Swedish act Kluster got a lot of time on this site back in 2018 with the release of their Civic LP…and now they’ve got a brand new single to share. This number definitely shows the band’s songwriting approach, filling in the track with these little twists and turns that take you on little jaunts within the tune itself. Guitars and fuzz weave in and out, but personally, I’m really taken by the build that occurs just after the 3 minute mark; the group vocals quietly rise until the guitars crash in and out noisily before a nice pop wash coats the top and draws the song towards its close. Give it a listen, won’t you.
One of my favorite Swedish labels at the moment is Rama Lama Records, and they’ve really gotten a winner by picking up Kluster. For a moment, I thought I had this song figured out completely, pulling in a vibe akin to Beach House by crafting layered pop. But, there’s this sharp turn of jagged guitars that toss the track in another direction, then they settle back in, albeit momentarily. The band jump right back into boisterous pop explosion to close out the tune; it’s a strong finish to an already stellar song. The group will release Civic on June 15th.
Make no mistake, this new track from Kluster is definitely a pop song. But, the band does it’s best to hide that from you, structuring the track so that only Linnea’s vocals come across as the pure pop attribute. The percussion seemingly uses a mix of drums and wood blocks, while the guitar shatters the melody at the most opportune time, again and again. Then, the song opens for a drifting atmospheric moment where Hall’s voice reigns supreme. Wood blocks carefully pop up, guitar chords trickle back in, then close it all with a brief bit of discord. This isn’t your average pop band, and they’ll be releasing their debut LP, Civic, on June 15th via Rama Lama Records.
The latest signing to Rama Lama Records, Kluster, is jumping in with a creative blend of all things indie rock, and they’re pulling it off quite successfully. The song’s structures seem to dance around a tight mathy-prog vibe, but the space behind is constantly being interlaced with noise and elegant melody. The vocals from Linnea Hall naturally provide an infectious hook, especially in the way she curls the notes off at the end of each phrase. This track’s full of energy and creativity, and in the end, it’s as impressive a debut single as I’ve heard. Expect a full length in the very near future from the label.