Since their fabulous return, Red Sleeping Beauty have been working pretty hard on crafting delightful pop numbers, and today they release Stockholm, their new LP! At first this tune caught me off guard; it has a much deeper electronic pulse than the majority of the band’s work of late; it’s heavier and dark. But, the group are able to play upon that, working with melody that will never make you think of this track as a dark club banger. I mean, just listen to the chorus and delivery of the lines “New York City girls, New York City boys;” it’s the perfect balance of club hit and bedroom pop. I love this tune; find the album over at Matinee Recordings, out today!
By now you’re aware of my infatuation with Sweden’s Red Sleeping Beauty, who’ve been kicking around for decades with delightful pop music. Today, they announce their new album, Stockholm, with a bright pulsing number that’s sure to start off your Friday in the right fashion. Kristina Borg gets the start here, and the chorus allows the rest of the band to join, briefly; I’m a big fan of the “ooh ooh” that follow the chorus. Lyrically, the song calls out Winter in Sweden, which seems to create an emotional darkness, atop the natural onset of long nights…but don’t worry, they see the promise in Swedish Summer. Stockholm will be available on April 12th via Matinee Recordings.
I just wanted you to know how happy I am that you and Bubblegum Lemonade are back with new music; I feel like it’s been a few years since we last spent time together. There’s something so timeless about the way you construct your songs that inevitably leaves them stuck in my brain. On first listen, people might overlook the way you add in these textured vocal harmonies for emphasis in “Our Mother’s House;” it’s so light that one might barely notice if they’re staring out the window nostalgically…as many of your fans are likely to do. I’m so excited that Desperately Seeking Sunshine is right around the corner (via Matinee Recordings), but I’m even more thankful that you tossed in some exclusive B-sides on this EP. Anyways, just wanted to reach out and tell you I love your work.
Having already released the Fast Falls the Eventide LP earlier this year, Azure Blue is back with another sensational electro-pop single to warm your hearts. The synth work throughout definitely nods to 80s soundtrack scores, though with perhaps a heavier bend on pushing the natural hooks. But, you don’t have success until you combine those hooks with Tobias Isaksson’s voice; he has this naturally hushed calm that rides atop these songs, charming passersby from the get-go. No word on when exactly the new album will hit, but we’ve been promised it will be ready by next year via Matinee Recordings.
Everyone has their own definition of indiepop; but I tend to ascribe to the original craft where DIY aesthetics and a softer response to punk were all the rage. But, to each their own. So I went through last year to compile what I think is a pretty all encompassing Best of Indiepop 2018; there’s no order, just a collection of really great indiepop. Some of the below are songs, some are albums, some are just bands or labels that were important. Click on for my picks and a playful playlist. Read more
The more I see indiepop used as a descriptor, the more I try to decipher what exactly it all means. In my mind, the music being crafted by Simon and Wendy (of Popguns fame), is the ideal indiepop sound, if only for those that appreciate the softer underbelly of the genre. As the Perfect English Weather, the duo have been crafting these songs of fond yearning; I love how the guitar work is textured and subtle, setting up Wendy for her beautiful vocal display. I always feel better having listened to the group, and I assume that’s the feeling I’ll get from the band’s next album, Don’t You Wanna Feel the Rain, released by Matinee Recordings next week.
I’m one of those weirdos that trolls all my favorite things…I subscribe to everything and anything that I love…that’s how I was reminded yesterday of this incredibly great Airport Girl tune when it popped up on FortunaPop’s Youtube channel (not sure why?). This track goes all the way back, but sounds like just about everything I love about the indiepop genre. It’s got a powerful fuzzed out guitar working beneath a cleaner cut version; giving sort of a rambunctiousness to the overall sound; it’s like if Comet Gain sounded noisier and maybe even a bit braver. I mean, they flesh it out with horns! If you’re wandering where this track came from; there’s an appearance on the Honey, I’m an Artist LP, as well as via 7″ from, label owner and band member, Fortuna Pop (yes, that’s his name!). Sure, the song’s almost 20 years old, but I got sent a bunch of bullshit hip-hop yesterday, so I’m traveling back in time to when things were good.
Some songs are built to make you swoon, and perhaps that’s unintentional, but considering the consistency with which the Perfect English Weather accomplish said feat, seems it’s all part of their game. A guitar cascades across the sky, whilst a happily plodding piano sets the rest of the musical scene. Wendy has this quietly powerful melodic presentation of the vocals; I think the work on the chorus is quite special here too. This track will appear on the group’s Don’t You Wanna Feel the Rain LP, but for now, you can download the single direct from the band’s label, Matinee.
If you happen to be one of those folks who comes to this site from time to time, you know one of the labels we’ve long been behind is Matinee Recordings; we even threw up something from the label’s new Azure Blue release this week. Today, however, I can now profess my undying love of the label, as they’ve officially combined my two favorite things and put them all into one delectable ear treat with the Official Matinee World Cup EP. The label has gotten five indiepop artists from participating World Cup to craft brand new gems, relating to this summer’s World Cup (no US indiepop bands on this because Michael Bradley sucks). You’ve got Australia’s The Last Leaves, Sweden’s Red Sleeping Beauty, England’s The Popguns, Spain’s The Royal Landscaping Society…and the first new music in years from Brazil’s Pale Sundays. Seriously, this just makes Friday worth it. Stream the whole thing below, and buy it HERE.
Hints of a new Azure Blue release began to surface not long ago, and with that, the band have dropped another delightful electropop gem. It’s a dense wash of synthesized beats, with a driving rhythm that works beneath the entire track; very much a Stephen Morris nod in my opinion. But, what I love about Azure Blue is that they seem to adopt a softened indiepop approach to their vocal delivery, which makes the music both danceable and endearing upon repeat listens. I expect I’ll listen quite a bit when Fast Falls the Eventide is released next week via Matinee Recordings.