Hopefully you recall last year’s Oi Ma Yeah, the Bones Garage LP we helped put out into the world (listen here) because it was an excellent pop record, perhaps overlooked by folks in the US. But, the Tel Aviv act is back again this year with Poland, another LP we’ll have a hand in getting out to the masses. Today, they share “I’ve Loved,” which is perhaps one of the more striking songs on the new record; it’s a song all about loving everyone you encounter, despite not loving yourself enough. The video, like the song, is stripped down, focusing entirely on Ariel as she shares her song with you. Let’s hope you’re all paying attention this round, as the group is phenomenal and we’re super happy to have a small hand in sharing their music with you.
In listening to this new track from Peel Dream Magazine, I keep thinking how it almost feels like multiple songs being carefully placed atop one another, like some brilliant experiment in pop music. At times, you’re drawn to the buzzy guitar swell, especially upon pressing play at first. Then a vocal comes in, almost like a seance chant; it becomes clear that that serves more as another textured layer, with yet another vocal entering the foray as the focal point. To me, it’s brilliant on multiple levels, one being that it’s a success of a tune, let alone one that feels like 3 songs meshed into a single entity. This is a band everyone should be keeping an eye on going into the release of Agitprop Alterna; it’s out on April 3rd via Slumberland/Tough Love.
Little is known about the up and coming band Contra Party. After some google searching, facebook digging, and light stalking, it’s clear the band want to remain a bit mysterious about their origins and background. No matter, we can all enjoy this late 90s inspired, down tempo, sludgy rock number called “Heather”. I think you will find it a solid tune in a sort of throwback indie style.
This one appears on a new album called Over Your Shoulder due out today!
Every time I go to cull some classic guitar pop from my record collection for DJing purposes, I always make sure I’ve got Foxheads Stalk This Land is in the bin. So to me, its great that some 30 years on, Close Lobsters are still making great pop music. The rhythm section does a fine job opening this track up to your ears, giving a nice bobbing pulse before the guitars come in and work their own charms. In the vocals, you can still find that sense of promise in the warmth of the melodies; it feels like there’s promise for us all just around the corner. Towards the end, you get some pseudo-spoken word moments working beneath the guitars before a sort of pop mantra rides the song to a close. The band will release their new album, Post Neo Anti via Shelflife/Last Night from Glasgow on February 28th.
How is it that some bands get all the accolades and popularity, yet there are tons of working bands putting out brilliant release after brilliant release, and it seems like its only me listening over here. No Museums are one such band, occupying the larger indie rock space, though they’ve been mostly doing it on their own terms through their high albums. On Moths, their second LP this year, they draw on various sounds that have my ears alert…like the Blank Dogs (ish) Local Cold or the GBV style of “Things I Have Hidden.” On the latter, the sonics get drawn out into that tundra of negative space, filling it with chugging guitars and stomping rhythm, something you generally find in the works of a Gedge-penned number. Bits and pieces for everyone to love, and ultimately, another well rounded release from this Edmonton outfit.
It seems like a trend nowadays to flirt with the edges of indiepop. I feel like all these acts are employing these soft guitar edges and sweet harmonies…just like Kevin Krauter. Listening to this new tune, you can even hear the shimmering of guitars combined with the super calm vocal delivery; you make that guitar cutting through scream a bit louder and you might even find this landing in some shoegaze territory. But, at the core, is a great melody, something we can all attach to our ears and hum throughout the day; it’s that natural pop sensibility that we all adore, whether we want to admit it or not. I’m not shying away from my adoration, especially with this jam. His new album Full Hand will be out on February 28th via Bayonet Records.
Andrew Anderson is one third of Proto Idiot, but today let’s talk about his brand new solo record, Clean Yourself. It’s a pretty dynamic listen, and one that’s marked by brief songs, so you’re definitely not going to get bored as Anderson bounces from track to track here. There’s a light-hearted garage rocker in “It’s Not for Me,” but move down the line and you’ll find the frantic “You’re too close.” At times, it kind of feels like Andrew’s channeling Television Personalities, valuing clever word play in spots over musicality, like in “Cannot Repeat;” it feels like the sort of thing I would have expected Jay Reatard to pull off. Oddball pop punk numbers, garage rockers and mini-ballads; Clean Yourself has it all! Grab it as Name Your Own Price via Rigamarole Records.
Throughout my various twists and turns as a music fan, there have always been a handful of bands that have remained staples in my listening rotation, and Nada Surf has always been one such act. Today they announce that they’re back with a brand new album, and the opening single has that melodic guitar buzz that’s been there going on 30 years; it’s balanced by Matthew’s voice, giving the song that emotive softness. They do switch it up to offer a spoken word moment at the song’s forefront just before the 2 minute mark; it offers the band’s critique on the state of the world and how we can participate to make it better for all of us. Hooks and a message? Never Not Together is out on February 7th via Barsuk.
We’ve covered Vern Matz before, and I think going forward, we’re all likely to hear more about the band, especially based on the quality of their latest single. Those fans of recent indie guitar pop nods will surely appreciate the guitar sounds going on throughout this number; they’re really crisp and recall the happy meandering of acts like Real Estate. For me, however, the winner is in the yearning quality of the vocal delivery; it sort of feels like I’m dreaming of the world right along with the vocals. If I’m going off my gut, I think the band have something special here, but we’ll have to wait until their debut album comes in February to really have a full understanding of their talent.
I’m a big Just Joans fan, and when the Glasgow popped back up a few years ago, I was really excited, clamoring for the new hits. Today, a new song popped up on the Internet, so why not point you in that direction. At first take, I immediately thought the band were covering the Magnetic Fields; it’s a slow moving pop number built on the Katie Pope’s vocals and the arrangements behind her. It’s just a perfect little nugget; there’s no need for any percussion, as Pope carries the song in striking fashion; I will admit to being drawn to the horn work hanging out in the distant background. No release date as of yet, but it looks like Fika Recordings will be handling this release.