It’s been a hot minute since I got excited about a band that brandished the sort of garage style that was popular all the rage upon its reemergence. Desert Souls, however, seem like they’re up to something great on this brand new single from the German outfit. Things seem all ramshackle and joyous from the get-go; it’s that classic train flying off the rails style we here at ATH enjoy. But, what sold me, was the hook in the chorus from the vocals. I love the way “me” gets stretched out higher, as it definitely got its hooks in me. This jam appears on the group’s mini-LP Back to the Coast, which is out next week via KUS.
I feel like it’s getting to the point where any time that I see a new release pop up from Kleine Untergrund Schallplatten that I should just expect greatness. Luckily, when it comes to news of a fresh 7″ from Cozy Slippers, I was already up to date on the band, having been a fan of their Postcards EP (Jigsaw 2018). Their return has those early jangling notes turn more into a woozy dream vibe; they still have the same sharpness, but they meander just a bit on the edges, which actually opens the song up for one of those classic vocal performances. There’s an earnest to the lyrical delivery; it almost feels as if you can hear it as an homage to Jett or Harry in their hey-day…it sparkles but brims with bravado. The new 7″ will be available this Friday via KUS.
If you haven’t read my Albums of the Year…so Far, you should; you’ll find Cartography, the latest effort by the BVs hanging in the top ten. Today, you’re further encouraged to adore the band by watching their new video for album stunner, “Catapult.” In regards to the track itself, it features these deepened vocal tones working over these guitar chords that seem to dart off into the far horizon; they all swirl and mesh together for a beautiful chorus. This video version is part lyric video, part tour diary; I love the tour diary aspect, as it captures what life on the road is for so many bands…trying to make sense of it all and crack a smile while dealing with the mundane life inside a car/van. Their album is being repressed by KUS…and they’ve got dates all through the UK next week.
Tour Dates: 7/19 – Brighton, 7/20 – Rainham, 7/23 – Oxford, 7/24 – Nottingham, 7/25 – London, 7/28 -Derbyshire (IndieTracks)
When you get an email about new music coming from Kleine Untergrund Schallplatten, if you’re me, you listen up. Today I’m really excited to share this tune from Desert Souls, a German outfit walking that rare ground where indiepop and psychedelia bleed into one another. Here we kick things off with a raucous crowd before the band bounce into a wayward garage jangle, almost surf-y in presentation. Then come the deep vocal tones, sort of delivered in this haunting fashion, sure to make sure the syllables land on beat with the drum work. Behind it all are these great backing vocals, swelling the song’s natural pop sensibility, while the vocals and the guitar tend to shift towards a Death Valley dance show. Keep your eyes peeled for more from this outfit, as KUS turns everything into gold!
Monday’s are meant to be about great tracks, occasionally the great tracks you just discovered from the previous week. In the case of the BVs, you might not have heard their new album Cartography, but I wanted to make sure its on your radar because it’s one brilliant LP. They’ve tossed out another single to hopefully encourage your ears, so get to it. The track is like a nice homage to Galaxie 500; the guitar work cascades and creates this beautiful landscape for the listener. Then, the heavy vocals come in, almost working in contrast to the music, holding onto their own wondrous melody. I can’t say enough good things about this band, so I won’t stop until you’re all in love. Grab the limited LP from Kleine Untergrund Schallplatten.
I thought the BVs outdid themselves last year with their EP and 7″ (KUS & Cloudberry). But, they’ve offered us this brand new video to go along with the announcement of their forthcoming LP, Cartography. A little tambourine lets you open the door, and once you’re inside, the song and video roll along on galloping percussion. It sets the song in motion, allowing for the warmth of the vocals to permeate the rest of the track as the guitar operates along some muted jangling to continue the pace. I love love love the extra guitar chords dancing around after the 2 minute mark, working perfectly to match the dreamy vocal notes. Their new LP will be out on March 14th via Kleine Untergrund Schallplatten.
I’m not one to typically write about cover songs, unless, of course, it comes via one of my current favorites covering one of my all time favorites. The Softies gave us the writing Jen and Rose, and now they’re being covered by Jetstream Pony. This song will appear on the Kleine Untergrund SchallplattenLabel Compilation, compiling tracks from the label’s very stable roster…both Jetstream and KUS were in our Best of Indiepop list. This version has a slightly noisier bent than the original, though they still include those wondrous harmonies. the rest of the compilation includes other ATH faves like the Pale Lights and the BVs, so grab one HERE.
Everyone has their own definition of indiepop; but I tend to ascribe to the original craft where DIY aesthetics and a softer response to punk were all the rage. But, to each their own. So I went through last year to compile what I think is a pretty all encompassing Best of Indiepop 2018; there’s no order, just a collection of really great indiepop. Some of the below are songs, some are albums, some are just bands or labels that were important. Click on for my picks and a playful playlist. Read more
We’ve told you to keep an eye on Kleine Untergrund Schallplatten, as the German label has been releasing some incredible work this past year…and they’re knocking it out of the park with this new 7″ from Gary Olson of Ladybug Transistor. It’s a pretty soft ballad, with just a hint of bouncing rhythm to grab your ear. That being said, the production behind Gary is what completes the song’s magic; there’s light string arrangements accompanying the angular ring of the guitar…eventually opening up to the wondrous bursting horns that really bring the song home. Gary blends folk and pop seamlessly, and all those who listen are sure to be delighted.
Last week we brought you the wonderful Lake Ruth cover from their split 7″ with Pale Lights, and it only seems right that we share the flip side, right? Pale Lights take the nostalgic leaning pop of the original and spruce it up with a dreamy sense of longing, with guitars seemingly racing through the speakers while Phil has this warm croon, backed by a female counterpart, adding a depth to the tones present in this number. The split sold out in an instant, but you can always enjoy both band’s versions of one another…and you can’t go wrong with either, if you ask me.