We were really excited to hear news of the debut Whoa Melodic LP late last year, and now we’ve got our second single from the self-titled album. This track seems perfectly built for those Sunday afternoons spend enjoying the sunshine on your back porch. There’s a great melody (I mean, melody has to be in every song, right?) that casually sits back in the mix, relaxing behind the sunny guitar chords and the soft beat of the drums. Pop songs like this don’t exist too often, so I’ll gladly welcome anything on par with this ditty. Look for the debut February 1st via WIAIWYA.
The latest single from Ethers just dropped on Friday, and sure, I’m a few days too late, but no need to ignore a good time, especially when it’s sponsored by Trouble in Mind Records. I love how the song starts with this circling guitar stomp; it leads you to fully expect a brash bit of indie rock. But, just beneath the surface is this little organ/keyboard line, adding the slightest hint of pop sensibility; that’s furthered during the chorus when the guitars take on that angular jangle following the line of “it’s a rip off.” This song features on the band’s self-titled debut LP, which drops on August 24th.
There’s a million songs a day coming to most of us, so you’ve got to dig a little deep to find some real gems. That’s how I stumbled upon French outfit Rose Mercie, who are preparing for the release of their self-title debut. Some outlets have thrown in comparisons to the Raincoats or The Shangri-Las, and all are fair, but there’s definitely a more modern twist around here. Just listen to the guitar on the track below; its angular and spirited, but presented in a casual fashion…akin to a dozen modern acts over here in the States. If you’re hoping to find some pop music on the unique side of things, then this is where you should go. Their debut is being released by SDZ Recordsand Monofonus Press on March 2nd.
Western Vinyl will be releasing the debut album from Lean Year this Friday, and they encouraged us to drop one last tune in your lap today before its release. I think the structure of the song is one of the reason’s that the album is so intriguing. The negative space is filled with very careful samples, occasionally bubbling up to create atmospherics while a string is lightly plucked. Emilie Rex, for her part, does her best to enchant the listener with her delivery often hanging on the last gasp of varying notes. Just a slight build at the end before we fade out, and into Friday, where you’ll grab the LP at your local shop.
Just over a month or so ago we dropped the newest single from The Sea Life, and here we are circling back to cover their newest single. It begins with a ringing distorted guitar and military marching percussion; you’re expecting the band to unleash a wall of noise. But, they pull it back to soften the blow, offering up a calm respite. Then distant howls are unleashed, a kin to a guitar pop band covering early Walkmen songs, and I totally dig it. They’ll be releasing their self-titled debut via Art is Hard Records on June 26th.
Need some rock n’ roll in your life? Seems like you should get involved with Texas’ act, Picnic Lightning today, just to hedge your bets. It’s interesting in listening to their first single from their debut album; you can hear traces of influences such as Thermals or Segall, but hinting at pop sensibility like Nada Surf or Death Cab. None of those things are bad, and in fact, if you can pull it off, there’s likely some success in finding the perfect intersection where those sounds are bound together, which I think is why I’ve enjoyed jamming to this song so much today. Their self-titled album will be released on September 2nd via Dreamy Life Records, so for now, just let your ears buzz with joy.
If you’re booking gigs with the likes of The Fall, Destruction Unit and Ceremony, you’ve got to be doing something right in my book, thus why I’ve caught onto Cardiff’s Chain of Flowers. Musically, you’re ears are surrounded by a huge wall of noise, with buzzsaw guitars grinding at the front of the mix. From the back of the club, however, you can hear the vocals echoing over a pounding rhythm section. The group is set to release their self-titled debut on October 16th via Alter, so let’s keep our fingers crossed that it lives up to the promise of the early singles.
Those of you who enjoy the works of Twerps, Kurt Vile and Real Estate should pay close attention to what’s going on with Melted Toys. The San Francisco band has a knack for writing these really relaxed guitar pop songs, with excellent craftsmanship. There’s a slight bounce to the latest single, “Observations,” but the tune is so relaxed that you might not even notice it if you didn’t pay close attention to the drum beat. It’s a sign that the band’s debut self-titled effort will be a relaxed bit of dreamy pop tunes to wash over you while you’re chilling out this summer; it’ll be released by Underwater Peoples on July 15th.
If it weren’t for the immediate mention of Twin Shadow in this press release, I might have skipped beyond this tune from Rush Midnight; it’s the project of Russ who tours with TS. What I really like about this song is that the electronic element is actually understated, allowing for the groove to remain subtle. It allows you to focus on the smooth delivery of the vocal, while still inviting you to swing your hips and dance about. The project’s self-titled debut album will be out on May 27th via Last Gang Records; it should definitely put a nice spin on our summer listening.
I’m continuously impressed with the growth of Captured Tracks. What was once a label heading in one direction, they’ve expanded with their Re-Issues (The Servants, Flying Nun, etc), and they continue with their recent signing Axxa/Abraxas. This definitely continues the label focus on guitar playing, but there’s something different going on in the way the music is crafted, offering up more of a swinging sensation via the band’s psychedelic influences. It’s good to see a roster grow, especially when the music is as exciting as that being created by this band; the label will release the band’s self-titled debut next March.