Show Pics: OMD played Emo’s (4/6)

I mentioned that OMD was playing a sold out show at Emo’s in a Have A Nice Weekend post last Friday. I stressed that of all the bands that were formative to new wave that still influences so many bands today, the only one touring right now with the same level of love for their music, past and present, is Orchestral Manoeuvres In The Dark. They are touring in support of their recent release The Punishment of Luxury, which if you haven’t given a shot, you might want to.

In addition to their hit after hit set, OMD brought along GGOOLLDD, some fun indie pop stuff that you can dance to, with outfits and poppy fun.

Let’s get to a few random thoughts and plenty of pics.

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Have A Nice Weekend

Hey.

So there are some things going on tonight. I’ll be in nostalgia land with OMD at Emos. It is sold out. They are bringing along GGOOLLDD to open. Should be a pleasant evening with the wife. I was telling a co-worker that the last time I saw OMD, you realize that there are bands still touring to make pay for their landscaping and others that still really love their songs. OMD is the latter and it doesn’t hurt that the new stuff is solid, too. There is also a fellow photographer’s belated birthday party at Cheer Up. Super lineup.

Little Boots has a new EP out. You can listen to a few tracks over at Soundcloud and on youtube. I added “Picture” to my Soundcloud bucket. The Bucket is my catch all, a little under four hours, full of my faves from ATH and some other randoms. Try it out, below.

OMD Shows The Kids How To Do It

Synth pop, new wave, dance pop, whatever you want to call it, has its roots in the late 70’s and early 80’s with groups like Visage, Depeche Mode, Gary Numan and many more. Orchestral Manoeuvres in the Dark was among those early pioneers with tracks like “Electricity”, “Messages” and “Enola Gay” setting a foundation for their pop stardom in a shift to a more mass-market approval and mid-80’s movie soundtrack domination. We recently saw OMD here in Austin and one thing is for sure, they still love those songs and they still love the genre.

The band is currently back to the core lineup and they are making new music. It seems they want to show all the kids how to do things. The first real release from the forthcoming record The Punishment Of Luxury, due 9/1 on White Noise Records, is called “IsoType” and it is wonderful reminder of the roots that is back to being contemporary. Put on your headphones to revel in stereo effects and dream of the heady days of Kraftwerk, Ultravox and The Human League…

https://www.youtube.com/watch?v=HCWB7D2T1f0

New Music from Azure Blue

For me, it’s been a great week, seeing the triumphant return of probably the best small label out there.  Matinee Recordings had a silent summer, but they’re back, and their roster now includes Azure Blue.  The group is primarily the project of Tobias Isakkson, who played prominent roles with Irene and Laurel Music.  Matinee will be releasing Rule of Thirds this December, and the band is already getting comparisons to groups such as OMD and New Order.  Sounds like a perfect way for Matinee to wrap up the year, and for you as well. Try out this little gem.

[audio:http://austintownhall.com/wp-content/uploads/2011/10/azure01.mp3]

Download: Azure Blue – The Catcher in the Rye [MP3]

LCD Soundsystem – This Is Happening

Rating: ★★½☆☆

It’s really hard to imagine the 00s without James Murphy.  Whether he was bringing Daft Punk to your house, or whether he was manning the boards for someone else, it seems like Murphy was always around.  Now we come to what he is calling the swan song for LCD Soundsystem, This Is Happening.  Will it be enough to leave us with lasting memories of fondness, or will we turn towards indifference as his star begins to fade on the horizon.

“Dance Yrself Clean” begins the record, and while it could be a whole lot stronger, this isn’t the worst way to begin the new album. It begins with just some minimal percussive elements, which go on for what seems like an eternity, while lyrics are sort of spoken, as opposed to sung.  At the 3 minute mark, the song turns into a club banger.  While you can appreciate the development of sonic textures that Murphy has placed emphasis on with his last two album, one can’t help but feel that getting straight to the point would have left the record to start with one of his best complete tracks.

You jump right into the single from there with “Drunk Girls,” which sort of seems like a haphazard song.  The beats seem reminiscent of songs past, while the lyrics don’t really offer too much, no matter how many drunk girls you claim to know.   And from there you go on to “One Touch;” yet another song that doesn’t do a whole lot to further Murphy’s credentials in the musical annals of time.  Sure, showing the masses you can make a dance song go for 8 minutes is something to tip your hat to, if the song doesn’t do too much, it all seems irrelevant, and such is the case here.

But, then LCD Soundsystem takes you for an entirely different ride.  “All I Want” doesn’t seem to far of a stretch from some of the more exploratory tracks on Sound of Silver, and you can really find yourself sliding inside this song despite a the length and a touch of redundancy. “I Can Change” follows suit with a bit more exploration, and even pushes the dancier side of the things.  Murphy’s vocals don’t come off in that shouting chant he’s usually known to release, and it creates a joyous song that brings back the nostalgia of bands like Depeche Mode and OMD.

Then, he takes a U-turn, and sort of goes back on the promise of the last two tracks.  “You Wanted a Hit” has some redeeming qualities towards the middle of the song, and while I appreciate his stance on not trying to make hits, choosing instead to follow his own path, I’m not sure he always chooses the best options, especially when he has such quality tracks to offer, as he did in the middle of the This Is Happening. Don’t even get me started on “Pow Pow;” I think I’m owed an extra amount of time in my life just for listening to this track.  Ugh.  “Somebody’s Calling Me” just continues the downward slide from there.  It just seems like he could have done so more, and at time, the song just sounds like even James himself was bored with writing it.  Then again, that just might be personal taste.

Then he comes back with “Home” to close out the album.  It has a bit more of a singing vocal here, and the beat has this underlying hook that sucks you back into the album.  If you add the length of the song, you can clearly see what kind of dance party ensues here, and that’s precisely what you wanted from This Is Happening.  Unfortunately, the brightest spots on this record don’t really break through the inadequacies of the rest of the tracks.  Personally, it seems like such a shame, as the last decade wouldn’t have been nearly as much fun without having LCD Soundsystem in our lives, and perhaps this is why he’s walking away, as James Murphy hasn’t convinced anyone with this effort that his heart is still in it.

[audio:http://austintownhall.com/wp-content/uploads/2010/04/LCD-Soundsystem-I-Can-Change.mp3]

Download: LCD Soundsystem – I Can Change [MP3]