We’ve been following Stephen Svacina on these pages for some time, be it with Jonly Bonly or Sweet Talk…and now we turn our attention to his latest project Missing Pages. The band are working on their debut LP at the moment, but while we wait, they’re going to tease us with a new 7″ for 12XU. The A-side has this driving guitar line, with Stephen and Garrick working against each other with these sharp chords circling one another like wrestlers about to lock up in the center of the ring. They continue to build up by pulling in additional vocals from bassists Ali, all culminating in my favorite part…the chorus of “it’s a long way down” is the perfect pop moment. Look for the new 7″ on October 5th; head HERE to grab a copy.
Mark Monnone penned albums take up a great deal of space in my personal collection, so as he ventures out on his own again under the name Monnone Alone it seems like the only appropriate way to end a Friday. Whether or not you fawned over the Lucksmiths, I think any fan of pop music would have a difficult time turning their ear away from these two gems. The A-side on this new 7″ definitely has its way with melody, though the volume is quite forceful, allowing the rock n’ roll underbelly to surge through your walls. On the B-side you get more of a playful charm, a touch more light-hearted, though equally as emotively striking. Luckily, these two tracks come with a promise of a new LP in 2019.
Every time Pete Astor releases something new I sort of fawn and swoon. Today was one such day, as I realized that Pete has a new 7″ on the way, just a few short months after he dropped the powerful One for the Ghost. He seems to be taking one from the pages of label mate Tony Molina, maximizing his songwriting in a mere minute and a half. That guitar hints at my mom’s tape collection, harkening back to the glory days of classic rock n’ roll in the 60s. But, I’d be remiss if I didn’t mention the entrance of Pam Berry (of Black Tambourine fame?) on vocals to soften the vibe and pull on those heart strings. Damn all these great pop songwriters and their 1.5 minute gems! Alas, the new 7″ comes out October 7th via WIAIWYA.
If you haven’t heard of New Me yet, that’s perfectly okay as the band’s fairly fresh to the scene. The band are currently in promotion road, as they have a 7″ coming your way fair soon, so we figured we’d give you a sneak peak. Upon pressing play, you’re met with a few quick sections of electronic pulses just before the guitars begin to dance around your eardrums. And then singer Jakob makes his presence known, presenting his deepened tones that at times share similarities with Spencer Krug. His performance aids to the dreamy element, almost haunting the track in a sense as it tries to keep pace with the frantic pace of the rhythm section. Energetic and dark, you’ll want to grab this 7″ before its gone; grab it HERE from Bleeding Gold before the August 31st release date.
I promise you that when you listen to the new single from Okama Flannel Boy, you’ll likely place the music somewhere over in the UK, perhaps even Scotland where the shuffling jangle of guitars grew in popularity. But alas, OFB is actually from Mexico City, which makes the fact that Fernando Torres is crafting such joyous indiepop all the more enticing. We owe that discovery purely to Roque, who might be one of the last gatekeepers of great indiepop out there; he’ll be releasing the new four song 7″ from OFB on his Cloudberry Records label, coming some time this summer!
Our friends at Gentle Reminder Records are working hard this year; they’ve got another release added to the calendar this weekend, from Soccer Cousins. It’s spirited pop rock, and in fact, it kind of reminds me of a more casual version of the Thermals. Hooks are abundant, and the voice is definitely distinct. I go back and forth between loving “Holy Smokes” and “Small,” so maybe you can help me out and pick your favorite of the two. This 7″ will pop up on Friday, May 25th, on some super fancy green vinyl; better hurry, as there’s a limited number out there.
There was a time when the electronica was meant to maximize beats per minute and push you out onto the dance floor. When I listen to this new track from SAMT, I definitely recall those hours dancing away to the likes of Bonde do Role, though this time we’re traversing the Germanic languages. The electronic pulses give off a kind of stuttering fuzz, while the drums employ this precision technique that gives the track body. All of it comes together to leave you with this little dance treat that’s going to blow the socks off all your friends at the next dance party. The group release their latest 7″ through one of my favorite labels, Kleine Untergrund Schallplatten.
Perennial ATH favorites Omni are setting up for a new 7″ to drop this weekend, honoring 420, surely. With that, we now get to hear the B-Side of that release, offering up more of the progressive post-punk workings of the band. It’s precisely what we’ve come to appreciate, with jagged guitar lines working lock-step with the ridiculous rhythm section. Vocals are always delivered in the coolest fashion; I’m pretty sure this is one of the best bands out there (and they’ll be back in Austin next week). That new 7″ drops Friday via Chunklet, and you better believe Imma get my hands on it!
Don’t be scared off by the distortion ringing out when you press play; it only takes a matter of moments for Wedding to turn on the pop charm. Quick drum punctuation allows for the group to enter the scene with their slightly smoky group vocal delivery; it sort of reminds me of a weird place where Woods were happily popping off to Supergrass (then again I’ve just been jamming a whole lot of Supergrass lately). In under two minutes you cruise through the track, with just enough grit to keep you interested; the band have just announced they’ll be releasing a new flexidisc 7″ via Art Is Hard Records and their Eyes & Ears zine.
If you were reading many a year-end list, then surely you noticed Jay Som‘s album Everybody Works landing on most. Melina Duerte had originally demoed a few extra songs for the record that didn’t quite fit the flow, so she saved them for you to enjoy on a new 7″. To me, this tune sounds like a dreamier version of something Tegan and Sara would have written, with just hints of jangling guitar and a soft smoky vocal to ride it out. It should be clear after jamming this tune that Jay Som hype actually has substance; look for the new 7″ to drop via Polyvinyl on January 26th.