I can see how some folks might get confused upon watching the first minute of the new video from Dark Tea, but, thematically it opens up the story of the video…not to mention it builds the anticipation, which upon release, is quite special. The song is built entirely on a background piano, sort of slogging its way through, almost working its way out of tune as Gary Canino lets loose. That nice little pop burst you’ve been waiting for lives near the 3 minute mark, letting you get lost in the swirl of guitars and riding waves of cymbals and backing vocals; it’s filled to the brim with delicious layers of musicality. Look for the tune on Dark Tea, out April 30th via Fire Talk Records.
It’s Friday…and I just wanted to point you in the direction of some jams that have been on rotation around these parts, just in case you don’t have the time to really browse through the web and find that magic. So here’s a couple of suggestions on my end.
Cool Sounds are an Aussie outfit we’ve supported for some time, and today they release Bystander around the world. For me, I’ve been drawn to “Back to Me” since I first heard it, so I’m sticking with that as my favorite slow burn on the LP, but, there’s this subtle sunlight from “South of France.”
And, earlier this week we tossed out a tune from Toledo, and the band drop their Jockeys of Love EP today. It’s a collection of well written ballads with just a faint hint of that subtle emo sound; it reminds me a lot of Good Morning, offering just good clean guitar tunes to bounce around in your head.
Kelly Duplex‘s debut LP is something I’ve been raving about the last few months, sharing every little single I could. Well, today’s the day you get to hear it in its entirety, courtesy of Strange Daisy. Plus, if you’re a collector of vinyl, you’ve got to see all the limited edition colors they’re offering…on top of these rad songs!
Tomorrow is the next installment of Record Store Day, and while not always a fan of RSD, it’s definitely important to support every single indie record store to help keep them all afloat. Plus, you get to find some gems that you might not otherwise have had on your radar, like the 60 Degrees & Sunny/FESTI-Vals 7″ from legendary Athens outfit Love Tractor. If you’ve listened to their debut self-titled LP from 1982, these songs should be familiar, but they’ve been reworked with help from members of REM/Sugar/Glands, so you get a fresh sound. The new reworking offers you a nice visual accompaniment featuring various weather phenomena. What I love is that it gives you an early glimpse at post rock, before it became boring; actually, check that, this is like instrumental music for Flying Nun fans; it was cool before they were cool…you’re going to have it on repeat all day. The 7″ comes out tomorrow via HHBTM, with an expanded reissue of the full-length on November 6th.
One of the great musical surprises of this year has been the debut release from Finnish duo Rules. An entire album of carefully crafted pop music spun around literary characters favored by Iti and Sarra; this time around their latest video pays homage to Katherine Mansfield’s “The Daughters of the Late Colonel.” One of the reasons I love this tune is that it introduces a harsher element to some of the record’s shinier moments. Sure, there’s still a nice electronic brush atop it, but the song is all about the perfect balance and execution, shining through at the 2:44 mark as the song hits that euphoric finale. If you dig what you hear, the album is available now via Soliti Music.
On their debut self-titled album, Love Tractor formed their own dance sound inside the city of Athens, just about the time Pylon and the B-52s were also making waves in the sleepy college town. They wanted to craft music they could dance to, and here, while we’re getting a re-imagined version, we’re getting a glimpse of the dance sound they drafted; there’s something primal and brooding in the construction, encouraging the pulsating spasms on the dance floor. I love that little organ/keyboard popping in around the 1:35 mark, building in further texture to the track while the rhythm section just pulses and pushes towards the future. This version of “Festivals” will appear on a special RSD 7″ for November 6th, two weeks before the band reissue their debut courtesy of HHBTM Records.
Optic Sink is the new project from Natalie Hoffman (NOTS) and Ben Bauermeister (Magic Kids); they’ve just announced their debut felt-titled album via Goner Records. While the presser hints at a wide range of sounds, our first listen is this pulsing electronic number, matched up with this visual enhancer. For me, the song sort of strips the humanity from Hoffman, offering an almost sterile machine-like vision, devoid of emotions in its presentation. Perhaps its a last gasp, a final attempt to hold onto all that we hold dear as we struggle with loss on so many levels. Whatever it may be, it’s definitely cool to my ears. The LP will be released on October 2nd.
First, I’m really really into what Finnish outfit Rules are doing at the moment. They’re crafting these undeniably catch pop tunes, built around heavy synth work and melodic vocals you can’t hide from. Sure, tons of folks are doing that at the moment, says you, but none quite so convincing at this duo. Plus, through their work, they’re also utilizing their love for literature and literary storytelling alike. This single is based upon the Raymond Carver short story “What We Talk About When We Talk About Love;” so, as a person dabbling in the teaching of English, I’m always drawn to those who utilize literature in their own storytelling. They will be releasing their debut album on August 21st via Soliti.
Obviously, today is all about giving a dollar or two towards your favorite artists and labels, and trust us, that’s what we should be doing all year long. But, let’s not forget the music world still must go on too…and there’s a few releases today I wanted to turn your direction towards…maybe say a few words with some links for buying and what not. Check the jump and pick up some stuffs.
Man Toronto based outfit Tallies are quickly becoming one of my new favorite bands of 2018. Having already won my heart with “Beat the Heart” a month ago, the band now return with this hit new single “Watercolored Shoegaze”. As the name suggests, this certainly falls into the shoegaze genre but with some elements of 80s alt-rock thrown in to keep things interesting. If you haven’t yet, it’s time you check out Tallies and the beautiful voice from Sarah Cogan.
Tallies will release their self-titled debut LP on January 11th via Kanine Records.
Repo Fam is the new project of Baltimore’s Michelle Pena, and according to the one-sheet, her songs share the approach of filmmakers in creating images that are emotive. Pena does so on this video with that discordant twang of the guitar; it sort of stomps on your eardrums as the vocals playfully prance around your inner ear canal. The drums, though dampened in the mix, have this almost intoxicating tribalism, drawing you deep into the cavernous craft of that is “Skip to My Lou.” Repo Fam will release the self-titled LP via Gentle Reminder Records on September 28th.