Where We Were Together played on my stereo for a good bit of this Spring…and luckily I was able to catch Say Sue Me in a quiet room during SXSW. Now, the Korean quartet are right back it with their brand new single for Damnably. For those that recall the jangling guitar pop, the A-side might give you a glimpse at a band forging their own ground. There’s something far more thoughtful in the presentation alone; the song expands near six minutes, with the front end of the track delivered in a casual pop manner. You can hear a slightly heavier sound in the distance of the song, but it doesn’t really kick in until just after the 3 minute mark, blasting off into some semi-Madchester zone. Look for this great song on the new 7″, out August 24th.
Leeds, Massachusetts based songwriter Paul Bergmann has received an enormous amount of praise on our website over the last few years. Seriously, Nathan and I love this guy’s music. After releasing his Night, Unfold EP last February, Bergmann is treating us fans with this new one off single called “Death of Me”. In simplest of terms, this song is absolutely beautiful.
We haven’t heard from Day Wave since The Days We Had…though we did catch the band’s set at ACL last fall. Now, we’re getting a glimpse of where Jackson Phillips has been with a new single popping up today. It’s a bright pop song number, with just a hint of atmospherics textured into his vocals, giving off that popular dream quality. While the song’s front half is filled with energy and hooks, it’s the back side that has my interest, with a thoughtful fade out that wraps you up in warmth before the song disappears. No word on a release, but the way Phillips works, I expect an EP any day now!
After many years of solid singles and releases, Louisville based band Quiet Hollers has become a true favorite of the ATH team. A quick search of the band on our site will lend at least 5 or more posts of great songs. Even after all those great tunes, I’m not sure the band has ever released a track as powerful as this new one called “Addicted”. It is of course about addiction, but more specifically opiate addiction, which is as most know, a major problem in our country at the moment. The incredibly intimate and personal lyrics play nicely with that familiar Quiet Hollers Americana, folk sound to create something truly special.
I’ve been writing about Acting Strange for quite some time, probably since the band’s inception, so why stop now…especially when I’m getting emails about Awolnation. This tune is a pretty simple pop ballad, with just enough sugary hooks to keep my ears attentive. It has some slight similarities to Mystery Jets, especially the way the vocals dictate the song’s natural cadence. Plus, as the song moves into the chorus, there’s this grand swelling, then the melody is dropped right on top of you. As of now, the band looks to be in the studio working on their follow-up to their 2017 album, Talk Talk Talk.
Out of nowhere, Waves of Dread have slowly started making a name for themselves; they even opened for Os Mutantes without even having an LP to their name. On the latest single from the group, I really love the melodic underbelly that works throughout. Sure, the guitars brandish this heavy bravado, but the “oohs” that seemingly run throughout the entire track are sure to keep you in check. Loud, soft, whatever, this is just a great song you can put on repeat for the rest of today…and tomorrow too. Hoping the group continue this rise with a completed LP real soon!
Austin, TX royalty White Denim announced a long awaited new LP last month and the city, along with many in the music scene, are excited for the band’s return. We’ve already heard first single “Magazin” and today the band is treating us with this second new track called “It Might Get Dark”. Compared to the more glam vibe of the first single, this one has a bit more of a southern rock, circa mid 70s sound. Welcome back boys.
As previously mentioned, White Denim will release new album Performance on June 19th via City Slang Records.
In listening to this new Piney Gir single, I’ve been going back over it again and again just trying to figure out why I find it so intoxicating. There’s something oddly nostalgic about it, as if Piney’s work has a timelessness fitting it into both the past and present all at once. For one, the song’s construction is precise, allowing open space for the voice, whilst also filling in some of the odd turns with textured instrumentation. But, I’ll also keep coming back just to hear some of the vocal turns; I like slight change in intonation just after the 35 second mark…it builds right into the grand chorus. She’s enjoying a brief UK tour with Gaz Coombes, but lets hope that only gives her more tunes to offer us in the future.
Austin, TX based band The Sour Notes have long been in the music game in our town and have long been talked about on ATH. With that said, you now understand when we receive new music from the band, it’s going up on our website. Well our good amigo Jared just sent over a new single/video from his band and we are the first to share it with the world. You’ll find the rocking and rolling new single “Welcome to the Club” below. The Austin music scene is alive and well.
This single appears on a new 7″ single from The Sour Notes entitled Finest Sour. Purchase here!
Who thought summer wasn’t going to be filled with hits? We’re stoked to share with you this new Wild Nothing track, the first bit of new music since 2016’s Life of Pause. I’m immediately hooked here, with the drum work coming in behind sharp cascading guitar lines. There’s a synth wash over the mix, allowing Jack’s voice to sort of ride a wave of cresting atmospheric beauty. The chorus is the perfect dose of pop, warm and memorable, akin to the recent work of PoBaH; it might also be my favorite tune from the band since Gemini. This new track will feature on the band’s new LP, Indigo, which is being released by Captured Tracks on August 31st.