Leicester’s Dayflower just dropped this shredding bit of noisy pop music, so it wouldn’t feel right not to share it with you here. The song rushes in with this pounding rhythm and a thick cloud of distorted noise ripping through your speakers. But, the clouds part, revealing that thumping bass line and some melodic vocals that wrap themselves round the angular guitar notes of the verses. It all crashes into this explosive chorus that combines the melody with maddening noise, disorienting and calming. This feels like this is where you should start your day, journeying with new Monday jams! Let’s hope there’s more where this came from!
I’ve been spending quite a bit of our time covering Portland’s Alcopops, who’ve crafted this perfectly delicious little fuzz pop Devil EP; it’s out in the world now, so I wanted to revisit some of the various reasons I love it. From the first track “Sins,” you get these huge chugging riffs, though I’ll be honest, you can hear some of the indie rock history of the Pacific NW in the band’s arrangements. ‘”Seventy Two” plays a little bit softer, hanging on the band’s more melodic tendencies; I’m a big fan of the warmth of the chorus on that jam. “Try Not to Laugh” takes on a more exploratory fashion, spreading its wings and exploring the noise the band have created, with a nice little curtain of heavy vocals draped atop. Then, just like that the EP closes with “True Bugs,” featuring this huge squalling guitar that crashes into the listener in the best way possible; it’s like getting hit by a storm only you get back up and run right into it. My only complaint? There’s only 4 songs, so lets hope the group get right back to writing more jams.
I’m not sure if Japan Review is on everyone’s radar just yet, but I’d really like to continue to push for the band’s inclusion in your listening rotation, thus why I’m here dropping this new single. From the get-go, you get this sampled machine gun drum beat, working in unison with this wall of guitar noise, clouding the horizon for the listener. Then Adam O’Sullivan drapes his voice carefully in the empty space, and while there’s a quiet softness, he seems pained, or tired (like us all). Still, the song’s not done there, moving into a more melodic moment for the chorus, then opening up in the track’s back half for sonic exploration of striking ambient noise. I’m totally in love with Kvetch Sounds; it’s out on October 29th via Reckless Yes.
We’re a few weeks away from getting to hear the entirety of the new Alcopops release, Devil EP. Today, with this new single, they’ve kind of got me captivated, dropping punishing riffs that blanket these central melodies. At times the band feels like a post-hardcore version of Built to Spill, particularly when it opened it feels like the chorus of “Cars.” But, they bang out this noise, akin to all your favorite “not-quite shoegaze” acts. But, one thing I really am drawn to is the band’s little bits of crisp pop noodling that lurk in this single; I’ll let you follow the breadcrumbs on your own, but this is a jam for sure. Devil EP drops on October 29th.
What on Earth is this beautiful sound coming from the latest Japan Review single? Immediately my ears filled with these discordant angular riffs, just heavily jangling, bouncing notes off one another to create this dense background of anxiousness. Moments later, synth work rolls into the picture, polishing the song like a fine gem, letting the melodic vocals calm your nerves as drums snap at the mix from below. Every sound works against each other, and in crashing together, they mix and leave you blanketed with this sublime piece of artful noise. I’m totally floored by this tune, and hoping that the whole of their new LP, Kvetch Sounds, lives up to this track; it’s out on October 29th via Reckless Yes.
You think Boyracer plan to slow down? Absolutely not! The band return with a brand new record this year; Assuaged will be released by Stewart’s own label Emotional Response. Our first listen has the band brandishing their noisy elements and coiling them around a nice little bubblegum pop core, ready to spring exuberant hooks on unassuming fans. Stew gets the perfect foil here from bandmate Christina Riley, tossing in some supporting harmonies to give the melody a little more buoyancy. For me, the star of the show, however is the drum work; it’s so sharp and helps keep the song rambunctious and fun all at once. Assuaged drops on July 5th!
Dummy burst onto the scene this year with a brilliant EP that culled a bunch of influences from indiepop, noise, shoe gaze and more…it was an exploratory collection of great pop references. Today they’ve announced EP2, their second release this year; this opening single is a doozy! It’s got that sort of blend of kraut and pop driving rhythms, sort of that feeling of a train barreling down the tracks with a smile on the conductor’s face. There’s a slight vocal that courses through, acting as the song’s gravitational pull holding all the pieces together…even bringing in some textured backing vocals too. At first, I thought they were going to ride out the track in peppy fashion…but please, just stay focused for the entirety of the song…you’ll thank me when you get there! How does a brand new band get this good so fast? Well, we’ll find out just how good when EP2 drops November 6th.
Those of you following the Austin scene are surely aware of the talented noise rockers, Glaze; they’ve been one of our favorites for the last few years, known for incredible live performances. Today, the band release their Glaze TV EP, and I think it’ll only take one listen before you, too, fall in love with the band. “Beetlejuice” is an obvious standout, but I love it for illustrating all the things I love about the band; there’s heavy noise present, stripped back for melody, brooding energy and even a little bit of post-rock thrown in the breakdown…they’ve got all your favorites covered in one jam! I think “Moody” is another nice addition to the band’s catalog as well, giving off glimpses of the band’s dreamier side, containing the noise only when necessary; it allows for the band’s natural catchiness to shine through that blanketed feedback. Austinites can catch the band live tomorrow night over at Mohawk for the celebratory release show; you can grab tickets HERE.
We’ve been operating the label here now for half a dozen years, and each year, I’m forever grateful to the bands that let me put myself behind their music. And for years, I’ve fawned over She Sir, one of Austin’s most underrated acts; I bugged them enough until they finally agreed to let me release their new Ways a Season EP. You can grab a copy of the limited orange vinyl HERE, but I also wanted you to be able to stream the EP with a little bit of commentary by yours truly. There are not enough words to say how proud I am of the label and this release, so please go down and listen to everything below.
Austin folks can catch the band at End of an Ear on March 31st for a free in-store performance.
This brand new single from the forthcoming No Fucks LP is a spirited disaster of a tune, in the best way possible. From the minute I pressed play I was disoriented by the ramshackle riffs bouncing me along while the vocals overlapped; it kept me off balance, trying to catch my breath so to speak. It’s a quick hook, grabbing you, then it just discordantly jumps to a close before you know it, which, of course, leads to pressing play and starting it all over again. The self-titled debut No Fucks record is out today courtesy of Discos de Kirlian, so have it folks.