One of my favorite LPs of the last few years is the self-titled Young Scum LP. The band have been mostly quiet since its release, at least musically speaking…until this last week when they dropped a brand new single. Indiepop fans will fawn, particularly with the natural hop that goes along throughout the song; it’s part rhythmically propelled and part of the circular jangle of the guitars. There’s comfort in the warmth of the vocals too, which seems particularly important in the world today; I just wanted to get wrapped up in this song, and hope you do too. As of now, it’s just a single, but a reason to celebrate nonetheless.
It’s incredibly hard to keep track of all the great music being released nowadays, so hopefully you come here for a little guidance to narrow down your choices. One of the record I’ve been bopping to is the new self-titled LP from The Late Pioneers, which was just released by Subjangle. Ultimately, this is a brilliant pop record, culling influences from various periods of pop music, be that classic singles or the more recent jangling styles of indiepop. Many of the tracks offer this wondrous sense of promise in the world, like “Into the Mud,” but you will also encounter some more reflective pieces to keep the listen balanced. I think my favorite tune is “Leaving Today,” but start where you want and fall in love with this LP.
Those of you paying attention to the musical underground will surely have heard rumors of the participants in Unhappy Fly; you’ve got Xentos Bentos and Richard Dudanski (heavyweights!) joined by Sarah Washington and John Glyn (not the astronaut!). Today they announce a brand new realm for powerhouse label, Emotional Response, and what a gem. It has this pastoral semi-folk opening for the first few minutes…then things get switched to this swirling indiepop ball of energy…and back and forth we go. That’s all before we get to John Glyn’s sax solo to space the song out and give your ear a little break from the delectable ear treats. But, don’t sweat it, they bounce back in with one last chorus to charm you before closing the tune down. Brilliant pop with a flare of artistry; the self-titled LP will be out on September 27th.
Pedro the Lion came back this year, and if David needed an up-and-coming young act to turn to on tour, then he should look at Matt Surfin’ and Friends. On this number Matt has his friend Rui Gabriel singing the verses in Portuguese, but it’s his whispered tones that seem most like they were meant for a fireside chat. In the music you have the same vibe; it simple and understated, though it carries this natural melody that ultimately endears it to listeners. You want old school Pedro? Go here instead, and look for the self-titled LP via Community Records/Muscle Beach.
This Blades of Joy gem has been bouncing around the Internet for a wee bit, but I was out having one of those baby things, so forgive me for not being on the up and up. That being said, this is one of the songs I rushed to get up upon my return. You might be able to toss the group into any number of categories, but most importantly, you’ll keep coming back to celebrate how great the music is. There’s a noticeable indifference in the guitar work, and yet the vocals have this warmth that could soothe any listener. There’s this timelessness to it, wherein it could fit into any musical decade and make an impact. If you listen to any one song today, make this the one. The band’s self-titled LP will drop on September 21st via Melters.
This Friday Gentle Reminder Records will release the much-anticipated new LP from DC outfit Saturday Night. But, before they drop that LP, why not tease you with one more insatiable single. It opens with this heavy-ish riff…a little funky until the drums come in and change the song’s attitude. They roll over that riff, matched with the vocals to craft this melody you can’t put down. Slowly, the background starts to fill with little whispers, growing more prominent until Nora bursts forth to provide the perfect accent to the track. There’s enough bravado and fun in the rambunctious closing minute that you can’t help but let a smile crack across your face. Order the self-titled album right HERE!
While a great deal of what I’ve run lately has been on the poppier side of things, I’ve been mentally preparing for some good old rock n’ roll with Jawbreaker this Friday. So, it’s with great pleasure that I share this rad new rocker from Austin’s Exhalants…definitely got me in the mood. I love how there’s a slight melodic tone to the guitars at the start, while the artillery bursts of vocals from the distance adds a nice juxtaposition. There’s a natural heaviness in it too, especially with that ominous bass tone. Sounds old school, and yet ever present… a sign of something powerful coming our way soon; the band will release their self-titled debut via Self Sabotage on August 24h.
It’s probably a really unfair time for Gingerlys; people will unfortunately just give them the blanket comparison to Alvvays…not a bad thing per se, but just so you know, the Gingerlys released Jumprope EP several weeks before Alvvays had their first release. Just saying. Other than usage of melody and a female vocalist, the structure and sound of the songs definitely differs. Listen in the background for the way the guitars distortedly twinkle in the distance…and the vocals seem happy to sort of sit atop the mix, rather than propel the track. The self-titled LP from Gingerlys will be released on November 17th via Babe City/Topshelf; Alvvays fans will love it, but mostly people that have really good taste in music will love it.
Joseph Childress has been on my radar for sometime now, and he’s just announced a brand new self-titled album…with an accompanying new single! There’s something in his voice that I can’t pull away from, both familiar and heavenly at once. His control over the notes moves perfectly, even as he holds onto syllables to match the song’s tempo. Oh, and if you need lush arrangements with your folk, wait until your ears lean in to hear what’s going on behind Childress’ voice. Look for the new release on October 6th via Empty Cellar Records.
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Little Star caught my ear with these dreamy little guitar noodlings that work within the confines of their latest single. But, what caught my ear faded as I grew more and more enamored with the slight little turns of tone in the vocals. They’re wrapped up nicely around the swirling guitars, and its just playful enough to elevate the sound beyond many of the peers offering like-minded, dreamy pop. Good Cheer Records will be releasing the band’s self-titled LP on April 14th, and this is a really promising way to get folks excited!
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