, but perhaps you’ve never heard of his solo efforts. Recently, Gengras decided to set out on his own and record some tracks that show off his garage inspired songwriting skills. The result, as you can sample below with the track, “Other Side,” is a blast of americana-rock that rides on the mellow mood that it dwells in. However, this track is more than just a mellow groove– as the vocals of Gengras have this infectious quality to them that keep you engrossed in the tune. Take a listen and if you like what you’re hearing, be sure to pre-order the cassette release he’s got coming for you on Death Records.

 

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Jessica Pratt – On Your Own Love Again

Jessica-Pratt_On-Your-Own-Love-Again-coverRating: ★★★☆☆

Jessica Pratt first hit the scene back in 2012 with her debut self-titled album that transfixed audiences with its folksy creations. Now she’s back with a soft sophomore effort, On Your Own Love Again, which hopes to double up on the success of the first album in the apparent age of the singer/songwriter.

While Jessica Pratt’s music is certainly folk, it goes deeper than this blanket genre term suggest. Pratt’s overall sound is a mix of cascading acoustic guitar that serves as both the melody and the rhythm accompanied by her whimsically airy vocals. These vocals are the main attraction, though, and through them she spins intricate tales and crafts wonderful imagery that your mind will linger on. The combination of her voice and the intricate plucking of acoustic guitar are vastly more complex than they might seem and Pratt weaves them together with ease and allure. The sound here is simple, yet elegantly crafted, ornate, yet easy.

The highlights of this album come all over—by no means is this a one sided collection of songs, and I feel that those that resonate with you the strongest depends on your personal taste, but those that struck me as the most enticing come from the second half of the album. I was drawn strongly to “Jacquelyn In the Background,” on which Pratt’s vocals are impossibly breathy and light and yet still weighty in their content. The twisting and turning acoustic guitar falls on itself, creating a constant state of motion over which the vocals are able to glide. At the end of this track, the production adds a twist to it, distorting the vocals and guitar as if the record is playing on the wrong setting, evoking a level of self-awareness in an unexpected twist. Another song that has really pulled me in is “Back, Baby,” which reminds me a bit of old Destroyer records—the melancholy guitar that cuts through the tongue-twisting vocals hits hard.

I enjoy the songs on On Your Own Love Again, but I wasn’t too floored by the overall construction of the album; it’s gentle and delicate all the way through. Whereas Pratt’s contemporaries seem to burst through with power guitar or electronic components, she holds firmly to the eclectic nature of her folk tunes, which leaves me a little longing for more. She’s captured my attention with the enticing and spell-bounding quality of the music, but doesn’t expound beyond this.