Surf Rock Is Dead Ready Their Debut

Surf Rock is Dead have made appearance on our pages before, but what better reason to bring up the band than to share a new track from the band’s forthcoming LP. Like earlier tunes, the group has a knack for building in these hooks that wrap themselves around your ears again and again. At times, the track has this great bounce to it, like early stuff from the Drums, but other times, the duo (now three-o) just build in these pop rock anthemic moments that dwell in the region of new dream pop stylings, accented by sharp guitar notes. No release date as of yet, but we’ll keep you posted, as I’m sure we’ll be talking about these guys quite a bit.

Wildhoney Drop Gorgeous New Tune

The only thing I want to get off my chest is that not enough people are listening to Wildhoney! Today, the band shared a new single from the Slumberland Subscription Series over on NPR, which hopefully garners more deserved attention. Let’s get to that song though. It begins with a light ringing guitar, politely dancing through the speakers; it establishes the perfect setting for Lauren to enter with voice in tow. I love how her voice seems to sparkle in step with the crisp guitar notes. Then comes the rising joyousness of the momentary chorus. But, most importantly, we should take notice that the song’s crafted in various stages. The blissful openings soon makes way for a fuzzed out explosion, only to settle into this cascading atmospheric moment that wraps the song up in a warm blanket. Seriously. Go listen to more Wildhoney. And join the Slumberland Subscription!

Love The New Single from Say Sue Me

Where We Were Together played on my stereo for a good bit of this Spring…and luckily I was able to catch Say Sue Me in a quiet room during SXSW. Now, the Korean quartet are right back it with their brand new single for Damnably. For those that recall the jangling guitar pop, the A-side might give you a glimpse at a band forging their own ground. There’s something far more thoughtful in the presentation alone; the song expands near six minutes, with the front end of the track delivered in a casual pop manner. You can hear a slightly heavier sound in the distance of the song, but it doesn’t really kick in until just after the 3 minute mark, blasting off into some semi-Madchester zone. Look for this great song on the new 7″, out August 24th.

Yet Another Gem From Paul Bergmann

Leeds, Massachusetts based songwriter Paul Bergmann has received an enormous amount of praise on our website over the last few years. Seriously, Nathan and I love this guy’s music. After releasing his Night, Unfold EP last February, Bergmann is treating us fans with this new one off single called “Death of Me”. In simplest of terms, this song is absolutely beautiful.

Brand New Day Wave

We haven’t heard from Day Wave since The Days We Had…though we did catch the band’s set at ACL last fall. Now, we’re getting a glimpse of where Jackson Phillips has been with a new single popping up today. It’s a bright pop song number, with just a hint of atmospherics textured into his vocals, giving off that popular dream quality. While the song’s front half is filled with energy and hooks, it’s the back side that has my interest, with a thoughtful fade out that wraps you up in warmth before the song disappears. No word on a release, but the way Phillips works, I expect an EP any day now!

Premiere: Powerful Single From Quiet Hollers

After many years of solid singles and releases, Louisville based band Quiet Hollers has become a true favorite of the ATH team. A quick search of the band on our site will lend at least 5 or more posts of great songs. Even after all those great tunes, I’m not sure the band has ever released a track as powerful as this new one called “Addicted”. It is of course about addiction, but more specifically opiate addiction, which is as most know, a major problem in our country at the moment. The incredibly intimate and personal lyrics play nicely with that familiar Quiet Hollers Americana, folk sound to create something truly special.

Check out some current tour dates for Quiet Hollers over on Facebook.

Enjoying This New Active Strange

I’ve been writing about Acting Strange for quite some time, probably since the band’s inception, so why stop now…especially when I’m getting emails about Awolnation. This tune is a pretty simple pop ballad, with just enough sugary hooks to keep my ears attentive. It has some slight similarities to Mystery Jets, especially the way the vocals dictate the song’s natural cadence. Plus, as the song moves into the chorus, there’s this grand swelling, then the melody is dropped right on top of you. As of now, the band looks to be in the studio working on their follow-up to their 2017 album, Talk Talk Talk.

Fresh Waves of Dread Track

Out of nowhere, Waves of Dread have slowly started making a name for themselves; they even opened for Os Mutantes without even having an LP to their name. On the latest single from the group, I really love the melodic underbelly that works throughout. Sure, the guitars brandish this heavy bravado, but the “oohs” that seemingly run throughout the entire track are sure to keep you in check. Loud, soft, whatever, this is just a great song you can put on repeat for the rest of today…and tomorrow too. Hoping the group continue this rise with a completed LP real soon!

Another One From White Denim

Austin, TX royalty White Denim announced a long awaited new LP last month and the city, along with many in the music scene, are excited for the band’s return. We’ve already heard first single “Magazin” and today the band is treating us with this second new track called “It Might Get Dark”. Compared to the more glam vibe of the first single, this one has a bit more of a southern rock, circa mid 70s sound. Welcome back boys.

As previously mentioned, White Denim will release new album Performance on June 19th via City Slang Records.

Piney Gir Drops New Single

In listening to this new Piney Gir single, I’ve been going back over it again and again just trying to figure out why I find it so intoxicating. There’s something oddly nostalgic about it, as if Piney’s work has a timelessness fitting it into both the past and present all at once. For one, the song’s construction is precise, allowing open space for the voice, whilst also filling in some of the odd turns with textured instrumentation. But, I’ll also keep coming back just to hear some of the vocal turns; I like slight change in intonation just after the 35 second mark…it builds right into the grand chorus. She’s enjoying a brief UK tour with Gaz Coombes, but lets hope that only gives her more tunes to offer us in the future.

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