The Men – Open Your Heart

Rating: ★★★★½

2012 has been a really good year for rock n’ roll so far, and The Men aim to keep that spirit up! Their third LP, Open Your Heart (out now on Sacred Bones Records) is filled with pummeling rock that begs to be classified.  Is it punk? Hardcore? Maybe post-punk? Truth is, there’s no way you can really label everything they’ve done here, crafting an album that fits into all the above categories, yet never stays in one place for too long.

“Turn It Around” opens up the record in furious fashion, if you just wait ten seconds.  From there, the sound kicking out of your stereo will surely have you pumping your fists in the air.  Perhaps what’s the most interesting is that the group fills their songs with elements of classic rock, they just play it faster than everyone else around.  The Men will keep this spirit up with “Animal,” a song that has a bit more of a growl to it.  You can see remnants of New York Dolls (it can’t just be me), only with a heavier element–though it’s often balanced with a female backing vocal track.  From the get-go, you’re getting kicked in the mouth, and you’ll happily offer up a toothless smile while you rock along.

But, what makes Open Your Heart worthy of repeated listens revolves around the band’s ability to sort of play with more than one formula, while still maintaing their own identity.  For just a moment, albeit a long one, you get “Country Song” and “Oscillation,” two sprawling instrumental tracks that span over 12 minutes in length (when combined). It’s no wonder that their bio mentions allusions to Thurston Moore, although they don’t seem as discordant in their style.  It’s a nice moment for you to pause and reflect.  Yep, this album still rules.

And then we’re off again, with the soaring gang vocal moment you’ll find on “Please Don’t Go Away.”  Stylistically, you can see some resemblance to noisier indie bands like Dirty on Purpose, with The Men not afraid to add elements of melody all the while pounding away.  Throwing this track in the middle of the album provides that perfect conundrum, yet again illustrating a group who’re willing to throw all their influences into their songwriting. “Candy” is yet another such track; it’s almost a country ballad.  Even if it seems unexpected, it’s tied into the album perfectly, using a seemingly lo-fi recording to hold true to the band’s form. For the rest of the album, and really for its entirety, the band go back and forth between sounds, finishing with “Ex-Dreams,” a tune that’s unified by all the band’s possible nostalgic nods.

Open Your Heart might just be a record that we’ll look back on years from now, grateful that someone wrote it.  At times it’s intense, yet still has points where you can sit back and absorb the goings-on rather than have them browbeat you.  The Men have concocted their own formula for writing a record, and it might just be a lasting formula more bands look to in the future. You can be fast and loud, but you can throw that slow jam in there just for kicks–if you execute it like this, we’re all going to love it.

[audio:https://austintownhall.com/wp-content/uploads/2012/03/06-Open-Your-Heart-1.mp3]

Download:The Men – Open Your Heart [MP3]

SXSW Preview: Psychic Ills

Ready for more SXSW rock?  Well, the Psychic Ills aren’t necessarily going to bring you straight ahead rock n’ roll; the band has done lots of experimentation with their sound since their inception in 2003.  Most recently, they released Hazed Dream on Sacred Bones Records, signaling a slight departure from their more traditional sound. It’s definitely going to get lumped into the psychedelic genre, which is probably an easy descriptor, but I laud the band for their vast experimentation over the years.  I hear bits of Spiritualized in songs like “Mind Daze” from their recent release, yet the song evokes different qualities depending upon your own personal tastes.  In reading their bio, you’ll see that the experiments and testing of waters doesn’t just revolve around their efforts in music, but extends to their association with very art mediums while living in NYC.  You lump that in with all their musical trials over the last several years, and you’re in for a fascinating show that will definitely leave you wanting to follow them around Austin for the week. 

[audio:https://austintownhall.com/wp-content/uploads/2012/02/02-Mind-Daze.mp3]

Here’s a list of their shows, for you stalking plans:

TUE 3/13 @ Whiskey Room (Sacred Bones event)
WED 3/14 @ Elysium (Sacred Bones official evening showcase, 12 AM set)
THU 3/15 @ Urban Outfitters,  2 PM set
                     @ Spiderhouse/29th Street Ballroom (Austin Psych Fest party, 6 PM Set
SAT 3/17  @ Red Eyed Fly (Strange Victory/Village Voice/The Wick party, 3 PM set)

Show Preview: The Men @ Emos (9/1)

Date Thursday, Sept. 1st
Location Emos
Doors 900p
Tickets $8 from Ticketweb

This year I seem to be in the mood to really rock, or at least to mildly rock, in so much as I just can’t go full-on metal.  That being said, one of the band’s I’ve really enjoyed is NY’s The Men (not to be confused with the Le Tigre side-project).  They’ll be bringing their bit of raucous noise our way in support of their latest album Leave Home, which came out earlier this year on Sacred Bones. Also, another excellent band on the bill is Grave Babies, who have just put out a nice little 7″ by our dear friends over at Hardly Art.  As the season begins to really pick up steam for rock n’ roll, this is just as good a place as any to get your rocks on.

[audio:https://austintownhall.com/wp-content/uploads/2011/08/themen-bataille.mp3]

Download: The Men – Bataille [MP3]


Case Studies – The World is Just a Shape to Fill the Night

Rating: ★★★★½

A few years ago, The Dutchess and the Duke graced the music scene with their debut album of folksy rock and glorious harmonies and were hailed by many as a stunning first release. They followed with Sunset/Sunrise, which was an equally interesting and complete album, building on the success of the first, and once again the band made sure to imprint itself upon listeners. However, during that second album, there was a shirt in importance to the role of Kimberly Morrison in providing those juxtaposed feminine vocals with the deep rasp of Jesse Lortz. So the question that remains is this: will Lortz flop without that constant aspect, or soar out on his own?

Well, to me, the answer is clear as can be when the first song begins to play. “From the Blade of My Love” is the perfect opener for this album because it reveals some of the goodness that can be found here, but it doesn’t give it all away. Soft strumming sets off the song and brings in a heavier sense of folk and less Rolling Stones-esque rock music. The biggest difference that is noticeable from his group efforts is that where you would expect the buzz of guitars to chime in, there are only delicate melodies. But, this is not all Case Studies has to offer. A few songs later, you have the piano driven “Animals,” which opens up a faster pace with less smoky female backing vocals that create a softer and more innocent sound. Also present on this album is a showcase of Lortz’s vocal talent himself, which is consistently exceptional throughout.

In a statement Lortz made about this collaborative album of sorts was that this was the first time that he was genuinely excited to be making music and on The World is Just a Shape to Fill the Night, you can feel this change. On previous albums, the talent, and the excellent song writing is there, but here, the details are all apparent. Each and every song is crafted careful and serene. The sensation while listening to this can only be one of pure bliss as the waves of acoustic guitar, harsh/soft vocals, beautiful stories and the assorted other instrument that makes each song stand strongly alone, yet weave together nicely in a collective sense.

The end result of this side project is something you would expect from Lortz. It’s just as good, if not better than his other work. While it is excellent right from the start, it also has enough depth to appreciate on repeated listens. And you’ll definitely want have repeated listens.

[audio:https://austintownhall.com/wp-content/uploads/2011/07/04-You-Folded-Up-My-Blanket-Like-We-Were-Already-Lovers.mp3]

Download: Case Studies – You Folded Up My Blanket Like We Were Already Lovers [MP3]

More New Music from Case Studies

There’s been a lot of people getting really excited about Case Studies, the new project from former Dutchess and the Duke member Jesse Lortz. His first record under the moniker, The World is Just a Shape to Fill the Night, will be out August 16th via Sacred Bones.  This track below is just another in the slew of tracks floating around the Internet promoting Jesse’s new band. I like the playfulness in Jesse’s songwriting, or at least its straight-ahead approach to writing lyrics.  Good to see the guy still knows how to write a great track!

[audio:https://austintownhall.com/wp-content/uploads/2011/07/04-You-Folded-Up-My-Blanket-Like-We-Were-Already-Lovers.mp3]

Download: Case Studies – You Folded Up My Blanket Like We Were Already Lovers [MP3]

New Music from Fresh & Onlys

As the band alluded to in our interview last week, San Fransisco’s Fresh & Onlys have a new EP, Secret Walls, coming out on Sacred Bones April 26th.  Listening to this track, it’s a lot less energetic than their most recent effort, Play It Strange, which doesn’t really surprise me, as Tim Cohen, the front man for the band, has been slowing things down a bit with his solo material as well.  Give this track a listen, and prepare yet again, for another solid release from this band.  Perhaps it merely means they’ll soon have enough material for another record in 2012–I’m hoping so.

[audio:https://austintownhall.com/wp-content/uploads/2011/02/The-Fresh-Onlys-Do-You-Believe-in-Destiny.mp3]

Download: The Fresh & Onlys – Do You Believe in Destiny [MP3]

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