Austin’s Being Dead just crept upon my radar, but I’m really excited to be on notice about this new duo. On Friday they just dropped this ridiculously infectious new single, “Wild Man.” The track has this carefree indifference, an almost childlike playfulness, though you can hear roots in psych and folk…just performed with an enthusiastic stomp. While you can’t help but fall in love with the lead tune on the single, the flip side “Life Between Leafs” offers a glimpse of another side of the group…bedroom pop with the slightest hint of oddity hanging in the balance. Go on, give the single a stream.
San Fran’s Fake Your Own Death have been pretty prolific as of late, dropping EP after EP, single after single, and they’re not letting up. Today they unleashed this brand new tune from a forthcoming EP, slated for release later this year. The group bleed elements of propulsive psychedelia with washes of shoegaze, reminding us all just how similar the genres can be at times. At times, this track seems like a more goth version of Fugiya & Miyagi, at least in the way the rhythm section keep the pace; they constantly push the issue, contrasting against the stark vocal deliveries. This is a fine addition to an already stacked back-catalog; we’ll keep you posted as more news drops about this forthcoming release.
High Rise Finale first came to my attention because it’s a new project from Matt Bailey of The Salient Braves, who I adore. Of course, this project has some similarities, especially in the lyrical styling, but it’s a much more electronic adventure. He’s collaborating with Neil Ritchie, who helped produce some of his other work, and together they’ve just released this rad new tune. I dig how the synth work seems to elaborate or emphasize the syllables delivered by Bailey. Plus, the middle section of instrumentals shows just how carefully the group have crafted their electronic sounds. It’s pop music from the future, brought back to warm you up today.
Last year RG Lowe stepped out of the limelight of Balmorhea to begin crafting an R&B influenced album, Slow Time, which was met with rave reviews. He’s already back with a brand new single for Western Vinyl, and you can stream the A-side of the release below. You’ll marvel at the power of his voice, and delight in the little guitar lines moving just beneath the front of the mix. To celebrate the release of the single, RG Lowe will be playing a ridiculously stacked bill over at Sahara Lounge. His labelmate Caroline Says will be playing, along with perennial ATH favorites Taft and Batty Jr. Plus, it’s an early show, so you can roll right over after that work happy hour; Doors open at 7:30, with music kicking off at 8. See you there!
If anything, I’m a pretty loyal listener, but being a fan of I Was a King has always been easy. They craft this beautiful mixture of heavy-ish indie rock and power-pop, and their sound seems ever evolving. This track relies more on the indie rock side of things, filled by crashing cymbals and distorted guitars grumbling in the distance. But, the smooth melody of the vocals cuts right through the noise, balancing the track in the most perfect manner. They even include some extra flourishes, such as the faint echo of children’s voices (at least that’s what it sounds like to me) near the 2 minute mark. This is a band that no longer needs to experiment or dabble in genres…they’re building their own sound, and I couldn’t be happier. The new single drops digitally on Friday with an album to follow later this year.
The new single from Sweden’s HOLY seems intent on frightening you, elevating a slight bit of noise from the get-go. But, if you endure, you’ll be rewarded with the beautifully revelation of the balladry draped atop a piano backbone. Eventually, electronics and drums enter the picture, continuing the song’s natural build; it’s like building a beautiful tower of pop, one floor at a time. There’s a brief interlude in the midsection, which gives way for a slightly grittier vocal performance that eventually meets up with the more polite voice from the song’s early minutes. Seriously stunned by how beautiful this is; look for All These Worlds Are Yours on January 26th via PNKSLM Recordings.
When Minnesota based Vansire release a new song, you can be sure the ATH boys will be posting it. What’s most impressive to me, is how the band can manage to reinvent themselves in the dream pop genre with each and every song they send us. Take for example this new single “Halcyon” which brings more of a Mac Demarco meets chillwave vibe to it. I can assure you this band will continue to gain popularity and will be a household name in the indie world soon. When’s that full length dropping dudes?
We haven’t heard much from The New Tigers since their last EP in 2016, but lucky for us, they’ve been hard at work on a brand new album for Soliti…with the accompanying single. The band are brandishing the best sort of casual pop, relaxed in style, yet filled with delicious melodies that captivate listeners. Perhaps the most intriguing part of this tune is its ability to continuously keep you interested by minor musical adjustments, turning the melody this way and that so as to provide more depth. The band’s attention to detail surely means their next LP will be a mesmerizing listen, so stay tuned!
Man of us here at ATH have a soft spot in our hearts for Irish bands and the incredible music they’ve created in the indie world. Make a quick search for something like Ireland, Irish, or Dublin and you’ll see what I’m talking about. My latest Dublin, Ireland obsession comes by way of this song “So Swell” from Oh Joy. It’s like some of the best rising bits of WWPJP clashed with the brooding moments of early 90s alternative rock. Sounds wild, but you will definitely enjoy yourself.
I should have known by the involvement of Chris Cohen that I was going to adore Sam Evian. He’s working on the follow-up to Premium, and if this is any indicator, we’re in for something quite special. His vocals take on that ethereal quality, almost feathery in their presentation…they just ride the horizon of the mix perfectly. Drum work is steady, handled by Cohen, and the arrangements texturize the track in a way that few other artists imitate. Somewhere in the realm between Papercuts and the returned Clientele lives Sam Evian…and it’s beautiful to be a part of it.