It’s been a few years since we’ve heard anything new from Devendra Barnhart, though he’s worked on a few compilations in his downtime. But, for me, while folks have their Obersts and their Whites, I’ve always been a Devendra guy; I also feel like he got sort of wrongfully placed in that whole freak-folk category…but, whatever. So, below is this wonderful new single; it’s got some nice little horn accompaniment, giving the song sort of a folk meets swamp boogie vibe; I suggest you wait until after the 3 minute mark for a real nice vocal touch from Banhart. His new album, Ma, will be out on September 13th, with a slew of tour dates slated for the fall, including a (possibly too expensive) show in Austin at Stubbs.
A friend from Arkansas hipped me to the Glands back in 2001, and I’m pretty sure any romantic interest for the next few years found “Swim” on a mix of some sort…pretty sure I included it on a mix I gave to my wife. I’ve referenced the band countless times over the 11 years we’ve run this site, and had always thought them to be fairly unknown in larger circles…until yesterday. NPR, P4K and Stereogum both reported that New West would be releasing new music from the band, with the line-up crafting songs around demos left behind by Ross Shapiro after his passing. I guess its bittersweet, as I’m grateful for new music…though its a reminder of the fragility of your heroes. For me, the self-titled LP will always be one of my absolute favorites; it’s a near perfect album in my ears. If, like me, you’ve quietly fawned over the band for decades, you’ll want to get this new Box Set from New West.
Seems like the Generationals have been around almost as long as we’ve been “blogging” over here, as we’ve covered every release the band have done. They just announced they’ve got something brand new in the mix, and it’s always great to hear the duo’s songs. This song really revolves around the chorus of “always on the phone/keep it low,” which definitely has the greatest vocal hook. The pulsing melodies are definitely in line with their previous work, steady and hook-laden. No words on a release other than the promise that we’re in store for more from the guys in 2017, with a bit tour throughout March, so give in to the power of pop.
After waiting almost 22 years, we can all finally rejoice that there’s new Slowdive music coming our way. The band reunited in 2014 to get some things going for reunion shows, sparking that creativity that has led them to sign with Dead Oceans. If this song’s swelling wall of guitars sounds familiar, well, that’s because they’re just one of the staples of indie rock that so many after them have ripped off. I look forward to what’s coming from these guys, so stay tuned to hear what’s next. Hope they can help make 2017 just a touch brighter.
This new album from Bloomington, IN based band Busman’s Holiday is slowly becoming one of my sleeper picks for a Top 25 album of the year. Here’s more proof with latest single “Evening Flow”. Once again we are treated to something truly unique with a sort of theatrical, atmospheric core to the song which shifts dramatically into a doo woop, crooner finish. It sounds a little crazy sure, but you won’t hear anything else like it. Try it out.
Busman’s Holiday will release their new EP Popular Cycles on October 14th via Joyful Noise.
You know how the story goes right? I’ve never heard of a band prior to today, but they impressed me with a memorable single… blah blah. You’ve heard it before and it’s happening again today with this new single called “Cupo” from Australian based act The Tambourine Girls. At its core, the song is most definitely of the psych rock genre and the band execute inside that sound quite well. Production is tight, the washed out vocals fit in perfectly, and musicianship is spot on. Carry on.
The Tambourine Girls will release their self-titled debut album on November 4th.
The last time we heard from Gambles he has released his album, Trust, which we fawned over. Checking in on him the other day, I found that he has quietly been building new songs for us all, though they’re different in sound, showing his growth as a songwriter. His first effort had him working with the power of his voice over a strummed guitar, for the most part. Now, he seems to have been experimenting, adding extra layers, percussion, etc; it’s an interesting progression, yet just as striking as his earlier work. Both tunes are said to come out on a new record, which we’ll keep you posted on.
Last year, I fawned over the Coathangers; they were the act that I raved to everyone about after SXSW. But, in prepping for this year’s fest, I’ve been hoping to find a similar act to win my heart…that might just be Bully. This new single displays the tenacity, with a really raw vocal delivery that’s right up my alley. One can only hope that this means more new music is to come, but as of now, there’s no word. Just enjoy this track, and if you’re at SXSW, the band is giving you 7 chances to try and catch them live.
If you read our Top 15 Austin Albums of 2014, you hopefully saw that Abram Shook made our list, as he deservedly should. But, I come today not to talk you into adoring his latest work, Sun Marquee, rather to look forward to what he’ll be offering in the future. In between LPs, Abram has decided to release some free digital tracks in a series, and we’ve got one of those tunes for you to listen to today. I love the piano’s bounce here, giving the song an unenviable hook that few can create. Of course, he coats the track in his trademark Western croon. Be sure to donate a buck or more to the cause, so Mr. Shook can deliver an expected collection of new hits.
After reaffirming their prowess with me during SXSW, Scots We Were Promised Jetpacks are returning this fall with an album of new material. Previewing the new jams before the release date is this new one called “Safety in Numbers”. To be honest, the song lacks a little bit of that power that we’re used to from the band, but the melodies are still there and hard to deny.
Stay tuned for the release date of new album Unravelling this fall on Fatcat Records.