The sounds from this new single released by Bed Wettin’ Bad Boys might sound fairly familiar, especially if you read this here site. The group is the new project of Joe from Royal Headache, and it rides along the same lines; it uses these great gritty guitar chords that ring through your speakers while the vocals are delivered in a very matter of fact manner…those fans of the Replacements will want to keep an eye on this for sure! The group will be releasing their new record, Rot, on What’s Your Rupture/RIP Society come November 10th. I give this jam an A plus.
Year-end lists are everywhere…and I can see why they’re important to people. But, seeing as we generally walk off the beaten path more often than not, our list of the Top 50 Albums of 2015 is in no particular order, save alphabetically. It seems pointless to rank one piece of art higher than another, especially when the four of us at ATH all have varying tastes. We just put this list together of the albums we loved the most this year. Are we saying they’re better than records by Grimes or Kendrick Lamar? No, we’re just saying that these are the records we loved more than others. So, you can read on for what we thought was hot.
Also…put links to individual stores where you can buy the albums from the bands…as that’s how we all survive in this music world.
I like to think of What’s Your Rupture as the label that births the cool. Seems like every band they work with at some point explodes and gets cool; see Love is All, Parquet Courts and Royal Headache. One of the newest releases is this very small scale 7″ by Honey Radar, and I’ve got big expectations for this band’s sound. Not sure how one would really identify their sound, though you can hear all sorts of influences from lo-fi to jangling pop to art punk; it makes for a beautiful sound that I can’t believe more people aren’t clamoring over just yet. Guess that’s the price one pays for being ahead of the curve. Stream the 7″ below and BUY IT HERE.
Monday nights are usually reserved for tame evenings at home, but with Australia’s Royal Headache blowing into town, there would be no such night. We were treated to their set, as well as that of local favorites Jonly Bonly and semi-locals, Bad Sports.
Read on for words and photos from B. Gray.
It’s pretty hard to pick a show of the week when the week is just getting started, but seriously, if you miss this show you’re going to regret it for the rest of the night. One of our favorite local acts, Jonly Bonly is opening up, followed by their friends and rock n’ roll trio Bad Sports. I’d go to a show to see both of those bands alone, but Royal Headache is coming! They’re an Aussie act, so you never know when you’ll be able to catch them. But, they’re also blowing in to support their new LP, High (WYR?). It’s the perfect blend of soul and post-punk, and the energy from Shogun on stage is something you won’t wanna miss. Please please come hang out. Doors are at 8 PM.
In case you haven’t caught wind, there’s a new Royal Headache album coming out. I’ve been listening to their new album High pretty non-stop the last few weeks, and I’ll tell you, despite what you’ve heard, this is the best record to come out of Australia this year (sorry Tame Impala). There’s just some remarkable in the way they fuse their gritty rock tones with the soulful voice of Shogun; it’s not like anything you’ve heard, yet it’s everything you ever wanted. The album is released on August 21st via Whats Your Rupture, which will be followed by a US tour, including an Austin date at Red 7…so you’ve been warned.
Royal Headache is one of my favorite bands, despite having very little output. Their debut album was a ferocious attack on modern rock n’ roll, hitting hard with high octane guitars over Shogun’s soulful voice. They’ve just released a brand new single, and I’ll admit, there’s a bit of a difference in the song…to my ears at least. The pace is a little bit slower, allowing for the voice to shine in the front of the mix; it still has that gritty recording quality to it, which I absolutely love. The Australian group will be releasing their new album, High, on August 21st via their US label, What’s Your Rupture–the same label responsible for bringing you Parquet Courts.
Those of you who’ve got the Matador Singles Subscription already have this wonderful tune from Royal Headache in your collection, like myself, but the band just recently put the jam up for download, and it’s well worth your time. Unlike their self-titled LP, which you should already own, this tune isn’t quite as frantic, though it still has the slightly noisy attitude that makes the group so remarkable. I love hearing Shogun smoothly operate at the beginning, then go all out near the end of this track. If they keep writing great tunes like this, there’s no reason these guys can’t be bigger than anyone else out there. Bet on it.
Here it is. I know you’ll hate it; I know you’ll disagree, but that’s not the point in making an arbitrary list. We here at ATH worked really hard to fit in the tastes of the four of us, and when we decided upon our Top 50, it really boied down to simple math. What albums did we love when they came out? Do we still enjoy spinning those records months later? If they’re in the Top 50, then the asnwer is probably yes. I mean, our Top 2 records came out in January, and still play a vital part in my weekly listening. There’s no disclaimer here. We are who we are, we like what we like, and we hope that’s okay with you. If not, drop us a line and let us know where we went wrong.
Our year end coverage begins with the three chiefs over at the ATH offices reveling in what was an incredible year in Austin, musically speaking. Tons of rad bands blew us away with their live sets, and, well, there were just tons of bands. I think we did more show coverage this year than in previous years, but as always, the great thing about our site is diversity. We’re also linking back to our full reviews and photos of some of these nights, so you can get more of a feel of our thoughts, not to mention, checking out Brian’s great photographic 2012. Read on for thoughts on live acts from the three main contributors.