I wish more people wrote tracks like Spinning Coin; they have this knack of tying their songs into things I adore about music. There’s this stream-of-consciousness vocal delivery, offering commentary on one’s desire for a momentary drop out of the world that never quite comes to fruition. Musically, they’ve got it all. The opening 20 seconds or so of guitar sound just feel like home; it’s not quite jangle but definitely in my wheelhouse. They go on to combine vocals, not quite harmonizing but supporting one another…all dreamily drawing out the song’s chorus. Plus, they even step on the pedal to offer some fuzzy riffs later on in the tune, always returning to their poppier craft. So damn good. This is the B-side to their new 7″ for Domino, out August 30th.
I feel like it’s getting to the point where any time that I see a new release pop up from Kleine Untergrund Schallplatten that I should just expect greatness. Luckily, when it comes to news of a fresh 7″ from Cozy Slippers, I was already up to date on the band, having been a fan of their Postcards EP (Jigsaw 2018). Their return has those early jangling notes turn more into a woozy dream vibe; they still have the same sharpness, but they meander just a bit on the edges, which actually opens the song up for one of those classic vocal performances. There’s an earnest to the lyrical delivery; it almost feels as if you can hear it as an homage to Jett or Harry in their hey-day…it sparkles but brims with bravado. The new 7″ will be available this Friday via KUS.
Deeper dropped their stunning self-titled LP last year via Fire Talk, and we did a lot of coverage on that album; I even booked them at my super-last-minute SXSW show, where they killed it. Now, the band are back with the announcement of a new 7″, featuring a John Maus cover and this new track below. I love the immediacy of the rhythm section here, offering up an energetic bob of right from the get-go. They don’t stray too far either, bringing in some discordant angular guitar riffs to craft the contrast where they vocals can weave in and out. This tune’s super rad, and they’ll have the 7″ on hand when they hit the road with label mates Dehd this Fall.
We’ve seen some tunes over the last year or so popping up from the Proctors, so I had the feeling something new was on the horizon…and apparently that was a new 7″ from the band. The first of the two tracks on the 7″ has this spritely quality, an innate bounce that works its way into your brain as the sharp churning guitars ring around your ears. This is offset by the softness of the vocals, giving the track over to a dreamier tone. The second tune jumps right into the dreamy side of things, stretching the pop appeal over 5 minutes; it’s a nice ballad with this swelling pop sensibility that erupts into joy around the 1.30 mark. These two tracks appear on the new 7″, available now from Shelflife.
The Sour Notes, always adventurous, have decided they’re going to release their new album one 7″ at a time, and today we’ve got the latest single from the series for you to enjoy. This one should come as no surprise if you listened to their ambitious collection This Is Not Our Music; I mean, if you don’t hear Galaxie 500 in here, I don’t know what you’re thinking. I love the softness of Jared’s voice on this, matched up against the heavy riffs that sort of billow in and out of the mix. It’s the sort of slow churning pop music you wish they had at your middle school dance, so you could fall in love and feel totally cool while doing it. Austin folks can get their hand on the new 7″ on June 13th at Hotel Vegas for the release show!
What? You didn’t get enough Terry last year with I’m Terry? Well, lucky for you and I that the band have something new up their sleeve by way of the Who’s Terry? 7“. Pulsing electronics kick the song off, eventually submerging beneath the front of the mix to serve as the song’s heartbeat. Ringing guitars come in, matched in their pace by a steadied vocal delivery that marches you through the track, fading away just enough for a nice little crisp guitar solo. There’s even some faint audio that almost sounds like the band sitting around at practice in the track’s latter half; it’s charming, drawing your ear even closer. At this point, I don’t really see Terry writing a bad tune; they just keep crafting hit after hit; this one drops on Upset the Rhythm on July 19th.
If you’re not part of Slumberland Subscritption Series, you’re in luck, as the label ran a few extra copies of the new 7″ from The Suncharms (and Rat Columns too). Today I want you to give about 5 minutes of your time to the video version of that B-side, which, personally, is probably my favorite of the two tunes. The video is shot in black and white, and mostly comes across as a performance video. But, you ask why I love it? For starters, I adore the scuzzy guitar vibe, heavy yet brimming with these pop melodies through the crackling of my speakers. Take that sound and the video imagery, and things look glum, until you give into the seductive powers of Marcus Palmer’s voice; though deep, it carries this natural kindness. Get a copy over HERE.
I’m late to the game on this one, though I’ve known about (and ordered!) this new Comet Gain single for some time, but I’d be remiss if I didn’t encourage you to take a stroll down the road with David Feck and friends. There’s something playful and heartfelt in Feck’s songs, and yet something one could attach to a sort of everyman type; he makes you feel like a friend sharing a story. I love the way he sort of speeds up his lyrics in certain incidents, like he’s racing to get to the point, then drops back to a more casual vibe. I could, and probably more often than not, listen to this band every day. If you’re so inclined, grab the new 7″ from Tapete Records…an LP is to follow next year.
I’ve probably told everyone I know about the new Tony Molina record and how much I love it. Now there’s another Tony from California begging for my attention; this time it’s Tony Jay. The San Fran outfit have a slew of recordings beneath their belt, and they’ve readied a new one for us today. It’s a casual bit of bedroom pop that seems timeless; I’m particularly fond of the moments at 1:11 and 2:02 where the rest of the band aid in the chorus. Not only do I hear Tony M, but it sort of reminds me the later Hunx stuff too…clean and simple, but everlasting in your memory. Tony Jay has a brand new lathe cut 7″ available for you right HERE.
We’ve been following Stephen Svacina on these pages for some time, be it with Jonly Bonly or Sweet Talk…and now we turn our attention to his latest project Missing Pages. The band are working on their debut LP at the moment, but while we wait, they’re going to tease us with a new 7″ for 12XU. The A-side has this driving guitar line, with Stephen and Garrick working against each other with these sharp chords circling one another like wrestlers about to lock up in the center of the ring. They continue to build up by pulling in additional vocals from bassists Ali, all culminating in my favorite part…the chorus of “it’s a long way down” is the perfect pop moment. Look for the new 7″ on October 5th; head HERE to grab a copy.