Perhaps the greatest thing about the Internet is that it has allowed us to reconnect with lost mates, or uncover hidden gems in the music realm…and perhaps that’s what we’re getting with this reissue from Manchester act Vee VV. Below we have one of the band’s earliest singles (1983), offering up a choppy post-punk vibe; I love how the guitar cuts across the bouncing bass line, while that matter of fact vocal delivery is always sharp. It sort of reminds me of pop version of Gang of Four…that is until they start to explore with their musicianship in the song’s latter half, settling back in for a final groove to the close. Like post-punk? Like Factory Records (Tunnelvision and Section 25 in particular)? Then you’ll want to keep an eye on EDILS, as they’ll be handling the band’s reissue in early 2019…but the single is available this week!
Why not keep things in the Oceanic region for the day. Today we get news that Carpark Records will be reissuing The Beths‘ Warm Blood EP. It was originally released back in 2016, but sometimes it takes awhile for great bands to make themselves known overseas. It’s a great release, especially considering that it takes on a more pop college rock vibe, as opposed to the jangling sound most commonly known for the region. Reissue old issue, whatever, these are 5 songs to make your day a little better. Here’s to hoping that this reissue means a brand new LP is in the works around the corner.
If you have spent any time at all on this site, you surely are aware of my affinity for
, and all his projects. Most recently, it’s been with the Hayman Kupa Band, but it all began with a band called Hefner. It’s possible that they were too far ahead of their time, featuring twanging jangling guitars, clever wordplay and hooks you can’t avoid. WIAIWYA, one of my fave labels in the UK just announced they’ll be re-releasing Breaking God’s Heart, the band’s debut LP. Give this song a listen, and perhaps you’ll see why 20 years on there’s still a huge interest in the band and their work. The reissue drops this July!
I spent the first few days of my break finishing off “Grant and I,” which mentioned the Triffids as one of the other early Aussie acts that influenced the country’s musical landscape. I’d only listened to the band casually, as they weren’t as dear to me as the Go-Betweens, but I’m really excited for the reissue of Treeless Plain and In the Pines this Friday. I love the way the band seems so relaxed in their songs, seemingly foretelling the country’s flare for casual pop. Here’s a little ditty I’ve been enjoying over the last few days to hopefully pique your interest and have you revisiting the band’s catalog along with these reissues.
I’m not typically one to get into the reissue game, as far as posting goes, but I feel like Australia’s Good Morning has been vastly overlooked…though I pointed them out here long ago. Luckily, the good folks over at Bedroom Suck Records will be re-releasing the band’s Shawcross and Glory EPs on one 12″, with additional singles like the delightful pop tune lurking on the pages below. To me, this feels like what’s really going on down in Australia, offering sublime pop sensibility in a casual manner that begs for listen after listen. Look to get your hands on a copy come July 7th.
I’ll be honest here, and admit that I haven’t thought about Clem Snide in ages, though I put “Ice Cube” from 2001’s The Ghost of Fashion on many a mixtape. They seem like one of the bands that impacted so many, then quietly walked off the stage. Luckily, HHBTM Records is reissuing You Were a Diamond, the band’s 1998 masterpiece. The album, and the group, were one of the first group’s that really got me to refocus on the writing of lyrics; I love Eef’s wordplay in everything he’s released. There’s also a raw realness on the record, in a time before reverb and lo-fi were reintroduced as fads. It’s as honest a collection of songs as you’ll find these days, so look for the reissue on November 18th.
Everyone that adores indiepop, or Aussie tunes, should now stand up and clap for Chapter Music. The Australian label are reissuing A Love Affair with Nature from the Cannanes; they aren’t settling there, as the new reissue is a picture disc, new liner notes, and a collection of bonus tracks from the early singles. Listening now, you’ll probably realize that the band’s mark is omni-present in much of the indiepop of today, which just goes to show how timeless the songs from that album truly are. Probably your first chance to get your hands on the LP version since the 90s, unless you’re getting luck with Discogs or Ebay, so grab your copy on September 16th.
Growing up in Texas, I feel like Terry Allen should be required in your listening education. While he’s possibly been overlooked, he’s always had a unique place in the pantheon of the state, with perhaps his best outing being Juarez (1975). Luckily for those of you who missed it (or didn’t have music obsessive dads like mine), Paradise of Bachelors is releasing his masterpiece, with a deluxe edition featuring tons of Terry’s art. Sure there’s Willie and Stevie, sure there’s Daniel Johnston, but Mr. Allen is a jewel no matter which way you spin it. The album gets reissued on May 20th.
Looking for a good rock n’ roll record? Well, you’ll finally be able to get your hands on the great TV Colours album, Purple Skies, Toxic River. The Australian group released this killer LP back in 2013, and there’s a real raw energy in it that just blows out your speakers. It’s rare when you can find something that harnesses the energy and tenacity of a group on a vinyl format, but I feel like this little gem will win many over. It hasn’t really been available in the US as of now, but on April 14th, Comedy Minus One will be releasing 500 copies over here, so be on the look out to add this one to your collection.
The label group that began with Captured Tracks has blossomed into this incredible super group of small labels, some of which are focusing on reissuing lost classics. Today one of those labels, Sinderlyn, announced two great reissues, Walter TV and Girls Tears. The first single below is from Walter TV; it’s a bouncy post-punk piece with the warbling vocals lurking beneath the main mix; the band is also known for their touring work with Mac Demarco. I’m also hoping the song’s title, “Master Ludi” is a Herman Hesse reference. Girls Tears is an LA act with more of a frenetic pacing to their punk rock sound. The albums are titled Appetite (WTV) and Tension (GT), and thanks to Sinderlyn, they’re seeing physical releases for the first time ever on September 23rd!