Must Watch: New Video From Loma

So this may not be the biggest new news that you’ll be met with on this Thursday, but it’s very important that you get aboard the Loma train as it’s about to leave the station. Hell, since the band is already signed to Sub Pop, you may already be too late–but it’s good to stay informed. Loma is the project some Austin darlings– Shearwater’s Jonathan Meiburg and Emily Cross and Dan Duszynski of Cross Record. Together they’re making entrancing music, as you’d expect from this epic combination, with Cross’ vocals at the centerfold, ensnaring your attention. The instrumentation bubbles underneath with a sinister tonality to it– synths pulse and glide while the steady drum beat keeps everything at a constant run. The whole track builds to a nice ending that you should definitely check it out. I’m stoked for the release of their self-titled debut, which you can pre-order herebefore its February 16th release via Sub Pop.

 

Loma Share Another Track from Forthcoming Album

It should come as no surprise that members of Cross Record and Shearwater will garner a lot of attention, but the depth of song’s like the one below clearly hint at how great this new Loma album is going to be. There’s a wonky, unsettling groove that opens the track, but Emily quickly comes into the picture to calm the storm with her voice. This track was built for her, with layered atmospherics withering in and out of the tune, leaving plenty of negative space for her to carry us with her voice. A different vibe than the first tune, but one we adore over here; look for the self-titled album to hit on February 16th via Sub Pop.

Cross Record and Jonathan Meiburg Are Loma

Sub Pop have a winner with Loma; I’m going to come out and say it right now. The project is a new musical partnership between Cross Record and Jonathan Meiburg, so it should be no surprise that we’d fawn over the release. And, to be honest, if one was to concoct this mixture fictionally, the actual band sounds precisely what one might create. Emily’s voice seems to be at the front, with Meiburg’s deepened, operatic tones just behind hers; the track unfolds ever so carefully, allowing for instrumental flourishes that are important in the work of their own respective projects…particularly the falling piano line that enters periodically. It’s ornate, textural pop, and we’ll get to hear the entirety of their self-titled debut album on February 16th.